The 1960's classic "big monster" movie Gorgo becomes a comic book with scripts by the prolific Joe Gill and wonderful art by Spider-Man creator Steve Ditko.

Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.

Every record has been destroyed or falsified. Every book has been rewritten. Every picture has been repainted. History has stopped. Nothing exists except the endless present and there is nothing that stands against the end of history and the enslavement of Man. Except The Hammer of Freedom!

In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.

Technically it's only kidnapping if she tries to leave.

In the thousands of comic book stories Chuck has written there are a few that have never been re-printed anywhere. He's dusting off a few of these lost and forgotten short stories and sharing them on Arktoons. Enjoy these blasts from Chuck's past.

The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.

From the mean streets of Moseley to the oceanfront villas of Diamond Beach, crime affects everyone in Avalon. And the presence of the superhumans known around the city as "specials" hasn't necessarily made life for the average citizen any better, since the local vigilantes are as apt to demand payment for their protection as they are to provide their services for free. The crime-fighting duo of King Ace and Fazer are true heroes, not vigilantes, as Fazer explains the difference to a reporter interviewing him for the Avalon Sentinel. A hero doesn't expect thanks or payment, he helps people because it is the right thing to do. And a hero doesn't kill anyone, ever. All Fazer and the big guy are trying to do is make everyday life better for everyone who lives in their city. But even heroes face temptation.

The 1960's classic "big monster" movie Gorgo becomes a comic book with scripts by the prolific Joe Gill and wonderful art by Spider-Man creator Steve Ditko.

Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.

Every record has been destroyed or falsified. Every book has been rewritten. Every picture has been repainted. History has stopped. Nothing exists except the endless present and there is nothing that stands against the end of history and the enslavement of Man. Except The Hammer of Freedom!

In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.

Technically it's only kidnapping if she tries to leave.

In the thousands of comic book stories Chuck has written there are a few that have never been re-printed anywhere. He's dusting off a few of these lost and forgotten short stories and sharing them on Arktoons. Enjoy these blasts from Chuck's past.

The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.

From the mean streets of Moseley to the oceanfront villas of Diamond Beach, crime affects everyone in Avalon. And the presence of the superhumans known around the city as "specials" hasn't necessarily made life for the average citizen any better, since the local vigilantes are as apt to demand payment for their protection as they are to provide their services for free. The crime-fighting duo of King Ace and Fazer are true heroes, not vigilantes, as Fazer explains the difference to a reporter interviewing him for the Avalon Sentinel. A hero doesn't expect thanks or payment, he helps people because it is the right thing to do. And a hero doesn't kill anyone, ever. All Fazer and the big guy are trying to do is make everyday life better for everyone who lives in their city. But even heroes face temptation.