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A tiny thumbnail of the cover art for the comics series Seasons
Seasons
40 episodes
by Nandor Fox Shaffer
SEASONS is an intertwining, deeply symbolic, allegorical drama and character-study that explores complex themes of identity, existence, purpose, responsibility, the world within and the world around us. With each passing season, Fletcher Hart Iiams gains a new set of incredible powers to overcome the challenges and enemies in his personal path to self-discovery and meaning. Written by Nandor Fox Shaffer. Art by Anthony Gonzales-Clark
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A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
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In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
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A tiny thumbnail of the cover art for the comics series Coneman Comics
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In sweet snowy Elcon thrive wee conemen.
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: War
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A tiny thumbnail of the cover art for the comics series Aesops Fables
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Aesops Fables are a collection of short stories that each contain a moral or lesson. These fables (such as 'The Boy who Cried Wolf') are known across the world. Aesop was a Greek slave who lived during the 5th century BC and either created or popularised existing fables, so their wisdom could be enjoyed by future generations.
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A tiny thumbnail of the cover art for the comics series Three of Cups
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What if life was the adventure? Rose has always wanted to be a bard. A musician who inspires emotions by infusing her song with just a thread of magic. The course seems clear. Attend Bardic College in Splendor, the biggest city in the Realm, and graduate their four-year course. It seems easy enough. Along the way to Splendor, Rose meets Bosra, a grey-skinned giant-kin woman who is leaving her adventuring days behind her. Most adventurers don't retire. They either die as heroes or become villains. She intends to enjoy the fortune she's made in the most luxurious place she knows, the city of Splendor. Valentina, princess, contemplates whether there is more to life than what she is accustomed to, when Bosra and Rose find respite to the coffee shop she spends her free afternoons at. One conversation leads to another, and before she knows it, she's encouraged to step out of her gilded cage. Until those who built the cage come to drag her back. A cozy fantasy story.
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A tiny thumbnail of the cover art for the comics series Glimmer Vale
Glimmer Vale
31 episodes
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On the run from their past, swordsmen Raedrick Baletier and Julian Hinderbrook search for a place of refuge where they can start over. That search sends them through a remote mountain valley called Glimmer Vale, where unbeknownst to them, dark forces threaten the population’s lives and fortunes. With their hopes of quiet passage through the Vale dashed, and facing a deadly conflict against overwhelming odds, Raedrick and Julian will need all of their wit, courage, and skill just to survive, let alone prevail. Fans of sword and sorcery will enjoy this fast-paced tale of redemption set in a world of valor and magic. Glimmer Vale is the first book in the ongoing Glimmer Vale Chronicles heroic fantasy series. Fans can purchase the book directly from the author or through any of the online retailers: https://ssnstorytelling.com/product/glimmer-vale/ https://books2read.com/glimmervale
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Adventure
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A tiny thumbnail of the cover art for the comics series Seasons
Seasons
40 episodes
by Nandor Fox Shaffer
SEASONS is an intertwining, deeply symbolic, allegorical drama and character-study that explores complex themes of identity, existence, purpose, responsibility, the world within and the world around us. With each passing season, Fletcher Hart Iiams gains a new set of incredible powers to overcome the challenges and enemies in his personal path to self-discovery and meaning. Written by Nandor Fox Shaffer. Art by Anthony Gonzales-Clark
46917 views6407 likes
A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
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58 episodes
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In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
228017 views22043 likes
A tiny thumbnail of the cover art for the comics series Coneman Comics
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: War
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Chuck Dixon Presents: War! The grim and the glorious are presented in a classic four-color display, culled from the pages of the fightin'est comic books ever produced and drafted into service by comic book warrior Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series Aesops Fables
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A tiny thumbnail of the cover art for the comics series Three of Cups
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A tiny thumbnail of the cover art for the comics series Glimmer Vale
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A Scolaris Gestos III panel 1

Chapter Three: A Scolaris Gestos III


I returned to the scriptorium to find Brother Adelbert already there, unpacking another crate of manuscripts.

"The abbot spoke with you," he said, not looking up from his work.

"News travels quickly within these walls."

"Only certain kinds of news." He glanced at me, then away. "He is concerned for you. As are we all."

"And what exactly is it that concerns you, Brother Adelbert?" I asked, moving to help him with a particularly large codex. "What terrible fate do you imagine awaits me if I continue my research?"

He hesitated, his hands stilling on the manuscript. "There are stories," he said finally, his voice barely above a whisper, "of scholars who delved too deeply into certain matters. Men who asked questions that... disturbed the order of things."

"And what happened to these men?"

Adelbert shrugged, a small, nervous gesture. "They disappeared. Or they went mad. Or they recanted suddenly, becoming the most ardent defenders of the very ideas they had questioned."

"These sound like tales meant to frighten novices," I said, though a chill ran through me at his words.

"Perhaps." He turned his attention back to the crate. "But Father Umbertus is not a man given to superstition or idle threats. If he warns you away from a path, Brother Lukas, it is because he has seen where it leads."

I considered pressing him further, but we were interrupted by the arrival of two novices, sent to assist with the heavier work of moving and arranging the manuscripts. The moment for confidences had passed.

Throughout the afternoon, I continued my examination of the Reichenau documents, now with Brother Adelbert as my ever-present shadow. His presence limited my ability to take notes on my observations, but it could not prevent me from seeing what was increasingly obvious: the documents from the contested centuries had a quality of artifice about them, a consistency that spoke not of organic historical development but of careful, retrospective construction.

By vespers, I had formulated a plan. I would need access to astronomical records—calculations of eclipses, planetary conjunctions, and other celestial events that could be verified against modern observations. If the chronology had indeed been manipulated, such calculations would reveal the discrepancies.

After the evening meal, taken in silence as was our custom, I approached Brother Clemens, the abbey's astronomer and mathematician.

"Brother Clemens," I began, as we walked together toward the dormitory, "I find myself in need of your expertise."

The old monk raised his bushy eyebrows. "Indeed? How might I assist you, Brother Lukas?"

"I am examining some documents from Reichenau that make reference to astronomical events—eclipses, comets, unusual conjunctions. I wonder if you might have records that would help me date these phenomena precisely."

"Ah," he nodded, his eyes brightening with scholarly interest. "Yes, of course. Astronomy is the clockwork of history, is it not? Coeli enarrant gloriam Dei, as the Psalmist says."

"The heavens declare the glory of God," I translated automatically. "And in this case, perhaps they might declare something about our understanding of the past as well."

He gave me a curious look. "An intriguing way to phrase it. What period are you researching?"

"The eighth and ninth centuries," I said, watching his reaction carefully. "Particularly the reigns of the later Merovingians and early Carolingians."

Something flickered in his eyes—recognition? concern?—but he merely nodded. "I have some tables that might be of use to you. Calculations of eclipses visible from this region, recorded appearances of Halley's Comet, and so forth. They are in my observatory. Shall we say tomorrow, after the morning office?"

"That would be most helpful," I said, trying to contain my excitement. "Thank you, Brother Clemens."

"It is my pleasure to assist a fellow scholar." He paused, then added, seemingly as an afterthought, "Father Umbertus mentioned you have been... pursuing some unusual lines of inquiry of late."

So, Umbertus had spoken to Clemens as well. How many other brothers had been enlisted to monitor me?

"I follow where the documents lead," I said simply. "Is that not our duty as custodians of knowledge?"

"Indeed." He nodded slowly. "But sometimes, Brother Lukas, the documents lead us into territories best left unexplored. As Aristotle warned in his Metaphysics, 'The investigation of truth is in one way hard, in another easy.' The difficulty lies not in finding paths but in choosing wisely among them."

"I will remember your counsel," I said, bowing slightly as we reached the dormitory door.

"See that you do." His tone was gentler than Umbertus's had been, but the warning was no less clear. "Good night, Brother Lukas."

"Good night, Brother Clemens. Lux in tenebris lucet."

"Et tenebrae eam non comprehenderunt," he finished the quotation automatically. "The light shines in the darkness, and the darkness has not comprehended it."

I watched him shuffle away, wondering if he understood the significance of the exchange. If the accepted chronology was indeed a fabrication—a darkness imposed upon the light of truth—then my investigation might be the first gleam of illumination in centuries.

That night, in the secrecy of my cell, I added the day's observations to my hidden journal. I noted Brother Clemens's reaction, subtle though it had been, to my mention of the eighth and ninth centuries. I recorded the peculiarities I had observed in the Reichenau documents—the too-perfect script, the odd disconnection in the correspondence, the absence of authenticating details.

And I posed questions that now haunted me: If three centuries had been inserted into history, how had the deception been maintained? Who had orchestrated it, and to what end? And most troubling of all, who were "those who claim to be the guardians of true time," as Father Umbertus had called them?

Sleep eluded me, as it had for nights now. I lay on my pallet, staring up at the rough-hewn beams of the ceiling, tracing patterns in the wood that seemed, in my fatigued imagination, to form the quartered circle I had seen on the forbidden book.

"Historia est magistra vitae," I whispered into the darkness, quoting Cicero. "History is the teacher of life." But what if the history we knew was a lie? What lessons then could we draw from it?



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Tempus Occultum

Created by
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Vox Day
A archeo-historical thriller written in the unforgettable style of the late Umberto Eco. The novel tells the tale of a young monk-librarian who discovers a secret hidden in the distant past that threatens to upend the entire written history of Man.
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