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A tiny thumbnail of the cover art for the comics series GOLIA-FIGHTER
GOLIA-FIGHTER
39 episodes
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The continent of Gigantria is a land rich in possibility and danger. Colossal creatures known as Goliaths have begun to awaken all over the land, and the pioneer town of Wyder Valley gets caught in the middle. One man takes it upon himself to face off against this impending threat, will he be able to survive as a Golia-Fighter?
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A tiny thumbnail of the cover art for the comics series Aesops Fables
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A tiny thumbnail of the cover art for the comics series The Sidewinders
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A tiny thumbnail of the cover art for the comics series Threat Quotient
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A tiny thumbnail of the cover art for the comics series Fairy Door
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60 episodes
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A tiny thumbnail of the cover art for the comics series BOB
BOB
156 episodes
by WisePathBooks
Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
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A tiny thumbnail of the cover art for the comics series Ascendant
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A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
70 episodes
by WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
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A tiny thumbnail of the cover art for the comics series GOLIA-FIGHTER
GOLIA-FIGHTER
39 episodes
by Cliff Cosmic
The continent of Gigantria is a land rich in possibility and danger. Colossal creatures known as Goliaths have begun to awaken all over the land, and the pioneer town of Wyder Valley gets caught in the middle. One man takes it upon himself to face off against this impending threat, will he be able to survive as a Golia-Fighter?
13252 views
A tiny thumbnail of the cover art for the comics series Aesops Fables
Aesops Fables
80 episodes
by Independent creator
Aesops Fables are a collection of short stories that each contain a moral or lesson. These fables (such as 'The Boy who Cried Wolf') are known across the world. Aesop was a Greek slave who lived during the 5th century BC and either created or popularised existing fables, so their wisdom could be enjoyed by future generations.
33999 views833 likes
A tiny thumbnail of the cover art for the comics series The Sidewinders
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A tiny thumbnail of the cover art for the comics series Threat Quotient
Threat Quotient
45 episodes
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The Destroyer, the Builder, and the Fighting Prophet Ramjet is a turbo-powered flying knight determined to do what’s right in a world where evil is called good, and good is called evil. The Juggernaut is an unstoppable wrecking machine who wanted to just mind his own business, but now is ready to raze everything to the ground. Phantom Raider reveals truth in an empire of lies, risking his life repeatedly with every wicked secret he exposes. These three, and others, are charging toward the vortex of a superpowered showdown, with the fate of civilization hanging in the balance.
9027 views
A tiny thumbnail of the cover art for the comics series Fairy Door
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After years of neglect from her father, Eibhlin has had enough. But when a purse of infinite gold, a fairy, and a trade shatter what little relationship she has with her father, she resolves to set things right. Aided by a magic compass and a talking instrument, she now seeks three magic keys and their magic doors to find the fairy once again and recover what was lost. She broke their relationship. Now, she’ll brave the Fae to fix it. If she can get there. From the fantasy tradition of The Chronicles of Prydain and The Hobbit comes a tale of love and redemption perfect for fans of all ages.
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A tiny thumbnail of the cover art for the comics series BOB
BOB
156 episodes
by WisePathBooks
Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
599883 views28001 likes
A tiny thumbnail of the cover art for the comics series Ascendant
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A tiny thumbnail of the cover art for the comics series Full of Eyes
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The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
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They rode past the last buildings and a small, dirty urchin waved at them. Javo waved back, wondering if the child were grown too large now to be a target for the gryphon’s abduction. It seemed the nocturnal kidnapper preferred only children still too young to walk or speak.


“I think the Cemarites waxed arrogant with the gryphon to watch over them,” Turgar said, sweeping one hand across the landscape. “This must be the only city in all the world without a wall. Do they imagine no enemy could ever grow powerful enough to march against them?”


“I warrant,” Javo agreed, frowning. “There are those like my father and uncles who spoke against this carelessness, and tried to get a wall built. But others of the same ilk that so fervently sold the Transition to my countrymen found manifold excuses to undermine their efforts.”


They passed cultivated fields, framed by canals. Farmers worked amidst the crops, just as they had over many generations, diligently building the surpluses that made the nearby city thrive. Only now, the farmer’s youngest children, and treasures, had been stolen from them night by night, just like the city dwellers — what treasures were left after the ever-ballooning tax burden.


“These fields are still a wonder,” Javo said, admiring the efficiency of the modern agricultural engineering. “You won’t see any as productive the world over.”


Beyond the last farm, they rode past a mining camp, then reached the base of Mount Tirshal.


Krag looked up the steep slope. About halfway up, the mountain disappeared behind a veil of mist. “You are certain it is up this mountain?”


Javo nodded. He found the mouth of the trail and nudged his mount forward with no delay.


The trail wound up the mountain at a grade navigable for horse and rider. The blue sun sank lower as the small caravan climbed. Darkness crept in from the far horizon, growing until it swallowed the last vestiges of daylight.


Turgar moved to the front, pupils thickening in the darkness, so he could pick out the trail. When the first moon finally arose, his companions were able to see almost as well as the Gabomite archer. The trail led them to a flat outcropping where the mist thickened around the mountain. There seemed to be no way beyond this spot, save that whence they had come.


Javo reined in his charger behind Turgar and dismounted. “From here we must progress on foot,” he said.


“Why?” demanded Krag, his huge mount halting behind.


“The slope is too steep from here up,” Javo replied. “And the fog too thick.”


“You’ve climbed Tirshal before?” Turgar asked, dismounting.


“Aye, when but a lad seeking adventure,” Javo replied. “But I got no farther than this.”


Krag swung down from the saddle, gazing up into the fog. “Will you remove your armor for the climb?”


“No,” Javo said. “We came to do battle with the gryphon, and I shall remain prepared for such.”


They all kept their armor on. With Turgar’s feline eyes picking out handholds and footholds, they continued their ascent, leaving their dogs of war to guard the horses.


Conversation ceased. All three were stout hearted and strong, but needed all their energy and concentration for the climb. Moss-covered rock was slick with the moisture of the swirling vapors which limited even Turgar’s vision to only a spear-length in the night.


Grunting and sweating with the effort, Javo reconsidered, too late, keeping his armor on, lightweight though it was.


“What is that?” Krag asked, suddenly.


“What is what?” Javo replied.


“Don’t you hear it? Don’t you feel it?” the giant asked, a fearful tone to his voice.


Turgar’s keen yellow eyes swept through the misty shroud. “I hear nothing but the wind, my friend.”


“We are not alone,” Krag said. “Something moves nearby; swiftly but stealthily.”


They paused to listen, then Turgar shook his head. “The dark, the mist, and the whistling wind play tricks on a man’s mind.”


Javo nodded agreement. “If a man hears nothing but this wind for long enough, he begins to imagine things. One can go mad. Next ledge we reach, Turgar, let us rest and eat something before climbing farther.”


Not long thereafter, Turgar found a ledge large enough for a much larger party of men. They shared a flagon of ale, a loaf of bread, and round of cheese.


“Reminds me of the mountain fortress, yes?” Turgar suggested, catching his breath.


“I warrant this slope is far steeper than that mountain,” Javo said.


The dark and fog seemed heavier than what should be normal. The ledge was covered with something loose and jagged, like a layer of gravel. Krag lifted himself up to sweep a spot smooth under him before sitting back down. “I sense something out there. We have not been alone since we entered this accursed fog.”

Don't You Feel It? panel 2
The Gryphon of Tirshal series cover
Don't You Feel It? episode cover
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The Gryphon of Tirshal

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Henry Brown
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Infants are disappearing in the dark of night in Sir Javo's native land of Cemar. He and his two mercenary comrades are hired to slay the beastly culprit--if it can be slain. It's been common knowlege for some time that a winged lion atop Mount Tirshal is responsible for the abductions. Before they even reach the peak of Tirshal, Javo, Turgar, and Krag the Wrecker will find themselves surrounded by paranormal horrors. Chronological order notwithstanding, this was the first Tale of the Honor Triad--a series of sword-and-supernatural fables set in an alien world's dark ages.
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