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A tiny thumbnail of the cover art for the comics series BOB
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A tiny thumbnail of the cover art for the comics series Shotgun Samurai
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A tiny thumbnail of the cover art for the comics series Alt★Hero: Q
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A tiny thumbnail of the cover art for the comics series The Awakener
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A federal agent of the Brazilian Special Armed Division, Miguel is a highly trained weapons expert. But after experiencing a traumatic personal loss, he assumes the identity of a masked vigilante and begins a single-minded pursuit of vengeance. The Awakener deals out justice with his own hands, exterminating the politicians and corrupt businessmen who are preying upon his suffering people. NOTE: This series is rated R.
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A tiny thumbnail of the cover art for the comics series BOB
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Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
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A tiny thumbnail of the cover art for the comics series After Atlantis
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A tiny thumbnail of the cover art for the comics series Cosmic Horrors
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A tiny thumbnail of the cover art for the comics series Paper Doll Veronika
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A tiny thumbnail of the cover art for the comics series Riot Town, USA
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Disquisition of the Core Message panel 1

Episode 6

Disquisition of the Core Message

“Very well. My client says: I (he forwards, as an appendix, a treatise on the meaning of the word ‘I,’ the concept of selfhood, and a bibliographical compendium of his life experiences and changes in his self-notions in order to define this term to you) greet (he also has side comments on the history and nature of greetings, the implications in this context of what is meant, including the legal implications of violating the ban placed on his initiating any contact with you) you (and he postulates a subjunctive inquiry that, should you not be the individual that he deems you to be, that all this be placed in a secondary memory-chain, and be regarded as a less-than-real operation, similar to a pseudomnemia. He also requests sealed and notarized confirmation on his recorded memorandum documenting that you initiated the contact without his prompting).”

“Stop! You are only three words into the first message, and already everything is obscure. What prohibition has been placed on him? By whom? The human race is finally mature, wise enough to reject coercion as a means to deal with each other. Where is there any institution, any curia, that is not voluntary, not based on subscription? Our militia was supported by donations from historical trusts. Who has any right to prevent your client from speaking with me? Who is your client? Tell him to remove his mask.”

“My client responds with an emotion-action statement of four orders of complexity, all in the hypothetical-subjunctive mode, which states, in brief, that were he forbidden to speak with you, there may be (granting for the sake of argument) monitors or directives eavesdropping, which, were there such a thing, would not interfere as long as this discourse is kept within the general boundaries of polite and innocuous discourse. Of the seventy-four thousand million possible outcomes of this conversation which my client has examined in predictive scenarios, over fourteen of them conclude by some sort of interruption or reaction from the Aurelian Sophotech. Would you care to examine the full text of my client’s reply, examine the extrapolation scenarios which he has calculated, or should I continue with my disquisition of the core message?”

This was the most fantastic yet. Phaethon put his mask back on, which acted as a signal to restore a zone of privacy around him, even hiding such information as was normally public, such as his name and appearance.

“Surely no one would be so rude as to intrude on our private conversation, not without some good reason!”

“My client wishes to download a philosophical question-and-debate routine to attempt to convince you that, even in the most enlightened and civilized of societies, reasonable men can differ as to what constitutes the good. For example (and here he once again indicates that he speaks only hypothetically) those who place a higher value on freedom than on the alleged security and meaningfulness which adherence to tradition provides, might be willing to tolerate, or even encourage, a certain small amount of crime and riot, danger and uncertainty.”

Phaethon knew Greek and Latin, English and French, and half a dozen other dead languages, and so he knew what the word “crime” meant; but he had never heard it used except as a metaphor for unacceptable rudeness, or for poorly executed works of art. A paleolinguistic routine from the Rhadamanthus Mansion-mind had confirmed the original meaning of the word and had inserted it into Phaethon’s short-term memory.

He had his memory replay the last message over more than once to reassure himself that there had been no error. Was this creature actually advocating that the use of violence or fraud against innocent beings was, in some measure, justified?

The translator persisted: “Will you open, at least, a holding space where he can put some of the conversation trees he has constructed on this topic for you?”

“Sir, forgive me if I seem abrupt. But my main question, about the man who accosted me, lingers unanswered. Could you return to your core message, and, if you please, summarize the summary?”

“Here is a severely reduced summation of the core message:

“Phaethon, I greet you once again, though you have passed into the shadow of our enemy, have been wounded in your soul and mind, and have forgotten me. One day, I pray, we shall be whole again. Crippled now in your mind, you have perhaps no strength to sustain the belief in that great dream which once shook the worlds and empires of the Golden Oecumene to its rotten base; nor would you believe in what high esteem I and my comrades still hold you, despite your treasonous weakness of will. But believe this: You are trapped in a labyrinth of illusion; and yet the scruples, or the folly, of our foes allows you one hope of escape, one weak chink, a loophole, in an otherwise all-embracing prison wall.

“You must come with me now to the outer world, to cold and distant Neptune, in the dark, where the power of the sunlight, and of the Golden Oecumene’s machines, fall short. After long struggles and contests of will, we have forced Golden Oecumene law to grant to the distant exiles there a measure of mental privacy and freedom undreamed here; our thoughts are not monitored by the benevolent tyranny of machines. Once there, you can become one of us. Your soul and memory can be cured of their great wound. Your body will be changed, and become like unto ours, and your mind will be embraced into our all-encompassing communion.

“But you must come at once, with no delay. Leave your wife, your life, your dreams of wealth, your mansion-home. Leave all. Say farewell to warmth and sun, but come!’”

Disquisition of the Core Message panel 3
Disquisition of the Core Message panel 4
The Golden Age series cover
Disquisition of the Core Message episode cover
13K views • 580 likes
3 comments

The Golden Age

Created by
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Independent creator
The Golden Oecumene is a utopian society of an immortal posthumanity that has transcended the limits of Earth. But even in utopia, there are rebels. A grand space opera by SF grandmaster John C. Wright.
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