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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: War
Chuck Dixon Presents: War
90 episodes
by The Legend Chuck Dixon
Chuck Dixon Presents: War! The grim and the glorious are presented in a classic four-color display, culled from the pages of the fightin'est comic books ever produced and drafted into service by comic book warrior Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series Midnight's War
Midnight's War
77 episodes
by Vox Day
In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.
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A tiny thumbnail of the cover art for the comics series Jack Rabbitt Comics
Jack Rabbitt Comics
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A tiny thumbnail of the cover art for the comics series Treasury of Tales
Treasury of Tales
81 episodes
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A tiny thumbnail of the cover art for the comics series The Awakener
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A federal agent of the Brazilian Special Armed Division, Miguel is a highly trained weapons expert. But after experiencing a traumatic personal loss, he assumes the identity of a masked vigilante and begins a single-minded pursuit of vengeance. The Awakener deals out justice with his own hands, exterminating the politicians and corrupt businessmen who are preying upon his suffering people. NOTE: This series is rated R.
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A tiny thumbnail of the cover art for the comics series Ben Garrison Classics
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Ben Garrison was sick of banker bailouts, political corruption and vanishing freedom. He decided to do something. He published his political cartoons on the Internet where they were seen by millions. Then came a legion of trolls on a twisted mission to destroy his reputation and silence him. These are the comics they tried to disappear....
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A tiny thumbnail of the cover art for the comics series The Stranded
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Presented in color for the first time and with its original title. Re-titled to the clunky TIME-JUMP WAR by the publisher, this sci-fi mini series has not been seen since the 1980's. The epic, eons-spanning story features terrific art by my Argentinos amigo Enrique Villagran.
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A tiny thumbnail of the cover art for the comics series The Chronicles of the Adventure, Hunting, and Liquidation Committee
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: War
Chuck Dixon Presents: War
90 episodes
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Chuck Dixon Presents: War! The grim and the glorious are presented in a classic four-color display, culled from the pages of the fightin'est comic books ever produced and drafted into service by comic book warrior Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series Midnight's War
Midnight's War
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In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.
353594 views29757 likes
A tiny thumbnail of the cover art for the comics series Jack Rabbitt Comics
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A tiny thumbnail of the cover art for the comics series Treasury of Tales
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81 episodes
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The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.
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A tiny thumbnail of the cover art for the comics series The Awakener
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A federal agent of the Brazilian Special Armed Division, Miguel is a highly trained weapons expert. But after experiencing a traumatic personal loss, he assumes the identity of a masked vigilante and begins a single-minded pursuit of vengeance. The Awakener deals out justice with his own hands, exterminating the politicians and corrupt businessmen who are preying upon his suffering people. NOTE: This series is rated R.
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A tiny thumbnail of the cover art for the comics series Ben Garrison Classics
Ben Garrison Classics
85 episodes
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Ben Garrison was sick of banker bailouts, political corruption and vanishing freedom. He decided to do something. He published his political cartoons on the Internet where they were seen by millions. Then came a legion of trolls on a twisted mission to destroy his reputation and silence him. These are the comics they tried to disappear....
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A tiny thumbnail of the cover art for the comics series The Stranded
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A tiny thumbnail of the cover art for the comics series The Chronicles of the Adventure, Hunting, and Liquidation Committee
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Bohdan Blood was a busy young man. Being the President of the AH&L Committee in the middle of World War Three did that, but now rumors of witchcraft and Cartel incursions around his Ozark home were making things downright unhealthy. Together with his wily friends Bohdan and company will dodge drafts, hunt cryptids, and burn witches in style to keep their neck of the woods from looking like a New York hellscape. Just another day for the Adventure, Hunting, and Liquidation Committee.
9858 views463 likes
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Through the True Abyss panel 1

Exodus 14:14, ‘YHWH will fight for you, and you have only to be silent.’

Moses speaks this promise to Israel as they stand on the banks of the Red Sea. Death is before them in the churning waves of the abyss, death is behind them in the hammering hooves and flashing swords of the Egyptian army, and into this crushing press of death, Moses calls God’s people to, ‘Fear not, stand firm, and see the salvation of YHWH . . . YHWH will fight for you, and you have only to be silent.’ And we know what happens: the abyss is torn in two, Israel passes trough the waters unscathed, the pursuing army is destroyed, and the majesty of YHWH is made known to all the nations.

However, Israel’s passage through the abyss points to—and is only possible because of—the passage of True Israel through the True Abyss, namely, Christ’s descent to the depths of the Curse on Calvary and His ascent to new and indestructible life through the Resurrection. This is the supreme fulfillment of Moses’ words. The Beloved Son passes into the Sea of Death and Damnation in the silence of perfect submission to His Father’s will, and as He lies silent in the grave, the Father ‘fights for Him,’ splitting the Abyss in two, bringing His Son— His Beloved ‘Israel’—out into Life, shattering the enemy, and manifesting His majesty to the nations.

And this is how God ‘fights for’ us as well. Every salvation, every victory, every redemption is achieved in the moment of Christ’s resurrection from the dead, and we receive and enter into this salvation by virtue of our union to Him. Our silent faith in the face of *this* trial is participation in Christ’s silent faith on the cross and in the grave . . . and God’s fighting for us in *this* trial is our reception of yet another aspect of that single, omni-temporal master stroke of salvation He achieved with Christ’s resurrection from the dead.

So, in this image, the scene beneath the wave represents not only all the trials under which we might ‘be silent’ and wait for the Lord’s salvation, but it ultimately represents Christ’s vicarious death for His bride. Beneath the Sea, Jesus’ hands are crossed as in a tomb and he is bound in the linen cloths of his burial. The cloths are red both because of our sin that demanded death and His blood that overcame death.

But see that the cloths are being stripped away even as the Sea is parting around Jesus head. This represents Christ’s resurrection from the dead, whereby Death itself is torn asunder and made the pathway into the promised land of life in God’s presence (pictured by the mountain in the distance) for all who trust in Jesus. The Bride of Christ is pictured as held in the wounds of Christ’s hands. She joins Him in both His death and resurrection . . . silently waiting for salvation under trial, and yet knowing beyond doubt that the Lord Himself will fight for her, applying in her present the eternal victory of Jesus’ resurrection. This is true in every small scale trial that she faces, and will be finally true when each of her members passes through the final trial of death itself.

Lastly, the face of the risen Jesus is shining brightly and superimposed over the distant image of Sinai / Zion. This is a reminder that the glory of YHWH God— the glory revealed to Moses on Sinai, the glory beheld on the eschatological Zion—is the glory that was definitively manifest on Calvary. It is in the ‘face’ of the crucified and risen Jesus that the beauty of the One True God—the God of Israel, the God of the Exodus, YHWH Himself—is perfectly and savingly revealed to the eyes of faith (2 Cor.4:6).

Through the True Abyss panel 3
Full of Eyes series cover
Through the True Abyss episode cover
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26K views • 1.5K likes
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Full of Eyes

Created by
author avatar
WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
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