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A tiny thumbnail of the cover art for the comics series Classic Bible Tales
Classic Bible Tales
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A tiny thumbnail of the cover art for the comics series The Wise of Heart
The Wise of Heart
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A tiny thumbnail of the cover art for the comics series Aesops Fables
Aesops Fables
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Aesops Fables are a collection of short stories that each contain a moral or lesson. These fables (such as 'The Boy who Cried Wolf') are known across the world. Aesop was a Greek slave who lived during the 5th century BC and either created or popularised existing fables, so their wisdom could be enjoyed by future generations.
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A tiny thumbnail of the cover art for the comics series Warman
Warman
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Guns and money. There's no sin in either one of them. They can be used for good or bad, if you believe in those things. But they can only be as good or bad as the man who holds them.
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A tiny thumbnail of the cover art for the comics series Ember War
Ember War
30 episodes
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The countdown to the invasion of Earth has begun. A merciless alien race bent on human extermination has pointed its armada towards Earth. The countdown to their arrival begins. A mysterious intelligence warns only a young scientist, Marc Ibarra, of our impending doom. Together, the two create a plan for humanity to survive the invasion. Even with the aid of advanced new technology, Marc is faced with a major problem. The plan—if it works—can only save a fraction of us. Who survives? Who dies? How can humanity win the battle against almost certain annihilation? With what will only be an ember of humanity left, will it be enough to rekindle our chance for survival and strike back at the Xaros? The Ember War is the first novel in an epic military sci-fi series by Richard Fox. Adapted for comics by Jon Del Arroz.
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A tiny thumbnail of the cover art for the comics series Based Comic
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A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
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58 episodes
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In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
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A tiny thumbnail of the cover art for the comics series A Mind Programmed
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A tiny thumbnail of the cover art for the comics series Classic Bible Tales
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A tiny thumbnail of the cover art for the comics series The Wise of Heart
The Wise of Heart
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36330 views1434 likes
A tiny thumbnail of the cover art for the comics series Aesops Fables
Aesops Fables
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A tiny thumbnail of the cover art for the comics series Warman
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A tiny thumbnail of the cover art for the comics series Ember War
Ember War
30 episodes
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A tiny thumbnail of the cover art for the comics series Based Comic
Based Comic
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A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
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A tiny thumbnail of the cover art for the comics series A Mind Programmed
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The question caused Eibhlin’s breath to catch. Waste? Everything to waste? Of course not! She had to come to this dreadful place precisely because she didn’t want to waste all her time and effort and pain. She couldn’t let it all be meaningless. Eibhlin glared at the Witch. “Okay,” she said. “You have a deal.”


The radiance on the fairy’s face made Eibhlin’s heart sink, but there was no chance to take back her words. The fairy took a strand of Eibhlin’s hair and gave it a tug. The hair fell back down, and grasped between the fairy’s fingers and thumb was what appeared to be a thin thread of bright sunlight. For the next few seconds, the fairy pulled on the thread, collecting it around her fingers. And as the thread around the fairy’s fingers increased, Eibhlin noticed the color disappear from the tip of what hair she could see, like the unfurling rows of a knitted shawl, leaving translucent white. When at last the fairy finished gathering the thread, she summoned a small, glass phial, removed the cap, and dropped the thread inside. As soon as it left her fingers, the thread appeared to unravel into sunlight, and the fairy quickly threw on the cap before any of the golden color could escape. The Witch smiled, and Eibhlin immediately felt sorry for whatever soul that phial’s contents would be used for.


Without looking away from her new good, Arianrhod tossed the key in Eibhlin’s direction, saying, “Take it. Now that our business is done, leave. If you just go out the gatehouse door, you’ll exit back at the monastery, but be swift. As my contract with that monk is void, the door won’t remain much longer. Oh, and another thing, be careful with your hair. It’s quite absorptive right now, so the next color it touches for more than five seconds, that’s the color it will be. If you’re fast or lucky, maybe you can even turn it gold again. But remember, it only needs five seconds for it to change, and no second chances.”


Slipping the key on her chain, Eibhlin said, “Thank you” and turned to leave. However, before she had even made it half a pace, the Witch said, “One more word of warning… Watch your step.”


At once, Eibhlin recognized the magic saturating the words, but she could not defend herself fast enough. Her feet caught upon themselves, and she tumbled to the floor. As she got back up, she cursed herself for letting her guard down, and in the middle of her self-reprimand, she thought she heard Mel’s voice echo in her ears as though from far away. Be-fore she could decipher the words, though, intense dizziness struck her, and she fell back to the floor. She felt feverish. Her body ached, and she felt nauseated. Her head throbbed as if trying to crack her skull, and her lungs felt tight.


Mel’s voice came again, this time a cry of anguish.


Eibhlin lay on the floor, miserable and confused. Curling so that she could see the fairy in the other room, Eibhlin glared and tried to speak, but the aching in her head made thoughts and speech difficult.


The Witch laughed. “Child of the sun, do you blame me for your current state? I did warn you, didn’t I? About your hair.”


It was only then that Eibhlin realized she had fallen into a patch of moonlight, and her hair, once soft blond, now brushed against her cheek stark white.


“Still,” continued the Witch, “the color isn’t as pure as it should have been. Must be due to that elven blessing. Maybe it diluted the color, bleached it of some power.”


“You… what did you…?” Eibhlin croaked.


“Hm? Me? Didn’t I already tell you? I did nothing. Well, nothing that wasn’t inevitable anyway. It probably would have changed on the walkway anyway, in that exposed light. Only now, I can actually watch you writhe a bit. Silly mortals and your ‘moonstricken’ state. Oh, and by the way, the deterioration of the gate is still the same. I suggest you hurry before it’s unusable.”


Eibhlin fumed, and the energy of her anger dulled some of the pain, but the fever and nausea would not let her charge after the fairy. It was for the best, really. If she had, she realized later, she would have crossed the last threshold and left herself completely exposed to the Witch’s magic. Instead, she dragged herself to the wall and used it to prop herself up. Scraping against the wall, she made for the door to the walkway.


When she reached the door, the Witch of Hours said, “Goodbye, pitiful child. A delight doing business with you…. Still, it is a shame you cut your hair. The color really was of spectacular quality.”


Eibhlin looked back to see the fairy examining the phial’s shining content. Bracing herself against the door, fingers on the handle, she said in as strong a voice as she could, “You can thank your ‘sentries’ for that. A Tensilkir got tangled in my hair, so I cut it all off, branches and all.”


The enchanted phial fell to the floor, but the sound of its collision and roll across the floor was drowned out by the Witch’s shriek.


“Those idiots!” she screamed. “How could they! They know better! Traitors! Idiots! I have to hurry! The color will already be dying, could be dead. Or the sap! The tree’s sap might have burned it all. No. I must hurry! How could they—”


With the sound of the fairy’s screams behind her giving her some satisfaction, Eibhlin stumbled out to and down the walkway and then out the gatehouse door.


The Witch's Triumph panel 2
Fairy Door series cover
The Witch's Triumph episode cover
18K views • 978 likes
8 comments

Fairy Door

Created by
author avatar placeholder
V. A. Boston
After years of neglect from her father, Eibhlin has had enough. But when a purse of infinite gold, a fairy, and a trade shatter what little relationship she has with her father, she resolves to set things right. Aided by a magic compass and a talking instrument, she now seeks three magic keys and their magic doors to find the fairy once again and recover what was lost. She broke their relationship. Now, she’ll brave the Fae to fix it. If she can get there. From the fantasy tradition of The Chronicles of Prydain and The Hobbit comes a tale of love and redemption perfect for fans of all ages.
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349 views • 13 likes • 0 comments
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