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A tiny thumbnail of the cover art for the comics series Cosmic Horrors
Cosmic Horrors
41 episodes
by Independent creator
From the depths of uncharted oceans to the heights of the mountains of madness. Join us as we encounter Herbert West, Dagon, and the warped inhabitants of Innsmouth as we uncover the cosmic horrors of H. P. Lovecraft and Cthulhu.
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A tiny thumbnail of the cover art for the comics series Full of Eyes
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by WisePathBooks
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A tiny thumbnail of the cover art for the comics series WokelyCorrect
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I like making people laugh & I dislike Woke politics. So I made these comics for us to laugh at Woke politics together and push back against its stupidities. I will stop mocking when it leaves us alone.
45733 views
A tiny thumbnail of the cover art for the comics series Savage Memes
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A tiny thumbnail of the cover art for the comics series 纸娃娃维罗妮卡
纸娃娃维罗妮卡
33 episodes
by Independent creator
纸娃娃维罗妮卡 by Mary Macarthur 维罗妮卡·博世从未离开过她父亲的庄园,当嫉妒的动物把她赶出去时,她不得不去旅行。一半拼贴画,一半木偶戏,传统媒体相当于精心制作的精灵漫画。 纸娃娃维罗妮卡 - 第14集:走进森林空地(二)
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Mystery
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A tiny thumbnail of the cover art for the comics series Neural Network Novellas
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A tiny thumbnail of the cover art for the comics series Silenziosa
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A tiny thumbnail of the cover art for the comics series Cosmic Horrors
Cosmic Horrors
41 episodes
by Independent creator
From the depths of uncharted oceans to the heights of the mountains of madness. Join us as we encounter Herbert West, Dagon, and the warped inhabitants of Innsmouth as we uncover the cosmic horrors of H. P. Lovecraft and Cthulhu.
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A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
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The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
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A tiny thumbnail of the cover art for the comics series WokelyCorrect
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A tiny thumbnail of the cover art for the comics series Savage Memes
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A tiny thumbnail of the cover art for the comics series 纸娃娃维罗妮卡
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Mystery
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A tiny thumbnail of the cover art for the comics series Neural Network Novellas
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A tiny thumbnail of the cover art for the comics series Silenziosa
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Annos Dormi panel 1

CHAPTER ONE: Annos Dormi

"Death is nothing to us, for when we are, death is not, and when death is, we are not."
— Epicurus, Letter to Menoeceus


The Abbey Library of Saint Gallen was a cathedral of whispers. Its vaulted ceilings held not just the weight of stone, but the mass of centuries—manuscripts breathing in the dark, parchment exhaling dust. Brother Lukas Sterchi, the youngest among the monastery’s librarians, moved through the rows with the reverence of a man walking through a graveyard of time. His fingers, pale and ink-stained, traced the spines of codices as if reading their histories through touch alone.

It was on the third day of Lent, in the brittle light of a Swiss winter morning, that he found it.

Tucked between a crumbling copy of Isidore’s Etymologiae and an unremarkable psalter, there was a folio bound in ancient, cracking leather, its spine entirely unmarked. No catalog entry, no mention in the library’s meticulous registers. It was as if the book had slipped between the shelves like a shadow between seconds.

Lukas drew it out with care. The cover bore no title, only a faded symbol on the front—a circle quartered by a cross, its edges worn soft by time. When he opened it, the dried-out glue of the fragile pages crackled in protest. The script was Carolingian minuscule, precise and sharp, but the words made little sense at first glance.

Anno Domini 914. Annos dormi.

Lukas frowned. The phrasing was odd, almost heretical. “Annos dormi.” The years lie? What could that mean? He carefully turned the page, translating the old Latin in his head without even thinking about it.

What men today call the seventh and eighth centuries are a phantom epoch. The years from 666 to 911 were never lived by Man. They are a scribe’s invention, a fiction woven into the chronicles by those who ever seek to bend time to their implacable will.

A chill prickled the back of his neck. He knew, of course, of the debates among historians—discrepancies in dating, gaps in records, the strange repetitions in certain chronicles, the ten days that vanished with the change to the Gregorian Calendar in 1582. But this was no scholarly hypothesis. This was a confession.

The next pages were filled with tables—astronomical observations, lunar cycles, lists of eclipses that did not align with the accepted calendar. Calculations in the margins, dense with abbreviations, pointed to deliberate falsifications. And then, the name that made Lukas’s breath catch:

Gregorius, who forged Time.

Gregory. A pope? A scribe? A phantom?

A voice behind him shattered the silence.

“Brother Lukas.”

He snapped the book shut, but not before the senior librarian, Father Umbertus, had seen the symbol on its cover. The old man’s face, usually as composed as the marble saints in the cloister, twisted in something like fear.

“Where did you find that?”

Lukas hesitated. “Between Isidore and the psalter.”

Umbertus reached for it, his fingers trembling. “This is not for you, my son.”

“But Father, it speaks of—”

“Silence!” The librarian’s vehemence shocked him into compliance. Umbertus clutched the book to his chest as if it were a living thing that might escape. “There are truths that men are not meant to know. There are secrets that are better left undisturbed. Go now, my son. Pray for wisdom... and discretion.”

That night, Lukas lay awake, the words burning behind his eyelids like a brand.

The years from 666 to 911 were never lived by Man.

Could it possibly be true? And if it was true—what else had been erased?

And more importantly, by whom?

And why?



Tempus Occultum series cover
Annos Dormi episode cover
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Tempus Occultum

Created by
author avatar
Vox Day
A archeo-historical thriller written in the unforgettable style of the late Umberto Eco. The novel tells the tale of a young monk-librarian who discovers a secret hidden in the distant past that threatens to upend the entire written history of Man.
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