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A tiny thumbnail of the cover art for the comics series 取代英雄
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A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
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A tiny thumbnail of the cover art for the comics series How to Succeed Like a Dark Lord
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A tiny thumbnail of the cover art for the comics series Midnight's War
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Mystery
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Mysterious monsters, time travellers, magical idols, invaders from the 4th dimension, sentient plants, and so much more await in Chuck Dixon Presents: Mystery. This is a series of strange, spooky, and science fiction stories hand selected by that master of mysterious comics, the legend Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series 飞行火花
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3602 views
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
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A tiny thumbnail of the cover art for the comics series Hammer of Freedom 2
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48716 views3331 likes
A tiny thumbnail of the cover art for the comics series 取代英雄
取代英雄
45 episodes
by Vox Day
这个时代的黎明导致了一场新的军备竞赛,尽管这场竞赛涉及超人而不是超级武器。但是,尽管美国签署了《新加坡公约》,允许联合国控制其超人,但其最大的军事对手却没有。因此,当美国海军陆战队司令得知一支中国超级英雄团队正在北美大陆作战时,他别无选择,只能召集秘密超人组成的部队侦察队,五角大楼甚至不知道他们的存在。
3932 views
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
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Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16904 views844 likes
A tiny thumbnail of the cover art for the comics series How to Succeed Like a Dark Lord
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by Vox Day
The trials and travails of Davos, the Doom Lord, who faces the daunting challenge of how to keep himself occupied after successfully conquering the whole of Metal Earth, subjugating all his enemies, and establishing himself as The Sum of All Terror.
185731 views10083 likes
A tiny thumbnail of the cover art for the comics series Midnight's War
Midnight's War
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Mystery
Chuck Dixon Presents: Mystery
54 episodes
by The Legend Chuck Dixon
Mysterious monsters, time travellers, magical idols, invaders from the 4th dimension, sentient plants, and so much more await in Chuck Dixon Presents: Mystery. This is a series of strange, spooky, and science fiction stories hand selected by that master of mysterious comics, the legend Chuck Dixon.
36765 views5347 likes
A tiny thumbnail of the cover art for the comics series 飞行火花
飞行火花
49 episodes
by Jon Del Arroz
克洛伊·安德森(Chloe Anderson)白天是一名物理系学生,是一个勤奋、聪明的女孩,她和她的疯狂科学家教授关系密切,并作为助教与他一起工作。 她也是一个超级英雄,元女孩。 约翰尼·本维努蒂(Johnny Benvinutti)来自一个知名的意大利犯罪家族,最近他发现自己有能力用手发射闪电。他经营着一家咖啡店的门面生意。当他们两个相遇时,《火花》在多个层面上飞溅。但他们能在保持关系的同时对彼此保密吗?
3602 views
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
74 episodes
by Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
15337 views479 likes
A tiny thumbnail of the cover art for the comics series Hammer of Freedom 2
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48716 views3331 likes
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Avatar of the Earthmind panel 1

Episode 16

Avatar of the Earthmind

Down the slope and across the moonlit lawn approached a stately figure surrounded by nine floating luminaries. She was garbed in a gown of flowing emerald green, and her golden braids were twined to hold an emerald crown in place. Hers was a face of regal beauty, kindly, dignified, smiling with sad wisdom. In one hand she held a wand of living apple-wood, adorned with apple blossoms and fruit.

Her body shape was like that of an ancient lunarian; very tall and slender, graceful with unearthly grace, and with a magnificent sweep of condor wings folded across her shoulders and down her back.

The man who looked like Atkins then did a very Atkins-like thing. He drew his ceremonial katana and saluted, holding the blade point-upright, guard level with his eyes.

Not to be outdone, Phaethon performed an elegant courtly bow, crooking his back leg and sweeping out his hands in flourishes just as Harlequin himself might have done for the queen of France.

“Hail to thee!” cried Phaethon. “If you are She, an Avatar of the Earthmind, whose unlimited omniscience sustains us all, then, for the sake of all the blessings with which infinite intelligence has showered the earth, I greet you and give you praise; or if you merely are one who honors Her by presenting yourself adorned with Her symbols, hail nonetheless! And I bow to honor the visible signs of the One thus represented.”

“I am not wholly She; only the smallest fraction of Her mind is bonded with me. For now, I am merely your fellow guest at this Celebration.” She smiled warmly, eyes twinkling, and nodded, saying: “You are true to the comic-opera character you seem, and you amuse me with your comic-opera greeting. Dear Phaethon! Earthmind has thought much on you of late, and She trusts you will be as true to your own character as you have been to the characters you have assumed.”

Phaethon signaled for identification, and then was shocked to understand that this was an Avatar of the Earthmind indeed, an emanation from the Ennead.

He had never in all his life spoken to one of the Nine Intelligences, who were the highest of the Sophotech machine-minds; but this was a representative of a Mind even more exalted, the One whom the Nine combined their mental power to sustain.

To Atkins, the Avatar said, “Please do not salute me, Mr. Atkins. I am not your superior officer. We are fellow servants in the same cause.”

The man’s left gauntlet folded back. In one perfect, well-practiced motion, he cut a painful line across his palm, bloodied the sword and sheathed the blade. He squinted, folding his left hand into a fist to prevent the little cut from seeping.

Phaethon realized that this must indeed be Atkins.

“Thank you, ma’am,” Atkins said. “Can you help me out, here? If not, I’m going to have to ask you to leave.”

She smiled sadly. “There’s not much I can do, Mr. Atkins. Even a very quick intelligence is helpless without information to manipulate. So I shall leave you in peace to do your work. Ah! But I do have an idea for a new science of analysis and forensics which, with your permission, I can load into your system. I have a clearance from the Parliament scenario.”

“Be my guest, ma’am.” And the black spheres began sprouting fantastic spiral shells, nautiluslike, and spinning strands of thread across the grass. The luminaries circling the Avatar now left their orbits and went to go help the black spheres at their task.

The Avatar turned to Phaethon.

“Dear son, as a courtesy to Atkins, I ask you to leave as well. You are under no legal obligation to keep quiet about what you have seen, but there is a moral obligation even deeper and more compelling. Our laws and our institutions have grown accustomed to centuries of peace and pleasure; and our civilization can sustain herself through danger only by the voluntary devotion of her citizens.”

Phaethon spoke: “I love the Golden Oecumene, and would never do anything to cause her harm!”

Atkins looked skeptical when he said that, snorted, and turned away. The Avatar said, “Do not compromise your principles, Phaethon, lest you do yourself and your world an ill.”

“What ill? Madame—please tell me what is going on—”

“Your old memories are in storage, but not destroyed. Whether you take their burden once more on yourself, I cannot advise. I may be wise, but I am not Phaethon.” The Avatar stepped forward, put her soft hands on Phaethon’s shoulders, stooped (Phaethon had not realized how tall the lunar body shape was till she stood over him), and she kissed him on the forehead.

“Will you receive this gift from me? I grant you flight. I mean this as an honor to display that the Machine Intelligences do not regard you, Phaethon, with any unkindliness. It also may remind you of old dreams you have put aside.”

“Madame—this mannequin I am in is much too heavy to fly—I would need a different …” But a buoyancy suddenly tingled in him, starting with his head where he’d been kissed, and spreading, like warm wine, into his trunk and limbs. Surprised, blinking, Phaethon thrust with a toe. Weightlessly the grass fell away from him.

He shouted in fear, but then smiled, and tried to pretend he was shouting for joy. A moment later, a freak wind blew him head over heels like a balloon. Phaethon grabbed a passing tree branch, and he was tangled in the silvery leaves, laughing.

“Quite extraordinary, Madame!” he gasped. “But—excuse me, there are several important questions about what’s happened tonight, which I—”

But when he looked over his shoulder, down at the ground, the Avatar was gone. There was only Atkins, face grim, still in his armor, pacing slowly across the grass with his black machines.

There was nothing for him here. Atkins was not going to answer any questions. And he had sneered at Phaethon’s expression of loyalty to the Golden Oecumene; whatever Phaethon’s forgotten crime had been, it had been enough to make honest men regard him as a traitor.

Phaethon let go of the branch and floated up into the night sky. The silvery Saturn-trees shimmered mirrorlike underfoot, and then were lost, one grove among the garden tapestries of shades and shadows below.

Avatar of the Earthmind panel 3
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13K views • 580 likes
3 comments

The Golden Age

Created by
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Independent creator
The Golden Oecumene is a utopian society of an immortal posthumanity that has transcended the limits of Earth. But even in utopia, there are rebels. A grand space opera by SF grandmaster John C. Wright.
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