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A tiny thumbnail of the cover art for the comics series Treasury of Tales
Treasury of Tales
81 episodes
by Independent creator
The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.
20802 views771 likes
A tiny thumbnail of the cover art for the comics series Warman
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49 episodes
by The Legend Chuck Dixon
Guns and money. There's no sin in either one of them. They can be used for good or bad, if you believe in those things. But they can only be as good or bad as the man who holds them.
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A tiny thumbnail of the cover art for the comics series The Dixon Files
The Dixon Files
27 episodes
by The Legend Chuck Dixon
In the thousands of comic book stories Chuck has written there are a few that have never been re-printed anywhere. He's dusting off a few of these lost and forgotten short stories and sharing them on Arktoons. Enjoy these blasts from Chuck's past.
26507 views2865 likes
A tiny thumbnail of the cover art for the comics series Something Big
Something Big
80 episodes
by The Legend Chuck Dixon
Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.
146347 views18391 likes
A tiny thumbnail of the cover art for the comics series Based Comic
Based Comic
36 episodes
by Taylor West
Taylor and her best school friend Caleb live in comfortable and a little rural Frosty, Florida. Taylor is the editor of the Boca Del Rio Assisted Living Facility community newsletter. They’re buddies with local personalities Chance the Alligator and Dillon, an armadillo who loves beer.
5569 views
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
Chuck Dixon Presents: Comedy
137 episodes
by The Legend Chuck Dixon
A frantic font of the funniest funnybooks selected from the classic comics of the Golden Age by famed funnyman and comic book scribe Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
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A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
70 episodes
by WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
A tiny thumbnail of the cover art for the comics series Treasury of Tales
Treasury of Tales
81 episodes
by Independent creator
The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.
20802 views771 likes
A tiny thumbnail of the cover art for the comics series Warman
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62505 views6154 likes
A tiny thumbnail of the cover art for the comics series The Dixon Files
The Dixon Files
27 episodes
by The Legend Chuck Dixon
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26507 views2865 likes
A tiny thumbnail of the cover art for the comics series Something Big
Something Big
80 episodes
by The Legend Chuck Dixon
Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.
146347 views18391 likes
A tiny thumbnail of the cover art for the comics series Based Comic
Based Comic
36 episodes
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Taylor and her best school friend Caleb live in comfortable and a little rural Frosty, Florida. Taylor is the editor of the Boca Del Rio Assisted Living Facility community newsletter. They’re buddies with local personalities Chance the Alligator and Dillon, an armadillo who loves beer.
5569 views
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
Chuck Dixon Presents: Comedy
137 episodes
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A frantic font of the funniest funnybooks selected from the classic comics of the Golden Age by famed funnyman and comic book scribe Chuck Dixon.
80000 views9964 likes
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
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Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16904 views844 likes
A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
70 episodes
by WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
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Celebration of the Immortals panel 1

PROLOGUE

CELEBRATIONS OF THE IMMORTALS

It was a time of masquerade.

It was the eve of the High Transcendence, an event so solemn and significant that it could be held but once each thousand years, and folk of every name and iteration, phenotype, composition, consciousness and neuroform, from every school and era, had come to celebrate its coming, to welcome the transfiguration, and to prepare.

Splendor, feast, and ceremony filled the many months before the great event itself. Energy shapes living in the north polar magnetosphere of the sun, and Cold Dukes from the Kuiper belts beyond Neptune, had gathered to Old Earth, or sent their representations through the mentality; and celebrants had come from every world and moon in the solar system, from every station, sail, habitat and crystal-magnetic latticework.

No human or posthuman race of the Golden Oecumene was absent from these festivities. Fictional as well as actual personalities were invited. Composition-assisted reconstructions of dead or deleted paladins and sages, magnates and philosophers, walked by night the boulevards of the Aurelian palace-city, arm-in-arm with extrapolated demigoddesses from imagined superhuman futures, or languid-eyed lamia from morbid unrealized alternatives, and strolled or danced among the monuments and energy sculptures, fountains, dream fixtures, and phantasms, all beneath a silver, city-covered moon, larger than the moon past ages knew.

And here and there, shining like stars on the active channels of the mentality, were recidivists who had returned from high transhuman states of mind, bringing back with them thought-shapes or mathematical constructions inexpressible in human words, haunted by memories of what the last Transcendence had accomplished, feverish with dreams of what the next might hold.

It was a time of cheer.

And yet, even in such golden days, there were those who would not be satisfied.

Celebration of the Immortals panel 3

On the hundred-and-first night of the Millennial Celebration, Phaethon walked away from the lights and music, movement and gaiety of the golden palace-city, and out into the solitude of the groves and gardens beyond. In this time of joy, he was not at ease himself; and he did not know why.

His full name was Phaethon Prime Rhadamanth Humodified (augment) Uncomposed, Indepconciousness, Base Neuroformed, Silver-Gray Manorial Schola, Era 7043 (the “Reawakening”).

This particular evening, the west wing of the Aurelian Palace-city had been set aside for a Presentation of Visions by the elite of Rhadamanthus Mansion. Phaethon had been extended an invitation to sit on the panel of dream-judges, and, eager to experience the future histories involved, had happily accepted. Phaethon had been imagining the evening, perhaps, would be in miniature, for Rhadamanthus House, what the High Transcendence in December would be for all mankind.

But he was disappointed. The review of one drab and uninspired extrapolation after another had drained his patience.

Here was a future where all men were recorded as brain-information in a diamond logic crystal occupying the core of the earth; there was one where all humanity existed in the threads of a plant-like array of sails and panels forming a Dyson Sphere around the sun; a third promised, larger than worlds, housings for trillions of minds and superminds, existing in the absolute cold of trans-Neptunian space—cold was required for any truly precise subatomic engineering—but with rails or elevators of unthinkably dense material running across hundreds of AU, across the whole width of the solar system, and down into the mantle of the sun, both to mine the hydrogen ash for building matter, and to tap the vast energy of Sol, should ever matter or energy in any amount be needed by the immobile deep-space mainframes housing the minds of mankind.

Any one of them should have been a breathtaking vision. The engineering was worked out in loving detail. Phaethon could not name what it was he wanted, but he knew he wanted none of these futures being offered him.

Daphne, his wife, who was only a collateral member of the House, had not been invited; and, Helion, his sire, was present only as a partial-version, the primary having been called away to a conclave of the Peers.

And so it was that in the center of a loud, happy throng of brightly costumed telepresences, mannequins, and real-folk, and with a hundred high windows in the Presence Hall busy and bright with monotonous futures, and with a thousand channels clamoring with messages, requests, and invitations for him, Phaethon realized that he was entirely alone.

Fortunately, it was masquerade, and he was able to assign his face and his role to a backup copy of himself. He donned the disguise of a Harlequin clown, with lace at his throat and mask on his face, and then slipped out of a side entrance before any of Helion’s lieutenants or squires-of-honor thought to stop him.

Without a word or signal to anyone, Phaethon departed, and he walked across silent lawns and gardens by moonlight, accompanied only by his thoughts.

Celebration of the Immortals panel 5
Celebration of the Immortals panel 6
The Golden Age series cover
Celebration of the Immortals episode cover
13K views • 580 likes
3 comments

The Golden Age

Created by
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Independent creator
The Golden Oecumene is a utopian society of an immortal posthumanity that has transcended the limits of Earth. But even in utopia, there are rebels. A grand space opera by SF grandmaster John C. Wright.
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3.5K views • 110 likes • 1 comment
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