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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: War
Chuck Dixon Presents: War
90 episodes
by The Legend Chuck Dixon
Chuck Dixon Presents: War! The grim and the glorious are presented in a classic four-color display, culled from the pages of the fightin'est comic books ever produced and drafted into service by comic book warrior Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series Spacekraken
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A tiny thumbnail of the cover art for the comics series Based Comic
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A tiny thumbnail of the cover art for the comics series Chuck Dixon’s Avalon
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Mystery
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
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A tiny thumbnail of the cover art for the comics series How to Succeed Like a Dark Lord
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A tiny thumbnail of the cover art for the comics series Hammer of Freedom 2
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48716 views3331 likes
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: War
Chuck Dixon Presents: War
90 episodes
by The Legend Chuck Dixon
Chuck Dixon Presents: War! The grim and the glorious are presented in a classic four-color display, culled from the pages of the fightin'est comic books ever produced and drafted into service by comic book warrior Chuck Dixon.
70492 views10733 likes
A tiny thumbnail of the cover art for the comics series Spacekraken
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A tiny thumbnail of the cover art for the comics series Based Comic
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A tiny thumbnail of the cover art for the comics series Chuck Dixon’s Avalon
Chuck Dixon’s Avalon
106 episodes
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From the mean streets of Moseley to the oceanfront villas of Diamond Beach, crime affects everyone in Avalon. And the presence of the superhumans known around the city as "specials" hasn't necessarily made life for the average citizen any better, since the local vigilantes are as apt to demand payment for their protection as they are to provide their services for free. The crime-fighting duo of King Ace and Fazer are true heroes, not vigilantes, as Fazer explains the difference to a reporter interviewing him for the Avalon Sentinel. A hero doesn't expect thanks or payment, he helps people because it is the right thing to do. And a hero doesn't kill anyone, ever. All Fazer and the big guy are trying to do is make everyday life better for everyone who lives in their city. But even heroes face temptation.
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Mystery
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54 episodes
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Mysterious monsters, time travellers, magical idols, invaders from the 4th dimension, sentient plants, and so much more await in Chuck Dixon Presents: Mystery. This is a series of strange, spooky, and science fiction stories hand selected by that master of mysterious comics, the legend Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
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137 episodes
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A tiny thumbnail of the cover art for the comics series How to Succeed Like a Dark Lord
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A tiny thumbnail of the cover art for the comics series Hammer of Freedom 2
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Cricifixion Baptism panel 1

Luke 12:50, ‘I have a baptism to be baptized with, and how great is my distress until it is accomplished!’

The ‘baptism’ in view here is the crucifixion.

Much could be said about this passage, but all I wanted to consider in today’s post (and picture) is that Jesus knew what was set before Him and lived out His life—at least His entire public ministry—under the crushing weight of that knowledge.

And remember what that baptism—the crucifixion—was: it was Jesus bearing in Himself the full burden of sin and its effects for His people . . . .Yes, the full punishment for sin . . . but also the suffering and sorrow and affliction that befalls us in a sin-scarred world (Is.53:4-6). In other words, every trial or hardship or sorrow or suffering or grief or sickness or pain or loss the people of Christ will ever—or can ever—face in this life was, in the mystery of His passion, borne in Him on the cross. This, in turn, means that the distress He experienced as He anticipated His ‘baptism’ was a joining with us in the distress of our own anticipation of our own hardships.

He bore not only the experience of the hardship itself, but also the agony of the expectation, the crippling weight of the anticipation . . . that too, He bore for and as us. And He bore it not as a fearful, anxious, love-crippling burden, but as a weight endured in hope and in peace through the continual casting of Himself upon His Father. How do I know this? Because I know that Jesus practiced what He preached. Here’s what I mean:

Just a few verses earlier, Jesus called on His disciples not to be anxious, but instead to observe their Father’s provision for the world and to cast their own anxieties about tomorrow upon Him, knowing that He will provide all that is needful (Lk 12:22-34, c.f., Matt 6:25-34). When He said that, I believe He was drawing upon His own strategy of peace in the face of the overwhelming threat of the cross that hung as a banner over His entire life.

Jesus’ war of faith to trust in and lean upon His Father in the face of the looming baptism of Calvary was a war on our behalf because the distress on account of which He waged that war was our distress—my distress—borne by Him in love. No matter what lies before us, it has already been not only endured, but also approached and anticipated, in perfect faith in and a child-like peace before our Father by Jesus Christ . . . .And through our union to Him in faith by the Spirit, we enter into Christ’s own approach, Christ’s own anticipation, and Christ’s own endurance of our every hardship . . . .and so also into the peace with which He received them, AND into the resurrection by which He rose up in invincible joy beyond them.

So, in this picture, the baptism of the crucifixion descends as a deluge from the top of the scene. Water is a powerful and multivalent symbol in Scripture, here it represents the chaos and un-making resulting from our sin (including all the sorrows and sufferings of sin’s effects) and the judgment due to that sin. Beneath this, Christ stands as the sole representative of all His people (who are pictured as literally inside of Him), anticipating AS them and FOR them every affliction they will ever face. Finally, the halo around Christ is the green pastures and blue skies in which His soul rests as He depends wholly upon His Father. He faces the coming affliction not in fear or anxiety, but in the stillness of a soul that casts itself wholly upon the Shepherding care of His Father . . . And, because He has faced all our afflictions from this place of rest, we too—in Him—may face whatever life brings, not from a posture of fear, but of Christ’s own peace.

Cricifixion Baptism panel 3
Full of Eyes series cover
Cricifixion Baptism episode cover
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Full of Eyes

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WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
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