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A tiny thumbnail of the cover art for the comics series Hypergamouse
Hypergamouse
118 episodes
by Lacey Fairchild
The first and only comic series about Game and the Socio-Sexual Hierarchy! Because if you can't figure out why you don't have a date and no one is interested in you, you're definitely not alone....
1378386 views51267 likes
A tiny thumbnail of the cover art for the comics series Invasion '55
Invasion '55
106 episodes
by The Legend Chuck Dixon
Chuck Dixon's unapologetic homage to the 50's movies he watched on the Early Show as a kid. He describes it as 'A real labor of love and a ball to write. Bad guys from outer space versus the US Air Force.' What's not to love? It also "inspired" the "surprise" ending of M. Night Shaymalan's movie Signs. Chuck is still waiting on his check. Lito Fernandez brings a real period feel to this limited series with his Frank Robbins/ Milton Caniff inspired artwork. We discovered multiple missing pages from the original Invasion '55 story, restored and reintegrated them into their rightful place, and are re-releasing the story in its restored glory.
78636 views4194 likes
A tiny thumbnail of the cover art for the comics series 飞行火花
飞行火花
49 episodes
by Jon Del Arroz
克洛伊·安德森(Chloe Anderson)白天是一名物理系学生,是一个勤奋、聪明的女孩,她和她的疯狂科学家教授关系密切,并作为助教与他一起工作。 她也是一个超级英雄,元女孩。 约翰尼·本维努蒂(Johnny Benvinutti)来自一个知名的意大利犯罪家族,最近他发现自己有能力用手发射闪电。他经营着一家咖啡店的门面生意。当他们两个相遇时,《火花》在多个层面上飞溅。但他们能在保持关系的同时对彼此保密吗?
3602 views
A tiny thumbnail of the cover art for the comics series Paper Doll Veronika
Paper Doll Veronika
197 episodes
by Mary MacArthur
Veronika Bosch, who's never left her father's estate, has to go on a journey when envious animals kick her out. Half collage, half puppetry, a fairy tale adventure made with hand-drawn paper dolls.
91394 views8337 likes
A tiny thumbnail of the cover art for the comics series Frankenstein - The Return
Frankenstein - The Return
47 episodes
by Independent creator
The rebirth of a monster. For a hundred years castle Frankenstein has been a silent ruin. But now, the monster created by Dr. Frankenstein is about to reawaken to once again spread terror, destruction, and death. Can anyone stop the monster once and for all?
19672 views625 likes
A tiny thumbnail of the cover art for the comics series Quantum Mortis
Quantum Mortis
73 episodes
by Vox Day
The independent planet of Rhysalan provides Sanctuary to 1,462 governments-in-exile. It is the responsibility of the Xenocriminology and Alien Relations department of the Military Crimes Investigation Division to keep a firm leash on the hundreds of thousands of xenos residing on-planet. Assassinations, revolutions, civil wars, and attempted planetary genocides are all in a day's work for Chief Warrant Officer Graven Tower, MCID-XAR. In addition to a missile-armed aerovar, his trusty Sphinx CPB-18, and MCID's extremely liberal policies concerning collateral damage and civilian casualties, Chief Tower is assisted by his extreme xenophobia as well as a military-grade augmented machine intelligence that believes it has found God. QUANTUM MORTIS is an action-packed Mil-SF mystery series.
114826 views11845 likes
A tiny thumbnail of the cover art for the comics series Aesops Fables
Aesops Fables
80 episodes
by Independent creator
Aesops Fables are a collection of short stories that each contain a moral or lesson. These fables (such as 'The Boy who Cried Wolf') are known across the world. Aesop was a Greek slave who lived during the 5th century BC and either created or popularised existing fables, so their wisdom could be enjoyed by future generations.
33999 views833 likes
A tiny thumbnail of the cover art for the comics series Day by Day
Day by Day
284 episodes
by Chris Muir
Snapshots of an American family dealing with the farcical wokeness of the United Socialist States of Amerikka of today, a Leviathan that daily oppresses their freedoms and agency.
118000 views
A tiny thumbnail of the cover art for the comics series Hypergamouse
Hypergamouse
118 episodes
by Lacey Fairchild
The first and only comic series about Game and the Socio-Sexual Hierarchy! Because if you can't figure out why you don't have a date and no one is interested in you, you're definitely not alone....
1378386 views51267 likes
A tiny thumbnail of the cover art for the comics series Invasion '55
Invasion '55
106 episodes
by The Legend Chuck Dixon
Chuck Dixon's unapologetic homage to the 50's movies he watched on the Early Show as a kid. He describes it as 'A real labor of love and a ball to write. Bad guys from outer space versus the US Air Force.' What's not to love? It also "inspired" the "surprise" ending of M. Night Shaymalan's movie Signs. Chuck is still waiting on his check. Lito Fernandez brings a real period feel to this limited series with his Frank Robbins/ Milton Caniff inspired artwork. We discovered multiple missing pages from the original Invasion '55 story, restored and reintegrated them into their rightful place, and are re-releasing the story in its restored glory.
78636 views4194 likes
A tiny thumbnail of the cover art for the comics series 飞行火花
飞行火花
49 episodes
by Jon Del Arroz
克洛伊·安德森(Chloe Anderson)白天是一名物理系学生,是一个勤奋、聪明的女孩,她和她的疯狂科学家教授关系密切,并作为助教与他一起工作。 她也是一个超级英雄,元女孩。 约翰尼·本维努蒂(Johnny Benvinutti)来自一个知名的意大利犯罪家族,最近他发现自己有能力用手发射闪电。他经营着一家咖啡店的门面生意。当他们两个相遇时,《火花》在多个层面上飞溅。但他们能在保持关系的同时对彼此保密吗?
3602 views
A tiny thumbnail of the cover art for the comics series Paper Doll Veronika
Paper Doll Veronika
197 episodes
by Mary MacArthur
Veronika Bosch, who's never left her father's estate, has to go on a journey when envious animals kick her out. Half collage, half puppetry, a fairy tale adventure made with hand-drawn paper dolls.
91394 views8337 likes
A tiny thumbnail of the cover art for the comics series Frankenstein - The Return
Frankenstein - The Return
47 episodes
by Independent creator
The rebirth of a monster. For a hundred years castle Frankenstein has been a silent ruin. But now, the monster created by Dr. Frankenstein is about to reawaken to once again spread terror, destruction, and death. Can anyone stop the monster once and for all?
19672 views625 likes
A tiny thumbnail of the cover art for the comics series Quantum Mortis
Quantum Mortis
73 episodes
by Vox Day
The independent planet of Rhysalan provides Sanctuary to 1,462 governments-in-exile. It is the responsibility of the Xenocriminology and Alien Relations department of the Military Crimes Investigation Division to keep a firm leash on the hundreds of thousands of xenos residing on-planet. Assassinations, revolutions, civil wars, and attempted planetary genocides are all in a day's work for Chief Warrant Officer Graven Tower, MCID-XAR. In addition to a missile-armed aerovar, his trusty Sphinx CPB-18, and MCID's extremely liberal policies concerning collateral damage and civilian casualties, Chief Tower is assisted by his extreme xenophobia as well as a military-grade augmented machine intelligence that believes it has found God. QUANTUM MORTIS is an action-packed Mil-SF mystery series.
114826 views11845 likes
A tiny thumbnail of the cover art for the comics series Aesops Fables
Aesops Fables
80 episodes
by Independent creator
Aesops Fables are a collection of short stories that each contain a moral or lesson. These fables (such as 'The Boy who Cried Wolf') are known across the world. Aesop was a Greek slave who lived during the 5th century BC and either created or popularised existing fables, so their wisdom could be enjoyed by future generations.
33999 views833 likes
A tiny thumbnail of the cover art for the comics series Day by Day
Day by Day
284 episodes
by Chris Muir
Snapshots of an American family dealing with the farcical wokeness of the United Socialist States of Amerikka of today, a Leviathan that daily oppresses their freedoms and agency.
118000 views
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Christian Suffering panel 1

Besides creating art for Full of Eyes, I’m also the pastor of a small congregation in rural Ohio. Recently, Anna Mae, the mother of one of our members, fell down the stairs at her home and her frail, 94 year, old body was terribly broken. The prayers and ministrations and conversations that have been drawn out from the Body of Christ—locally and nationally—during the weeks of Anna Mae’s hospitalization moved me to muse over Paul’s words in 2 Corinthians 1:5, ‘For just as the sufferings of Christ abound unto us, so through Christ also abounds our comfort.’ In this passage, Paul assumes that his own suffering (and, by extension, all Christian suffering) is the suffering of Christ. That is to say, since Jesus made our suffering His suffering on the cross, we may now understand our present, temporal sufferings as united to and a genuine sharing in the sufferings of His Passion. This all stems from our Spirit-wrought union to Christ and the fact that, as Christians, we *really are* part of His Body . . . the implications to this are many and here’s a snippet from a recent journal entry considers some of them that went on to become today’s visual exegetical image:

Because all Christian suffering is borne in the sufferings of Christ—and so inseparably joined to the resurrection of Christ—all Christian suffering is *fruitful,* all Christian suffering is *working,* all Christian suffering is *achieving* the riches of Christ’s resurrection-illumined sufferings . . . .A Christian cannot suffer in vain because the sufferings of Christ—which all Christian sufferings are—are not in vain, as the resurrection proves once and for all.

Paul tells us that one of the fruits of Christian suffering is the comfort of other Christians. This is a principle that we’ve already seen played out in the Psalms where the crushing of David’s soul like grapes in a winepress yields the sweet wine of comfort and peace and enduring joy for countless saints throughout the ages. But the same is true for all sufferings of Christ’s Body . . . As with her Lord, so with her self, the Church cannot be wounded but that it should bring healing . . . The bleeding of the Church—whose bleeding is the bleeding of Christ—is a healing flow . . . .the wounds of the Bride are for the binding up of wounds, the blood of the Bride is balm for the broken, the weeping of the Bride yields the cool waters of relief (waters that will be turned, in time, the the nuptial wine of joy), and all of this because the Bride’s wounds and blood and tears are those of Christ, whose crucified and risen Body she truly is.

And the bleeding of the Bride is the bleeding of her members, the tears of the bride are the tears of her members, the wounds of the Bride are the wounds of her members . . . my blood, your blood, my tears, your tears, my brokenness, my disease, my sorrow, my anguish, my chronic and acute pain—and yours, Christian—are the wounds of the Bride, and Her wounds are the wounds of Her Lord, and His wounds are for the healing of the world.

As dear Anna Mae, 94 years old, lies in bed with a shattered body and wearied mind, breathing out what are likely the final days of her life her woundedness and weariness are fountains of healing and springs of comfort and wells of peace pouring out unto the healing the Body, of the world, and, indeed, of the cosmos itself. Why? Because her woundedness is the woundedness of the Bride, whose woundedness is the woundedness of Christ, whose woundedness achieves the restoration and reconciliation of all things (Phil.2:9-11, Col.1:19-20). As Anna Mae lies on a hospital bed in the middle of Ohio, beset by weakness and confusion, mercifully woven by the Spirit into the mortal sufferings of her Lord, her agonies (as they are united to His own) are securing the bowing of every knee and confessing of every tongue and rejoicing of every reconciled heart before the face of the risen Jesus Christ.

What a wonder and a mystery and a hope beyond all reckoning to be a part of the Body of the anastasiform Son of God.

Christian Suffering panel 3
Full of Eyes series cover
Christian Suffering episode cover
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26K views • 1.5K likes
8 comments

Full of Eyes

Created by
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WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
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Reoriented AffectionsEpisode #67
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Christian Suffering
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