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A tiny thumbnail of the cover art for the comics series After Atlantis
After Atlantis
47 episodes
by NetRaptor
In a world of superheroes, Jayesh Khatri is a healer who works in a hospital. When patients start arriving with feather patterns burned into their backs, Jayesh is drawn into the underworld of black market magic smuggling. But if he can take down the smugglers from the inside, it will keep his crush from fighting the formidible villain Omniscient and probably being killed.
20024 views908 likes
A tiny thumbnail of the cover art for the comics series The Sword of God
The Sword of God
70 episodes
by SKY DOG
A grief-haunted Christian family man with a tragic past receives a mysterious sword. He embarks on a personal crusade against the world’s demonic forces using guns, faith, his tactical doggo, unchained AI, and the blessed blade—but primarily guns. An (Sx) denotes an episode with upgraded artwork--currently in progress for Season 1. God Bless!
174941 views13800 likes
A tiny thumbnail of the cover art for the comics series BOB
BOB
156 episodes
by WisePathBooks
Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: War
Chuck Dixon Presents: War
90 episodes
by The Legend Chuck Dixon
Chuck Dixon Presents: War! The grim and the glorious are presented in a classic four-color display, culled from the pages of the fightin'est comic books ever produced and drafted into service by comic book warrior Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series Flying Sparks
Flying Sparks
94 episodes
by Jon Del Arroz
Chloe Anderson is a physics student by day, a hard working, smart girl who's close with her mad scientist professor, working with him as a teacher's assistant. She also moonlights as the superhero, Meta-Girl. Johnny Benvinutti comes from a well-established Italian crime family, and recently found he has the ability to shoot lightning from his hands. He runs his operation out of a coffee shop front business. When the two of them meet, sparks fly on multiple levels. But will they be able to maintain their relationship while keeping secret lives from each other?
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A tiny thumbnail of the cover art for the comics series Shade
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A tiny thumbnail of the cover art for the comics series WokelyCorrect
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I like making people laugh & I dislike Woke politics. So I made these comics for us to laugh at Woke politics together and push back against its stupidities. I will stop mocking when it leaves us alone.
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A tiny thumbnail of the cover art for the comics series Stonetoss
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Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.
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A tiny thumbnail of the cover art for the comics series After Atlantis
After Atlantis
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20024 views908 likes
A tiny thumbnail of the cover art for the comics series The Sword of God
The Sword of God
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A grief-haunted Christian family man with a tragic past receives a mysterious sword. He embarks on a personal crusade against the world’s demonic forces using guns, faith, his tactical doggo, unchained AI, and the blessed blade—but primarily guns. An (Sx) denotes an episode with upgraded artwork--currently in progress for Season 1. God Bless!
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A tiny thumbnail of the cover art for the comics series BOB
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Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: War
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A tiny thumbnail of the cover art for the comics series Flying Sparks
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A tiny thumbnail of the cover art for the comics series Shade
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A tiny thumbnail of the cover art for the comics series WokelyCorrect
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I like making people laugh & I dislike Woke politics. So I made these comics for us to laugh at Woke politics together and push back against its stupidities. I will stop mocking when it leaves us alone.
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A tiny thumbnail of the cover art for the comics series Stonetoss
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2228579 views59082 likes
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SCHMELING had imitated Jack Dempsey's style. He fought out of a sort of crouch, but wasn't able to bob and weave as the old Mauler did. The style seemed suited to him, but it wasn't developed. His handlers wanted to turn him into a more upright fighter. Not immediately. Against Paulino, the crouch was still in evidence, but while training for Sharkey it was almost entirely abandoned. There has been too much puttering and tinkering with Schmeling. He is essentially a fighter and not a boxer. He should be made to fight and not box. Sharkey has forgotten more about the mechanics of fisticuffs than Schmeling will ever know. But skill, of course, isn't essential in the winning of a heavyweight championship. Sullivan, Jeffries and Dempsey proved that. But, without boxing ability, you must have ruggedness, aggressiveness and a real punch. With the punch must go not only power but accuracy. Max's next fight was with Paulino. He won the decision in fifteen rounds, giving the Basque a terrible beating in the last five, a beating that turned Paulino into a bloody and mangled object. But again the same objections found in the Risko fight held good here. For the first ten rounds it was a miserable exhibition, with the men standing off to beat and pawing away without doing much damage. In short, it took two-thirds of the fight for Max to find how to penetrate the burly Spaniard's awkward guard. That doesn't seem to me an indication of exceeding smartness.

Still, the interest in foreign fighters, and particularly the fact that Schmeling was the first championship contender to come out of Germany, helped push him along rapidly. He has color and an interesting style, and his marked physical resemblance to Dempsey—aside from his style—added to the publicity that was given him. Had he kept in harness after his fight with Paulino, the Teuton might have proved considerably. But trouble with Arthur Bülow, his former manager, interfered with his return home. He didn't want to fight because Bülow held a contract that permitted him to collect one-third of Schmeling's earnings. So instead of boxing regularly, Max took to the gymnasiums and vaudeville theatres of Germany. That year of comparative idleness didn't do him any good. I have said frequently that a boxer must fight to keep in proper shape. All the sparring practice in the world can't take the place of a few keenly contested bouts for getting a man in real trim. Schmeling didn't have those fights, and he did himself a lot of harm by his abstinence.

Still, his knockout victory over Risko brought him continued praise. Most of the boxing writers thought that John was washed up physically, but his fine fights with Von Porat, Campolo and others proved that this was not true. So Schmeling's triumph began to assume greater and greater proportions. Eventually, Max was recognized as the leading contender for the title Gene Tunney had left vacant. The New York State Athletic Commission rescinded the ban it had placed on him for refusing a scheduled match with Phil Scott and decided to recognize the winner of a Sharkey-Schmeling bout as heavyweight champion of the world. It seems rather extraordinary, when you stop to think of it, that a man who had really accomplished so little should have been given that opportunity. There were two reasons of course—the lack of good big men and the fact that Schmeling was the best fighter in Europe.

THE BLACK UHLAN #3 panel 4

I WATCHED the Black Uhlan very carefully in training. As a man who has conditioned fighters for forty years, I think I can see what the average observer misses. Max was badly trained. He did little road work, no bag punching and much less boxing than he should have done. I imagine the automobile accident he suffered in Europe harmed his legs, and it was felt that too much road work would do him no good. People who know what must be done to get a fighter in shape understand that a training period without lots of road work is so much wasted time.

THE BLACK UHLAN #3 panel 6
Neural Network Novellas series cover
THE BLACK UHLAN #3 episode cover
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Neural Network Novellas

Created by
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Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
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