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A tiny thumbnail of the cover art for the comics series Something Big
Something Big
80 episodes
by The Legend Chuck Dixon
Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.
146347 views18391 likes
A tiny thumbnail of the cover art for the comics series Spacekraken
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51 episodes
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Space Kraken is a webcomic based on the science fiction and super science happenings surrounding a mad scientist and house guests from beyond. And also, some side-trips into comic super heroes and other topics where they intersect with the occasional lab accident.
137367 views7170 likes
A tiny thumbnail of the cover art for the comics series Jack Rabbitt Comics
Jack Rabbitt Comics
174 episodes
by Ceylon
Stories about a rabbit named Rabbitt, fresh out of college, drowning in student debt, looking for a steady job, adventure, and a girlfriend.
11730 views
A tiny thumbnail of the cover art for the comics series Prophet to the Remnant
Prophet to the Remnant
75 episodes
by Nibmeister
Jesus Christ sends a resurrected Prophet to Christendom and gives him a year and a day to deliver a message and a warning to the remnants of the faithful.
4350 views
A tiny thumbnail of the cover art for the comics series Day by Day
Day by Day
284 episodes
by Chris Muir
Snapshots of an American family dealing with the farcical wokeness of the United Socialist States of Amerikka of today, a Leviathan that daily oppresses their freedoms and agency.
118000 views
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
72 episodes
by Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
15337 views479 likes
A tiny thumbnail of the cover art for the comics series Alt★Hero: Q
Alt★Hero: Q
84 episodes
by The Legend Chuck Dixon
When federal agent Roland Dane is sent to Peru to escort a U.S. Cabinet member, he has no reason to believe his assignment is connected in any way to his Treasury team's recent bust of a ring of amateur counterfeiters. But when the Secretary of State and his entourage is unexpectedly attacked and the subsequent news reports of the attack bear no resemblance to the events he witnessed, Dane is forced to confront the shocking discovery that nothing in his world is quite what it appears to be. Alt★Hero: Q is an incendiary comic series that explores the mysterious phenomenon of QAnon. Set in the Alt★Hero universe, the story is written by The Legend Chuck Dixon, the co-creator of Bane and the most prolific author in the history of comic books.
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A tiny thumbnail of the cover art for the comics series BOB
BOB
156 episodes
by WisePathBooks
Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
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A tiny thumbnail of the cover art for the comics series Something Big
Something Big
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146347 views18391 likes
A tiny thumbnail of the cover art for the comics series Spacekraken
Spacekraken
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137367 views7170 likes
A tiny thumbnail of the cover art for the comics series Jack Rabbitt Comics
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174 episodes
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Stories about a rabbit named Rabbitt, fresh out of college, drowning in student debt, looking for a steady job, adventure, and a girlfriend.
11730 views
A tiny thumbnail of the cover art for the comics series Prophet to the Remnant
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A tiny thumbnail of the cover art for the comics series Day by Day
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A tiny thumbnail of the cover art for the comics series Neural Network Novellas
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A tiny thumbnail of the cover art for the comics series Alt★Hero: Q
Alt★Hero: Q
84 episodes
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A tiny thumbnail of the cover art for the comics series BOB
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Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
599883 views28001 likes
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In about two hours the boat rested in a paved plaza close to the rocky wall of the valley. On one side I could view the entire city as it sloped from the plaza down to the old river-bank; on the other side, in startling proximity, I was confronted by the richly ornate and perfectly preserved facade of a great building, evidently a temple, hollowed from the solid rock. Of the original workmanship of this titanic thing I can only make conjectures. The facade, of immense magnitude, apparently covers a continuous hollow recess; for its windows are many and widely distributed. In the centre yawns a great open door, reached by an impressive flight of steps, and surrounded by exquisite carvings like the figures of Bacchanals in relief. Foremost of all are the great columns and frieze, both decorated with sculptures of inexpressible beauty; obviously portraying idealised pastoral scenes and processions of priests and priestesses bearing strange ceremonial devices in adoration of a radiant god. The art is of the most phenomenal perfection, largely Hellenic in idea, yet strangely individual. It imparts an impression of terrible antiquity, as though it were the remotest rather than the immediate ancestor of Greek art. Nor can I doubt that every detail of this massive product was fashioned from the virgin hillside rock of our planet. It is palpably a part of the valley wall, though how the vast interior was ever excavated I cannot imagine. Perhaps a cavern or series of caverns furnished the nucleus. Neither age nor submersion has corroded the pristine grandeur of this awful fane—for fane indeed it must be—and today after thousands of years it rests untarnished and inviolate in the endless night and silence of an ocean chasm.


The Temple #7 panel 2

I cannot reckon the number of hours I spent in gazing at the sunken city with its buildings, arches, statues, and bridges, and the colossal temple with its beauty and mystery. Though I knew that death was near, my curiosity was consuming; and I threw the searchlight’s beam about in eager quest. The shaft of light permitted me to learn many details, but refused to shew anything within the gaping door of the rock-hewn temple; and after a time I turned off the current, conscious of the need of conserving power. The rays were now perceptibly dimmer than they had been during the weeks of drifting. And as if sharpened by the coming deprivation of light, my desire to explore the watery secrets grew. I, a German, should be the first to tread those aeon-forgotten ways!

I produced and examined a deep-sea diving suit of joined metal, and experimented with the portable light and air regenerator. Though I should have trouble in managing the double hatches alone, I believed I could overcome all obstacles with my scientific skill and actually walk about the dead city in person.

The Temple #7 panel 4

On August 16 I effected an exit from the U-29, and laboriously made my way through the ruined and mud-choked streets to the ancient river. I found no skeletons or other human remains, but gleaned a wealth of archaeological lore from sculptures and coins. Of this I cannot now speak save to utter my awe at a culture in the full noon of glory when cave-dwellers roamed Europe and the Nile flowed unwatched to the sea. Others, guided by this manuscript if it shall ever be found, must unfold the mysteries at which I can only hint. I returned to the boat as my electric batteries grew feeble, resolved to explore the rock temple on the following day.


On the 17th, as my impulse to search out the mystery of the temple waxed still more insistent, a great disappointment befell me; for I found that the materials needed to replenish the portable light had perished in the mutiny of those pigs in July. My rage was unbounded, yet my German sense forbade me to venture unprepared into an utterly black interior which might prove the lair of some indescribable marine monster or a labyrinth of passages from whose windings I could never extricate myself. All I could do was to turn on the waning searchlight of the U-29, and with its aid walk up the temple steps and study the exterior carvings. The shaft of light entered the door at an upward angle, and I peered in to see if I could glimpse anything, but all in vain. Not even the roof was visible; and though I took a step or two inside after testing the floor with a staff, I dared not go farther. Moreover, for the first time in my life I experienced the emotion of dread. I began to realise how some of poor Klenze’s moods had arisen, for as the temple drew me more and more, I feared its aqueous abysses with a blind and mounting terror. Returning to the submarine, I turned off the lights and sat thinking in the dark. Electricity must now be saved for emergencies.

Saturday the 18th I spent in total darkness, tormented by thoughts and memories that threatened to overcome my German will. Klenze had gone mad and perished before reaching this sinister remnant of a past unwholesomely remote, and had advised me to go with him. Was, indeed, Fate preserving my reason only to draw me irresistibly to an end more horrible and unthinkable than any man has dreamed of? Clearly, my nerves were sorely taxed, and I must cast off these impressions of weaker men.

The Temple #7 panel 6
The Temple #7 panel 7
Cosmic Horrors series cover
The Temple #7 episode cover
12K views • 190 likes
2 comments

Cosmic Horrors

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From the depths of uncharted oceans to the heights of the mountains of madness. Join us as we encounter Herbert West, Dagon, and the warped inhabitants of Innsmouth as we uncover the cosmic horrors of H. P. Lovecraft and Cthulhu.
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The Temple #7 cover art
The Temple #7
635 views • 15 likes • 0 comments
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