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A tiny thumbnail of the cover art for the comics series The Sword of God
The Sword of God
70 episodes
by SKY DOG
A grief-haunted Christian family man with a tragic past receives a mysterious sword. He embarks on a personal crusade against the world’s demonic forces using guns, faith, his tactical doggo, unchained AI, and the blessed blade—but primarily guns. An (Sx) denotes an episode with upgraded artwork--currently in progress for Season 1. God Bless!
174941 views13800 likes
A tiny thumbnail of the cover art for the comics series The Life of Ike
The Life of Ike
27 episodes
by Bluestem
A collection of autobiographical poems in the style of Edmund C. Bentley’s “clerihews”, written by a highly intelligent, erudite pitbull-lab-corgi-collie mix.
7047 views
A tiny thumbnail of the cover art for the comics series Right Ho Jeeves
Right Ho Jeeves
64 episodes
by The Legend Chuck Dixon
RIGHT HO, JEEVES tells of the travails of the inimitable Bertie Wooster, who is summoned from the comforts of #3A Berkley Mansions, London to Brinkley Manor by his imperious Aunt Dahlia. Love is in the air and Wodehousian shenanigans are afoot, as Wooster is not the sole guest at the manor, which is also playing host to the fairy-gazing Madeline Basset as well as the famous newt-fancier Augustus Fink-Nottle. Adapted from the classic Wodehouse novel by comics legend Chuck Dixon and drawn by SAVAGE SWORD OF CONAN illustrator Gary Kwapisz.
66417 views11360 likes
A tiny thumbnail of the cover art for the comics series Aesops Fables
Aesops Fables
80 episodes
by Independent creator
Aesops Fables are a collection of short stories that each contain a moral or lesson. These fables (such as 'The Boy who Cried Wolf') are known across the world. Aesop was a Greek slave who lived during the 5th century BC and either created or popularised existing fables, so their wisdom could be enjoyed by future generations.
33999 views833 likes
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16904 views844 likes
A tiny thumbnail of the cover art for the comics series WokelyCorrect
WokelyCorrect
49 episodes
by WokelyCorrect
I like making people laugh & I dislike Woke politics. So I made these comics for us to laugh at Woke politics together and push back against its stupidities. I will stop mocking when it leaves us alone.
45733 views
A tiny thumbnail of the cover art for the comics series BOB
BOB
156 episodes
by WisePathBooks
Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
599883 views28001 likes
A tiny thumbnail of the cover art for the comics series My Sister Suprema
My Sister Suprema
40 episodes
by The Legend Chuck Dixon
Randy wants nothing more in life than to be a superhero. When his dubious scientific efforts turn his big sister into a costumed crusader he has no choice but to offer his guidance.
223928 views15025 likes
A tiny thumbnail of the cover art for the comics series The Sword of God
The Sword of God
70 episodes
by SKY DOG
A grief-haunted Christian family man with a tragic past receives a mysterious sword. He embarks on a personal crusade against the world’s demonic forces using guns, faith, his tactical doggo, unchained AI, and the blessed blade—but primarily guns. An (Sx) denotes an episode with upgraded artwork--currently in progress for Season 1. God Bless!
174941 views13800 likes
A tiny thumbnail of the cover art for the comics series The Life of Ike
The Life of Ike
27 episodes
by Bluestem
A collection of autobiographical poems in the style of Edmund C. Bentley’s “clerihews”, written by a highly intelligent, erudite pitbull-lab-corgi-collie mix.
7047 views
A tiny thumbnail of the cover art for the comics series Right Ho Jeeves
Right Ho Jeeves
64 episodes
by The Legend Chuck Dixon
RIGHT HO, JEEVES tells of the travails of the inimitable Bertie Wooster, who is summoned from the comforts of #3A Berkley Mansions, London to Brinkley Manor by his imperious Aunt Dahlia. Love is in the air and Wodehousian shenanigans are afoot, as Wooster is not the sole guest at the manor, which is also playing host to the fairy-gazing Madeline Basset as well as the famous newt-fancier Augustus Fink-Nottle. Adapted from the classic Wodehouse novel by comics legend Chuck Dixon and drawn by SAVAGE SWORD OF CONAN illustrator Gary Kwapisz.
66417 views11360 likes
A tiny thumbnail of the cover art for the comics series Aesops Fables
Aesops Fables
80 episodes
by Independent creator
Aesops Fables are a collection of short stories that each contain a moral or lesson. These fables (such as 'The Boy who Cried Wolf') are known across the world. Aesop was a Greek slave who lived during the 5th century BC and either created or popularised existing fables, so their wisdom could be enjoyed by future generations.
33999 views833 likes
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16904 views844 likes
A tiny thumbnail of the cover art for the comics series WokelyCorrect
WokelyCorrect
49 episodes
by WokelyCorrect
I like making people laugh & I dislike Woke politics. So I made these comics for us to laugh at Woke politics together and push back against its stupidities. I will stop mocking when it leaves us alone.
45733 views
A tiny thumbnail of the cover art for the comics series BOB
BOB
156 episodes
by WisePathBooks
Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
599883 views28001 likes
A tiny thumbnail of the cover art for the comics series My Sister Suprema
My Sister Suprema
40 episodes
by The Legend Chuck Dixon
Randy wants nothing more in life than to be a superhero. When his dubious scientific efforts turn his big sister into a costumed crusader he has no choice but to offer his guidance.
223928 views15025 likes
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Fear welled up in Eibhlin’s chest, squeezing out the air. “Y-you mean… am I going to die soon?”


“No. No, you will not die from it; at least it is unlikely,” said Mel. “You mentioned your hair changing color, did you not, Milady? When we emerged back into the Mortal Realm, it was white, but right now, it is dark, dull. This is because the sunlight of the Mortal Realm, the Mortal Sun being in its proper station as ruler of the immediate heavens, counters the powers of the Fae Moon, revealing the Moon’s true color without her Sun. In most cases, sunlight from the Mortal Realm would eventually purge the poison. However, because the poison is part of you, it cannot be, not entirely. Whenever the sun leaves the sky, your hair turns back to white, and the sickness returns. When we first arrived, you were sick at all hours. Now, with exposure to the sun and with the moon waning, the symptoms appear to be much weaker, which hopefully means you can live a mostly ordinary life, at least when the sun is up, and that you shall not die from the poison.”


“But when night comes, I’ll get sick again? And it’ll never go away?”


“So it seems,” said Mel. “…There is one more thing, Milady. I do not think you should travel into or through the Fae any longer.”


“What?” cried Eibhlin. “But I have to! I have to use the next fairy door. I have to find Mealla. I must!”


Abbot Callum placed a hand on her shoulder. “We know,” he said. “Melaioni and I have already spoken together. It didn’t tell me everything, but I understand your desire to finish your journey. Only, please understand us, too, Eibhlin. In allowing you to enter into the Fae, in sending you to the Witch’s house, for me I felt like I had sent you to your death. Even though you returned, you came back in this state, and Melaioni could do nothing to help you and can do nothing now.


“Now think. You have already been poisoned by the Fae Moon. If you return there, vulnerable as you are, how well will you resist her poison in the future? What if the poison simply flows into you again? What if you get pulled away from your road and so cannot find a door through which to escape? Do you understand our worry, Eibhlin? If either of us simply lets you go into the Fae again, we shall twice have done nothing but let you run toward death.”


Eibhlin’s heart sank. She almost cried. She wished he wouldn’t speak so calmly about it. She wished he would guilt her and demand she stay. She wished he would give her something to fight, not speak to her so gently, so sadly, not plead with her with such mournful restraint.


She nearly gave in. It was true she was tired. She was scared. She didn’t want to go to the Fae again. She didn’t want to face any more dangers. She didn’t want to be sick and helpless. She didn’t want to go onward. She wanted rest, and she wanted safety. She wanted to stay. She wanted to give up, and if her memories had not resurfaced in her dreams, she might have. But now, in the back of her mind, she could hear her father’s weeping. She saw her mother’s smile and how he had looked at her, heard the longing and laughing voices.


Eibhlin spoke. “I… Father Abbot, when I was at her house, the Witch offered me a chance to go back in time to save my dead mother, and I refused. Even if it would have been impossible to save her, it’s still a fact that I gave up on her. I threw away my only chance. I don’t know how much Mel told you about me, but the reason I’m looking for Mealla is to get back the only thing my father had left of my mother’s. Abbot Callum, I can’t turn back now. After giving up on returning my father’s greatest happiness to him, I can’t also give up on the last fragment of that happiness. I can’t give up. I must find Mealla!”


Callum sighed. He rose and placed the instrument on the chair facing Eibhlin. Gently placing his hand upon her head, he said, “Very well. I understand. I only ask that you wait until tomorrow. Tomorrow, our moon shall be almost half waned, and I can have the doctor mix together some medication while I gather some traveling supplies. That, at least, shall give me some comfort. Rest now, Miss Eibhlin. I shall see you off tomorrow morning.”


When the monk had left, Eibhlin said, “I didn’t want to make him sad.”


“He already knew, as did I, that it was futile,” said Mel. “But we had to try to dissuade you anyway.”


“You know,” said Eibhlin, “you don’t need to come with me, Mel. If I die in the middle of the Fae, you’ll be stuck there until someone else finds you and brings you out. And who knows how long that would be? You don’t need to risk getting trapped because of me.”


“No, Milady. Whether good or ill, I shall witness the end of your story. As I promised, I will not let you go alone, Eibhlin.”


“Thank you, Mel,” said Eibhlin. She then lay in bed, her tainted hair falling into her eyes, and a sob caught in her throat. Curling up under the covers, she began to quietly cry, and she whispered in a voice only she could hear, “Thank you.”


The Moon's Scar panel 2
Fairy Door series cover
The Moon's Scar episode cover
18K views • 978 likes
8 comments

Fairy Door

Created by
author avatar placeholder
V. A. Boston
After years of neglect from her father, Eibhlin has had enough. But when a purse of infinite gold, a fairy, and a trade shatter what little relationship she has with her father, she resolves to set things right. Aided by a magic compass and a talking instrument, she now seeks three magic keys and their magic doors to find the fairy once again and recover what was lost. She broke their relationship. Now, she’ll brave the Fae to fix it. If she can get there. From the fantasy tradition of The Chronicles of Prydain and The Hobbit comes a tale of love and redemption perfect for fans of all ages.
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311 views • 10 likes • 0 comments
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