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A tiny thumbnail of the cover art for the comics series The Sword of God
The Sword of God
70 episodes
by SKY DOG
A grief-haunted Christian family man with a tragic past receives a mysterious sword. He embarks on a personal crusade against the world’s demonic forces using guns, faith, his tactical doggo, unchained AI, and the blessed blade—but primarily guns. An (Sx) denotes an episode with upgraded artwork--currently in progress for Season 1. God Bless!
174941 views13800 likes
A tiny thumbnail of the cover art for the comics series Frankenstein - The Return
Frankenstein - The Return
47 episodes
by Independent creator
The rebirth of a monster. For a hundred years castle Frankenstein has been a silent ruin. But now, the monster created by Dr. Frankenstein is about to reawaken to once again spread terror, destruction, and death. Can anyone stop the monster once and for all?
19672 views625 likes
A tiny thumbnail of the cover art for the comics series Warman
Warman
49 episodes
by The Legend Chuck Dixon
Guns and money. There's no sin in either one of them. They can be used for good or bad, if you believe in those things. But they can only be as good or bad as the man who holds them.
62505 views6154 likes
A tiny thumbnail of the cover art for the comics series Savage Memes
Savage Memes
172 episodes
by Made by Jimbob
Welcome to Savage Memes – a collection of editorial cartoons by banned internet memer Made By Jimbob. Savage Memes focuses on the socio-political absurdities of today’s inverted world. Known for his crude and minimalistic style, Made By Jimbob’s cartoons cut straight to the core; illustrating a reality in which men can have babies and thinking is racist.
1135869 views49347 likes
A tiny thumbnail of the cover art for the comics series Treasury of Tales
Treasury of Tales
81 episodes
by Independent creator
The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.
20802 views771 likes
A tiny thumbnail of the cover art for the comics series 三更战
三更战
57 episodes
by 卫护港.漫画
新日历八四六六年。在一场全球金融灾难之后,吸血鬼族在二千六百多年来首次走出阴影,向一个毫无戒心的人类揭示存在。吸血鬼有效控制了媒体、各国政府、全球金融体系和主要国际机构。人类无力抵抗他们的权力。 但从中世纪的十字军命令中汲取灵感,十二个人联合起来,组成了一个新的军事命令,即迈克尔骑士团和罗马地下墓穴骑士团。迈克尔骑士团除了他们的毅力和对敌人有害的鲜血外,几乎没有别的武器,他们与午夜世界的吸血鬼领主展开了一场苛刻的战争。
14741 views77 likes
A tiny thumbnail of the cover art for the comics series Stonetoss
Stonetoss
504 episodes
by Stonetoss
Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.
2228579 views59082 likes
A tiny thumbnail of the cover art for the comics series Chateau Grief
Chateau Grief
433 episodes
by Jean Guillet
Technically it's only kidnapping if she tries to leave.
287437 views31282 likes
A tiny thumbnail of the cover art for the comics series The Sword of God
The Sword of God
70 episodes
by SKY DOG
A grief-haunted Christian family man with a tragic past receives a mysterious sword. He embarks on a personal crusade against the world’s demonic forces using guns, faith, his tactical doggo, unchained AI, and the blessed blade—but primarily guns. An (Sx) denotes an episode with upgraded artwork--currently in progress for Season 1. God Bless!
174941 views13800 likes
A tiny thumbnail of the cover art for the comics series Frankenstein - The Return
Frankenstein - The Return
47 episodes
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The rebirth of a monster. For a hundred years castle Frankenstein has been a silent ruin. But now, the monster created by Dr. Frankenstein is about to reawaken to once again spread terror, destruction, and death. Can anyone stop the monster once and for all?
19672 views625 likes
A tiny thumbnail of the cover art for the comics series Warman
Warman
49 episodes
by The Legend Chuck Dixon
Guns and money. There's no sin in either one of them. They can be used for good or bad, if you believe in those things. But they can only be as good or bad as the man who holds them.
62505 views6154 likes
A tiny thumbnail of the cover art for the comics series Savage Memes
Savage Memes
172 episodes
by Made by Jimbob
Welcome to Savage Memes – a collection of editorial cartoons by banned internet memer Made By Jimbob. Savage Memes focuses on the socio-political absurdities of today’s inverted world. Known for his crude and minimalistic style, Made By Jimbob’s cartoons cut straight to the core; illustrating a reality in which men can have babies and thinking is racist.
1135869 views49347 likes
A tiny thumbnail of the cover art for the comics series Treasury of Tales
Treasury of Tales
81 episodes
by Independent creator
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20802 views771 likes
A tiny thumbnail of the cover art for the comics series 三更战
三更战
57 episodes
by 卫护港.漫画
新日历八四六六年。在一场全球金融灾难之后,吸血鬼族在二千六百多年来首次走出阴影,向一个毫无戒心的人类揭示存在。吸血鬼有效控制了媒体、各国政府、全球金融体系和主要国际机构。人类无力抵抗他们的权力。 但从中世纪的十字军命令中汲取灵感,十二个人联合起来,组成了一个新的军事命令,即迈克尔骑士团和罗马地下墓穴骑士团。迈克尔骑士团除了他们的毅力和对敌人有害的鲜血外,几乎没有别的武器,他们与午夜世界的吸血鬼领主展开了一场苛刻的战争。
14741 views77 likes
A tiny thumbnail of the cover art for the comics series Stonetoss
Stonetoss
504 episodes
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Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.
2228579 views59082 likes
A tiny thumbnail of the cover art for the comics series Chateau Grief
Chateau Grief
433 episodes
by Jean Guillet
Technically it's only kidnapping if she tries to leave.
287437 views31282 likes
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It was at 3:15 P.M., August 12, that poor Klenze went wholly mad. He had been in the conning tower using the searchlight when I saw him bound into the library compartment where I sat reading, and his face at once betrayed him. I will repeat here what he said, underlining the words he emphasised: “He is calling! He is calling! I hear him! We must go!” As he spoke he took his ivory image from the table, pocketed it, and seized my arm in an effort to drag me up the companionway to the deck. In a moment I understood that he meant to open the hatch and plunge with me into the water outside, a vagary of suicidal and homicidal mania for which I was scarcely prepared. As I hung back and attempted to soothe him he grew more violent, saying: “Come now—do not wait until later; it is better to repent and be forgiven than to defy and be condemned.” Then I tried the opposite of the soothing plan, and told him he was mad—pitifully demented. But he was unmoved, and cried: “If I am mad, it is mercy! May the gods pity the man who in his callousness can remain sane to the hideous end! Come and be mad whilst he still calls with mercy!”


The Temple #6 panel 2

This outburst seemed to relieve a pressure in his brain; for as he finished he grew much milder, asking me to let him depart alone if I would not accompany him. My course at once became clear. He was a German, but only a Rhinelander and a commoner; and he was now a potentially dangerous madman. By complying with his suicidal request I could immediately free myself from one who was no longer a companion but a menace. I asked him to give me the ivory image before he went, but this request brought from him such uncanny laughter that I did not repeat it. Then I asked him if he wished to leave any keepsake or lock of hair for his family in Germany in case I should be rescued, but again he gave me that strange laugh. So as he climbed the ladder I went to the levers, and allowing proper time-intervals operated the machinery which sent him to his death. After I saw that he was no longer in the boat I threw the searchlight around the water in an effort to obtain a last glimpse of him; since I wished to ascertain whether the water-pressure would flatten him as it theoretically should, or whether the body would be unaffected, like those extraordinary dolphins. I did not, however, succeed in finding my late companion, for the dolphins were massed thickly and obscuringly about the conning tower.


That evening I regretted that I had not taken the ivory image surreptitiously from poor Klenze’s pocket as he left, for the memory of it fascinated me. I could not forget the youthful, beautiful head with its leafy crown, though I am not by nature an artist. I was also sorry that I had no one with whom to converse. Klenze, though not my mental equal, was much better than no one. I did not sleep well that night, and wondered exactly when the end would come. Surely, I had little enough chance of rescue.


The next day I ascended to the conning tower and commenced the customary searchlight explorations. Northward the view was much the same as it had been all the four days since we had sighted the bottom, but I perceived that the drifting of the U-29 was less rapid. As I swung the beam around to the south, I noticed that the ocean floor ahead fell away in a marked declivity, and bore curiously regular blocks of stone in certain places, disposed as if in accordance with definite patterns. The boat did not at once descend to match the greater ocean depth, so I was soon forced to adjust the searchlight to cast a sharply downward beam. Owing to the abruptness of the change a wire was disconnected, which necessitated a delay of many minutes for repairs; but at length the light streamed on again, flooding the marine valley below me.

I am not given to emotion of any kind, but my amazement was very great when I saw what lay revealed in that electrical glow. And yet as one reared in the best Kultur of Prussia I should not have been amazed, for geology and tradition alike tell us of great transpositions in oceanic and continental areas. What I saw was an extended and elaborate array of ruined edifices; all of magnificent though unclassified architecture, and in various stages of preservation. Most appeared to be of marble, gleaming whitely in the rays of the searchlight, and the general plan was of a large city at the bottom of a narrow valley, with numerous isolated temples and villas on the steep slopes above. Roofs were fallen and columns were broken, but there still remained an air of immemorially ancient splendour which nothing could efface.

The Temple #6 panel 4

Confronted at last with the Atlantis I had formerly deemed largely a myth, I was the most eager of explorers. At the bottom of that valley a river once had flowed; for as I examined the scene more closely I beheld the remains of stone and marble bridges and sea-walls, and terraces and embankments once verdant and beautiful. In my enthusiasm I became nearly as idiotic and sentimental as poor Klenze, and was very tardy in noticing that the southward current had ceased at last, allowing the U-29 to settle slowly down upon the sunken city as an aëroplane settles upon a town of the upper earth. I was slow, too, in realising that the school of unusual dolphins had vanished.

The Temple #6 panel 6
The Temple #6 panel 7
Cosmic Horrors series cover
The Temple #6 episode cover
12K views • 190 likes
2 comments

Cosmic Horrors

Created by
author avatar placeholder
Independent creator
From the depths of uncharted oceans to the heights of the mountains of madness. Join us as we encounter Herbert West, Dagon, and the warped inhabitants of Innsmouth as we uncover the cosmic horrors of H. P. Lovecraft and Cthulhu.
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The Temple #6
594 views • 15 likes • 0 comments
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