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A tiny thumbnail of the cover art for the comics series Treasury of Tales
Treasury of Tales
81 episodes
by Independent creator
The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.
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A tiny thumbnail of the cover art for the comics series How to Succeed Like a Dark Lord
How to Succeed Like a Dark Lord
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by Vox Day
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A tiny thumbnail of the cover art for the comics series 枪鬼
枪鬼
45 episodes
by Independent creator
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3097 views
A tiny thumbnail of the cover art for the comics series Aesops Fables
Aesops Fables
80 episodes
by Independent creator
Aesops Fables are a collection of short stories that each contain a moral or lesson. These fables (such as 'The Boy who Cried Wolf') are known across the world. Aesop was a Greek slave who lived during the 5th century BC and either created or popularised existing fables, so their wisdom could be enjoyed by future generations.
33999 views833 likes
A tiny thumbnail of the cover art for the comics series Seasons
Seasons
40 episodes
by Nandor Fox Shaffer
SEASONS is an intertwining, deeply symbolic, allegorical drama and character-study that explores complex themes of identity, existence, purpose, responsibility, the world within and the world around us. With each passing season, Fletcher Hart Iiams gains a new set of incredible powers to overcome the challenges and enemies in his personal path to self-discovery and meaning. Written by Nandor Fox Shaffer. Art by Anthony Gonzales-Clark
46917 views6407 likes
A tiny thumbnail of the cover art for the comics series Riot Town, USA
Riot Town, USA
52 episodes
by Dr. Rev. D.B.R.
"You are now leaving flyover country." Riot Town is an original webcomic satirizing recent & current events, largely inspired by my experiences surviving a decade in Portland, OR. Follow on Gab: @RiotTownUSA
81053 views2657 likes
A tiny thumbnail of the cover art for the comics series Midnight's War
Midnight's War
77 episodes
by Vox Day
In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.
353594 views29757 likes
A tiny thumbnail of the cover art for the comics series Classic Bible Tales
Classic Bible Tales
105 episodes
by Independent creator
A classic series of illustrated stories from the Holy Bible.
92060 views13264 likes
A tiny thumbnail of the cover art for the comics series Treasury of Tales
Treasury of Tales
81 episodes
by Independent creator
The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.
20802 views771 likes
A tiny thumbnail of the cover art for the comics series How to Succeed Like a Dark Lord
How to Succeed Like a Dark Lord
26 episodes
by Vox Day
The trials and travails of Davos, the Doom Lord, who faces the daunting challenge of how to keep himself occupied after successfully conquering the whole of Metal Earth, subjugating all his enemies, and establishing himself as The Sum of All Terror.
185731 views10083 likes
A tiny thumbnail of the cover art for the comics series 枪鬼
枪鬼
45 episodes
by Independent creator
有人——或者什么东西——正在消灭芝加哥的犯罪头目。联邦调查局代理法官正在调查此案。她是一个超人,有能力看到过去。但即使她有能力看到发生了什么,也无法解释不可能的事情。联邦调查局并不是唯一一个有兴趣了解更多关于城里新玩家的机构。在寻找对芝加哥犯罪领主造成严重破坏的神秘杀手的过程中,联邦调查局代理法官和芝加哥警察局侦探卡拉汉发现了杀手的下一个目标,却发现自己面对的是一个比人类更无情、更无情的生物.
3097 views
A tiny thumbnail of the cover art for the comics series Aesops Fables
Aesops Fables
80 episodes
by Independent creator
Aesops Fables are a collection of short stories that each contain a moral or lesson. These fables (such as 'The Boy who Cried Wolf') are known across the world. Aesop was a Greek slave who lived during the 5th century BC and either created or popularised existing fables, so their wisdom could be enjoyed by future generations.
33999 views833 likes
A tiny thumbnail of the cover art for the comics series Seasons
Seasons
40 episodes
by Nandor Fox Shaffer
SEASONS is an intertwining, deeply symbolic, allegorical drama and character-study that explores complex themes of identity, existence, purpose, responsibility, the world within and the world around us. With each passing season, Fletcher Hart Iiams gains a new set of incredible powers to overcome the challenges and enemies in his personal path to self-discovery and meaning. Written by Nandor Fox Shaffer. Art by Anthony Gonzales-Clark
46917 views6407 likes
A tiny thumbnail of the cover art for the comics series Riot Town, USA
Riot Town, USA
52 episodes
by Dr. Rev. D.B.R.
"You are now leaving flyover country." Riot Town is an original webcomic satirizing recent & current events, largely inspired by my experiences surviving a decade in Portland, OR. Follow on Gab: @RiotTownUSA
81053 views2657 likes
A tiny thumbnail of the cover art for the comics series Midnight's War
Midnight's War
77 episodes
by Vox Day
In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.
353594 views29757 likes
A tiny thumbnail of the cover art for the comics series Classic Bible Tales
Classic Bible Tales
105 episodes
by Independent creator
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92060 views13264 likes
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The room was circular. Along one wall stood bookshelves packed with tomes of all sizes, most gilded with gold and gems and bearing writing Eibhlin couldn’t read. Around the other walls stood tables and shelves cluttered with jewels and flasks and bottles and boxes and talismans and charms. From the ceiling, on chains of braided silver several dozens of feet long, hung bells and amulets and plants and beads, all of which shimmered along with their chains in the moonlight weaving though the shadows from round windows on the walls and circular skylights in the ceiling far above her. In the center of the room, within a circle of moonlight, stood a round table, upon which sat a book and a single, shallow dish filled to the brim with water that rippled all on its own without spilling over the side. The atmosphere swirled around the room: ancient, powerful, terrifying. Eibhlin shivered.


Suddenly, the voice came again. “Didn’t I say to come in?”


The voice came from directly above her, right where she knew the clock face to be, and she nearly stepped over the threshold, but the rein tugged at her soul, stronger now than ever. Eibhlin replied, “I would prefer to stay out here.”


“Is that so. How sad, but very well.”


Eibhlin heard the rustle of cloth, and it seemed as though the Moon herself descended before her. The figure stood tall and slender, her arms and fingers so thin and pale they seemed as though made of the moonbeams from the gatehouse. Her hair poured down in silver threads that faded to the soft violet of the Moon above, and when she moved those colors shifted and flowed like rippling water reflecting the Celestial Queen. Nearly transparent wings peaked out from beneath the hair, twitching as though with a mind of their own. Her dress was black, like the Fae sky, but rather than generate any morbid thoughts, the color seemed to bring out the glow in her complexion. The lady’s face seemed like the missing face of the Moon, pale but not unhealthy, with large, dark eyes and a thin smile playing upon dainty lips.


Eibhlin felt as though she had never seen a more extraordinary woman. All memories of beauty fled in shame. All, that is, save one, a memory so distant it felt as though a cloud drifting somewhere in an empty sky. A gentle smile and comforting touch. Someone, no, perhaps a few people? Where had she—


“Why do you ignore me, human child? Did you not come here to speak with me?”


The Witch’s voice cut through the faint memories, scattering the forming faces. With flushed cheeks, Eibhlin focused back on the fairy. “So, you’re the Witch of Hours, Arianrhod?”


“Would you have come here if I wasn’t?” the Witch replied with laughter light as raindrops.


Drowsiness settled on Eibhlin’s eyes, much like on a cloudy or rainy day, but she shook it off. She said, “I have business with you.”


“Of course you do. No one visits me unless on business. I make sure of it.” The fairy turned and began walking around the room, her bare feet hardly making a sound. She passed among her shelves, fiddling with one thing and then another as she spoke. “And? What might you desire? What is your wish? Do you need a curse or a blight?”


“No. I need you to—”


“Or perhaps a talisman or potion? You won’t find a better sorceress in that field than I. I made sure of it.”


“No. I want—”


“Or…” said the Witch, striding over to her center table and running her fingers around the rim of the bowl, “perhaps you wish to see the future? I can show you a future with absolute certainty, bind you to it even, unlike those ‘provisional’ prophecies of those weak elves and my fellow fae. Or perhaps a love divination? Young girls like you, always searching and hoping for romance.”


“I’m not here for a love divination. I—”


“No. No, not the future. You seek a deeper, more powerful magic.” Here the lady’s voice sank into a tone so sweet Eibhlin could not speak. “No,” whispered the Witch, drawing her finger across the water in the bowl. “No. You seek something else. Distant and ever growing farther. A distant happiness long lost. If only. If only. Echoes of days and joy and love, all gone, all lost.”


At those words, Arianrhod lifted her fingers, letting the water drip back into the dish like sand in an hourglass. Then she turned and began gliding toward Eibhlin, her voice gentle, soft as snowflakes. “Yes. All lost. All gone. Such happiness you could have had, such sorrow you have endured. Looking at you, I almost weep. To think, if not for one event or one choice or one moment, you would never have had to suffer. It would never have happened; you would have been so happy. Poor child. Pitiful child. Poor, pitiful Eibhlin.”


Now, the fairy stood before Eibhlin, arms outstretched as though to cup the girl’s face in her hands, and Eibhlin stood frozen until that last word made her twitch. “My name,” murmured Eibhlin, some of her awareness returning, her mind slowly trudging through its sluggishness as she spoke. “My name. How do you know my name?”


The fairy’s hands stiffened and then drew back as she gave a slight laugh. “‘How’ you ask? Poor child, pitiful Eibhlin, of course I know. I know all about you. I know about the struggles you’ve faced in coming to me, and the dangers you’ve met since you left home. I know of your kind but absent father, and your anger and sadness and guilt. Oh yes, guilt. Guilt at being angry. Guilt over your jealousy for his kindness. And I know the reason for all of it. I know about the lovely woman with sun-kissed hair and warm hands and smiles. I know about the love she gave to you and your father, and the devotion and adoration he held for her. And I know the anguish he felt as he watched her slowly die. Such a dreadful illness. Yet unnamed, without known cure. Treatment after treatment. Much too expensive for a small-town blacksmith, even when the village pools its money. Too expensive. No hope. Yes, Eibhlin, poor child, I know all about you, even about that tragedy that you forgot.”


The Witch of Hours panel 2
Fairy Door series cover
The Witch of Hours episode cover
18K views • 978 likes
8 comments

Fairy Door

Created by
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V. A. Boston
Free
After years of neglect from her father, Eibhlin has had enough. But when a purse of infinite gold, a fairy, and a trade shatter what little relationship she has with her father, she resolves to set things right. Aided by a magic compass and a talking instrument, she now seeks three magic keys and their magic doors to find the fairy once again and recover what was lost. She broke their relationship. Now, she’ll brave the Fae to fix it. If she can get there. From the fantasy tradition of The Chronicles of Prydain and The Hobbit comes a tale of love and redemption perfect for fans of all ages.
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The Witch of Hours cover art
The Witch of Hours
195 views • 8 likes • 0 comments
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