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A tiny thumbnail of the cover art for the comics series How to Succeed Like a Dark Lord
How to Succeed Like a Dark Lord
26 episodes
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The trials and travails of Davos, the Doom Lord, who faces the daunting challenge of how to keep himself occupied after successfully conquering the whole of Metal Earth, subjugating all his enemies, and establishing himself as The Sum of All Terror.
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A tiny thumbnail of the cover art for the comics series Something Big
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Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.
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A tiny thumbnail of the cover art for the comics series The Chronicles of the Adventure, Hunting, and Liquidation Committee
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
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137 episodes
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A frantic font of the funniest funnybooks selected from the classic comics of the Golden Age by famed funnyman and comic book scribe Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series The Sidewinders
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The Legend Chuck Dixon explores the Wild West, with epic tales of gunfighters, frontier justice, savage Indian tribes, and even more savage outlaws.
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A tiny thumbnail of the cover art for the comics series Stonetoss
Stonetoss
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Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.
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A tiny thumbnail of the cover art for the comics series Invasion '55
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A tiny thumbnail of the cover art for the comics series Coneman Comics
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A tiny thumbnail of the cover art for the comics series How to Succeed Like a Dark Lord
How to Succeed Like a Dark Lord
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The trials and travails of Davos, the Doom Lord, who faces the daunting challenge of how to keep himself occupied after successfully conquering the whole of Metal Earth, subjugating all his enemies, and establishing himself as The Sum of All Terror.
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A tiny thumbnail of the cover art for the comics series Something Big
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Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.
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A tiny thumbnail of the cover art for the comics series The Chronicles of the Adventure, Hunting, and Liquidation Committee
The Chronicles of the Adventure, Hunting, and Liquidation Committee
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Bohdan Blood was a busy young man. Being the President of the AH&L Committee in the middle of World War Three did that, but now rumors of witchcraft and Cartel incursions around his Ozark home were making things downright unhealthy. Together with his wily friends Bohdan and company will dodge drafts, hunt cryptids, and burn witches in style to keep their neck of the woods from looking like a New York hellscape. Just another day for the Adventure, Hunting, and Liquidation Committee.
9858 views463 likes
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
Chuck Dixon Presents: Comedy
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by The Legend Chuck Dixon
A frantic font of the funniest funnybooks selected from the classic comics of the Golden Age by famed funnyman and comic book scribe Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series The Sidewinders
The Sidewinders
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The Legend Chuck Dixon explores the Wild West, with epic tales of gunfighters, frontier justice, savage Indian tribes, and even more savage outlaws.
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A tiny thumbnail of the cover art for the comics series Stonetoss
Stonetoss
512 episodes
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Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.
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A tiny thumbnail of the cover art for the comics series Invasion '55
Invasion '55
106 episodes
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Chuck Dixon's unapologetic homage to the 50's movies he watched on the Early Show as a kid. He describes it as 'A real labor of love and a ball to write. Bad guys from outer space versus the US Air Force.' What's not to love? It also "inspired" the "surprise" ending of M. Night Shaymalan's movie Signs. Chuck is still waiting on his check. Lito Fernandez brings a real period feel to this limited series with his Frank Robbins/ Milton Caniff inspired artwork. We discovered multiple missing pages from the original Invasion '55 story, restored and reintegrated them into their rightful place, and are re-releasing the story in its restored glory.
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A tiny thumbnail of the cover art for the comics series Coneman Comics
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The Real Phaeton panel 1

Episode 3

The Real Phaeton

The man was speaking: “You are blind to what is plain before your eyes! Behold the mirrored layer of tissue growing over all these leaves. It is to block the true sun from the knowledge of these plants. Tracking a sun, which merely rises and sets, is easier than anticipating retrograde motion, I assure you. Complex habits, painfully learned through generations, would be instantly thrown aside in one blast of true sunlight. And therefore these little flowers have a mechanism to keep the truth at bay. Strange that I’ve made the blocking tissue look mirrored; you can see your own face in it … if you look.”

This comment verged on insult. Phaethon replied hotly: “Or perhaps the tissue merely protects them from irritants, good sir!”

“Hah! So the puppy has teeth after all, eh? Have I irked you, then? This is Art also!”

“If Art is an irritant, like grit, good sir, then spend your genius praising the society cosmopolitan enough to tolerate it! How do you think simple societies maintain their simplicity? By intolerance. Men hunt; women gather; virgins guard the sacred flame. Anyone who steps outside their stereotypic social roles is crushed.”

“Well, well, young manor-born—you are a manorial, are you not? Your words sound like someone taught by machines—what you don’t know, young manor-born, is that cosmopolitan societies are sometimes just as ruthless about crushing those who don’t conform. Look at how unhappy they made that reckless boy, what’s-his-name, that Phaethon. There are worse things in store for him, I tell you!”

“I beg your pardon?” Strange. The sensation was not unlike stepping for a nonexistent stair, or having apparently solid ground give way underfoot. Phaethon wondered if he had somehow wandered into a simulation or a pseudomnesia-play without noticing it. “But … I am Phaethon. I am he. What in the world do you mean?” And he took off the mask he wore.

“No, no. I mean the real Phaethon. Though you are quite bold to show up at a masquerade like this, dressed in his face. Bold. Or tasteless!”

“But I am he!” A bewildered note began to creep into his voice.

“So you are Phaethon, eh? No, no, I think not. He is not welcome at parties.”

Not welcome? Him? Rhadmanthus House was the oldest mansion of the Silver-Gray, and the Silver-Gray was, in turn, the third oldest scholum in the entire manorial movement. Rhadamanthus boasted over 7,600 members just of the elite communion, and not to mention tens of thousands of collaterals, partials and secondaries. Not welcome? Phaethon’s sire and gene-template was Helion, founder of the Silver-Gray and archon of Rhadamanthus. Phaethon was welcome everywhere!

The strange old man was still speaking: “You could not be him: Phaethon wears grim and brooding black and proud gold, not frills like those.”

(For a moment, oddly enough, Phaethon could not quite recall how he usually dressed. But surely he had no reason to dress in grim colors. Had he? He was not a grim man. Was he?)

The Real Phaeton panel 3

He tried to speak calmly: “What do you say I have done to make me unwelcome at celebrations, sir?”

“What has he done? Hah!” The white-haired man leaned back as if to avoid an unpleasant smell. “Your joke is not appreciated, sir. As you may have guessed, I am a Antiamaranthine Purist, and I do not carry a computer in my ear telling me every nuance of your manor-born protocols, or which fork to use, or when to hold my tongue. Maybe I speak out of turn to say that the real Phaethon would be ashamed to show his face at a festival like this! Ashamed! This is a celebration of those who love this civilization, or who, like me, are urged to try to improve it by constructive criticism. But you!”

“Ashamed? … I have done nothing!”

“No, no more! Do not speak again! Perhaps I should get a brain filter like you machine-pets, so I could merely blot out stains like you from my sight and memory. That would be ironic, wouldn’t it? Me, shrouded in a little silvery tissue of my own. But irony is perhaps more fit to an age of iron than to an age of gold.”

“Sir, I really must insist you tell me what—”

“What?!! Still here, you interloper! If you want to look like Phaethon, maybe I should treat you like him, and have you thrown out of my grove on your ear!”

“Tell me the truth!” Phaethon stepped toward the man.

“Fortunately, this grove, and even the surrounding dreamspace, are my own, not part of the party grounds proper, and so I can throw you out, can’t I?”

He cackled, and waved his walking stick.

The man, and the grove, disappeared. Phaethon found himself standing on green hilltop in the sunlight, overlooking the palaces and gardens of the celebration shining in the distance. An overture of music came faintly from the distant towers.

This was a scene from the first day of the celebration, one of the entrance scenarios. The old man had deleted his grove scene from Phaethon’s sensorium, throwing him back into his default setting. An unthinkable rudeness! But, perhaps, allowed under the relaxed protocols and standards of the festival time.

A moment of cold anger ran through Phaethon. He was surprised at the vehemence of his own emotion. He was not normally an angry man—was he?

Perhaps it would be wise to let the matter drop. There were entertainments and delights enough to engage his attention at the Celebrations without pursuing this.

But … unlike everything he had seen, this was real. Phaethon’s curiosity was piqued, and perhaps his pride was stung. He would discover the answers.

He raised his fingers to his eyes and made the restart gesture. He was back in the scene, at night, in the silvery grove, but alone. The man was either gone or he was hiding behind Phaethon’s sense-filter.

The Real Phaeton panel 5
The Real Phaeton panel 6
The Golden Age series cover
The Real Phaeton episode cover
13K views • 580 likes
3 comments

The Golden Age

Created by
author avatar placeholder
Independent creator
The Golden Oecumene is a utopian society of an immortal posthumanity that has transcended the limits of Earth. But even in utopia, there are rebels. A grand space opera by SF grandmaster John C. Wright.
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754 views • 56 likes • 0 comments
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