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A tiny thumbnail of the cover art for the comics series 飞行火花
飞行火花
49 episodes
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克洛伊·安德森(Chloe Anderson)白天是一名物理系学生,是一个勤奋、聪明的女孩,她和她的疯狂科学家教授关系密切,并作为助教与他一起工作。 她也是一个超级英雄,元女孩。 约翰尼·本维努蒂(Johnny Benvinutti)来自一个知名的意大利犯罪家族,最近他发现自己有能力用手发射闪电。他经营着一家咖啡店的门面生意。当他们两个相遇时,《火花》在多个层面上飞溅。但他们能在保持关系的同时对彼此保密吗?
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A tiny thumbnail of the cover art for the comics series WokelyCorrect
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A tiny thumbnail of the cover art for the comics series 取代英雄
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A tiny thumbnail of the cover art for the comics series 纸娃娃维罗妮卡
纸娃娃维罗妮卡
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A tiny thumbnail of the cover art for the comics series 星期天漫画:暗部
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A tiny thumbnail of the cover art for the comics series Hypergamouse
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A tiny thumbnail of the cover art for the comics series Frankenstein - The Return
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19672 views625 likes
A tiny thumbnail of the cover art for the comics series How to Succeed Like a Dark Lord
How to Succeed Like a Dark Lord
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The trials and travails of Davos, the Doom Lord, who faces the daunting challenge of how to keep himself occupied after successfully conquering the whole of Metal Earth, subjugating all his enemies, and establishing himself as The Sum of All Terror.
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A tiny thumbnail of the cover art for the comics series 飞行火花
飞行火花
49 episodes
by Jon Del Arroz
克洛伊·安德森(Chloe Anderson)白天是一名物理系学生,是一个勤奋、聪明的女孩,她和她的疯狂科学家教授关系密切,并作为助教与他一起工作。 她也是一个超级英雄,元女孩。 约翰尼·本维努蒂(Johnny Benvinutti)来自一个知名的意大利犯罪家族,最近他发现自己有能力用手发射闪电。他经营着一家咖啡店的门面生意。当他们两个相遇时,《火花》在多个层面上飞溅。但他们能在保持关系的同时对彼此保密吗?
3602 views
A tiny thumbnail of the cover art for the comics series WokelyCorrect
WokelyCorrect
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by WokelyCorrect
I like making people laugh & I dislike Woke politics. So I made these comics for us to laugh at Woke politics together and push back against its stupidities. I will stop mocking when it leaves us alone.
45733 views
A tiny thumbnail of the cover art for the comics series 取代英雄
取代英雄
45 episodes
by Vox Day
这个时代的黎明导致了一场新的军备竞赛,尽管这场竞赛涉及超人而不是超级武器。但是,尽管美国签署了《新加坡公约》,允许联合国控制其超人,但其最大的军事对手却没有。因此,当美国海军陆战队司令得知一支中国超级英雄团队正在北美大陆作战时,他别无选择,只能召集秘密超人组成的部队侦察队,五角大楼甚至不知道他们的存在。
3932 views
A tiny thumbnail of the cover art for the comics series 纸娃娃维罗妮卡
纸娃娃维罗妮卡
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2572 views
A tiny thumbnail of the cover art for the comics series 星期天漫画:暗部
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A tiny thumbnail of the cover art for the comics series Hypergamouse
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A tiny thumbnail of the cover art for the comics series Frankenstein - The Return
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A tiny thumbnail of the cover art for the comics series How to Succeed Like a Dark Lord
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SCHMELING had imitated Jack Dempsey's style. He fought out of a sort of crouch, but wasn't able to bob and weave as the old Mauler did. The style seemed suited to him, but it wasn't developed. His handlers wanted to turn him into a more upright fighter. Not immediately. Against Paulino, the crouch was still in evidence, but while training for Sharkey it was almost entirely abandoned. There has been too much puttering and tinkering with Schmeling. He is essentially a fighter and not a boxer. He should be made to fight and not box. Sharkey has forgotten more about the mechanics of fisticuffs than Schmeling will ever know. But skill, of course, isn't essential in the winning of a heavyweight championship. Sullivan, Jeffries and Dempsey proved that. But, without boxing ability, you must have ruggedness, aggressiveness and a real punch. With the punch must go not only power but accuracy. Max's next fight was with Paulino. He won the decision in fifteen rounds, giving the Basque a terrible beating in the last five, a beating that turned Paulino into a bloody and mangled object. But again the same objections found in the Risko fight held good here. For the first ten rounds it was a miserable exhibition, with the men standing off to beat and pawing away without doing much damage. In short, it took two-thirds of the fight for Max to find how to penetrate the burly Spaniard's awkward guard. That doesn't seem to me an indication of exceeding smartness.

Still, the interest in foreign fighters, and particularly the fact that Schmeling was the first championship contender to come out of Germany, helped push him along rapidly. He has color and an interesting style, and his marked physical resemblance to Dempsey—aside from his style—added to the publicity that was given him. Had he kept in harness after his fight with Paulino, the Teuton might have proved considerably. But trouble with Arthur Bülow, his former manager, interfered with his return home. He didn't want to fight because Bülow held a contract that permitted him to collect one-third of Schmeling's earnings. So instead of boxing regularly, Max took to the gymnasiums and vaudeville theatres of Germany. That year of comparative idleness didn't do him any good. I have said frequently that a boxer must fight to keep in proper shape. All the sparring practice in the world can't take the place of a few keenly contested bouts for getting a man in real trim. Schmeling didn't have those fights, and he did himself a lot of harm by his abstinence.

Still, his knockout victory over Risko brought him continued praise. Most of the boxing writers thought that John was washed up physically, but his fine fights with Von Porat, Campolo and others proved that this was not true. So Schmeling's triumph began to assume greater and greater proportions. Eventually, Max was recognized as the leading contender for the title Gene Tunney had left vacant. The New York State Athletic Commission rescinded the ban it had placed on him for refusing a scheduled match with Phil Scott and decided to recognize the winner of a Sharkey-Schmeling bout as heavyweight champion of the world. It seems rather extraordinary, when you stop to think of it, that a man who had really accomplished so little should have been given that opportunity. There were two reasons of course—the lack of good big men and the fact that Schmeling was the best fighter in Europe.

THE BLACK UHLAN #3 panel 4

I WATCHED the Black Uhlan very carefully in training. As a man who has conditioned fighters for forty years, I think I can see what the average observer misses. Max was badly trained. He did little road work, no bag punching and much less boxing than he should have done. I imagine the automobile accident he suffered in Europe harmed his legs, and it was felt that too much road work would do him no good. People who know what must be done to get a fighter in shape understand that a training period without lots of road work is so much wasted time.

THE BLACK UHLAN #3 panel 6
Neural Network Novellas series cover
THE BLACK UHLAN #3 episode cover
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Neural Network Novellas

Created by
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Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
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