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A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
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A tiny thumbnail of the cover art for the comics series The Awakener
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A tiny thumbnail of the cover art for the comics series Seasons
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A tiny thumbnail of the cover art for the comics series Vegfolk Fables
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A tiny thumbnail of the cover art for the comics series 飞行火花
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49 episodes
by Jon Del Arroz
克洛伊·安德森(Chloe Anderson)白天是一名物理系学生,是一个勤奋、聪明的女孩,她和她的疯狂科学家教授关系密切,并作为助教与他一起工作。 她也是一个超级英雄,元女孩。 约翰尼·本维努蒂(Johnny Benvinutti)来自一个知名的意大利犯罪家族,最近他发现自己有能力用手发射闪电。他经营着一家咖啡店的门面生意。当他们两个相遇时,《火花》在多个层面上飞溅。但他们能在保持关系的同时对彼此保密吗?
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A tiny thumbnail of the cover art for the comics series Midnight's War
Midnight's War
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In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.
353594 views29757 likes
A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
70 episodes
by WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
A tiny thumbnail of the cover art for the comics series Frankenstein - The Return
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The rebirth of a monster. For a hundred years castle Frankenstein has been a silent ruin. But now, the monster created by Dr. Frankenstein is about to reawaken to once again spread terror, destruction, and death. Can anyone stop the monster once and for all?
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A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16904 views844 likes
A tiny thumbnail of the cover art for the comics series The Awakener
The Awakener
52 episodes
by Luciano Cunha
A federal agent of the Brazilian Special Armed Division, Miguel is a highly trained weapons expert. But after experiencing a traumatic personal loss, he assumes the identity of a masked vigilante and begins a single-minded pursuit of vengeance. The Awakener deals out justice with his own hands, exterminating the politicians and corrupt businessmen who are preying upon his suffering people. NOTE: This series is rated R.
154295 views16373 likes
A tiny thumbnail of the cover art for the comics series Seasons
Seasons
40 episodes
by Nandor Fox Shaffer
SEASONS is an intertwining, deeply symbolic, allegorical drama and character-study that explores complex themes of identity, existence, purpose, responsibility, the world within and the world around us. With each passing season, Fletcher Hart Iiams gains a new set of incredible powers to overcome the challenges and enemies in his personal path to self-discovery and meaning. Written by Nandor Fox Shaffer. Art by Anthony Gonzales-Clark
46917 views6407 likes
A tiny thumbnail of the cover art for the comics series Vegfolk Fables
Vegfolk Fables
221 episodes
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We tossed ‘Bone’, ‘VeggieTales’, and a wee dram o’ whiskey into the blender, mashed the humor button, and poured the story onto the Web. With a splash of Oz and a sprinkle of Narnia, Vegfolk Fables is an all-age-friendly fantastical adventure. No vegetarians please.
221144 views24397 likes
A tiny thumbnail of the cover art for the comics series 飞行火花
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3602 views
A tiny thumbnail of the cover art for the comics series Midnight's War
Midnight's War
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by Vox Day
In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.
353594 views29757 likes
A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
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The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
A tiny thumbnail of the cover art for the comics series Frankenstein - The Return
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19672 views625 likes
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The Unfiltered Logician panel 1

Episode 17

The Unfiltered Logician

Kes Sennec the Logician spoke in even and uninflected tones. “Peer Vafnirs’s comment, spoken just now, calling all of our actions ‘ignoble’ and ‘self-centered’ contains inaccuracies and semantic nonentities. Assuming that I do not presently misunderstand his intent, I presently disagree, on the grounds that the statement is overbroad, stereotypical, and inaccurate.”

Kes Sennec was also actually present, a bald, large-headed man in a gray single-suit. A row of control points ran along the left closure of the tunic; he wore no other ornamentation. His skin color was gray, adjusted to local light-radiant levels, as were his eyes. His body shape was unremarkably standardized, with special organs and adaptations for zerogravity environment, and his nervous system was highly modified with monitors, correctives, and gland overrides to ensure emotional stability and sanity.

“If a critical number of the individuals in society cooperate in actions which lead, deliberately or as a side effect, to conditions which, to an effective number of individuals, appear to favor the use of aggression and deception (as opposed to peaceful strategies of social cooperation) for the achievement of what they at that time perceive to be their goals, then every necessary and sufficient condition for the breakdown of the social order is present, and the pressure favoring the breakdown grows in rough proportion as the effective number of individuals grows. By ‘breakdown’ I mean both that individuals resort to violence and that they believe they must do so for fear that other individuals will do so.

“Logically, to avoid this, a sufficient uniformity of operative decision-making mores and values above a threshold level of participants must obtain; these decision values must include, at least, a priority placed on the preservation of the peaceful resolution of perceived and real conflicts. The term ‘conformity’ is not necessarily inappropriate to depict this uniform decision structure.”

Kes Sennec was of the Invariant neuroform, a highly integrated unicameral nervous system. His brain had accessible subroutines, habits, and reflexes, but no subconsciousness properly so called. The Invariant neuroform was the second least popular among the Golden Oecumene, since all people with such uniform brains tended to think and act with startling uniformity. The Invariants had no emotional difficulties or internal conflicts.

(Kes Sennec’s view of the room was entirely stark and real, with no filter, no editing. He saw Helion’s body as a humanoid mannequin; he saw the tiny dull-colored plugs and antennae along Gannis’s neck that connected with the Gannis Over-mind; he saw the electronic activity surrounding all Wheel-of-Life’s pets and pseudo-plants. He could see the wires and nodes swirling among Vafnir’s column of flame, and the mechanism producing the field effects where Vafnir’s consciousness was actually stored. To Kes Sennec, Orpheus was merely a remote on treads, skeletal, equipped with waldo-hands, lenses, and speakers. It all was unappealing, plain, colorless.

(Also, the outside noise, distant music, yells, and odors coming in through the window, were part of Kes Sennec’s all-embracing attention. Once again, Helion could not tolerate the other’s scene. Helion’s brain structure required him to rate sense impressions by priority, and to ignore sensations of low importance. Kes Sennec’s Invariant brain saw everything, paid attention to everything, judged everything with inhuman, unemotional precision.)

Kes Sennec concluded: “Those who act to prevent war and violence from occurring cannot properly be called ‘selfish’ and ‘ignoble’ even if they act in a way which benefits their self-interest.”

Ao Aoen said, “As always, Peer Kes Sennec’s comments daze me with their precision, and I cannot follow them. Unselfish? Why have none of us said aloud what secretly motivated Peer Helion’s proposal? Is it a dream we seek to kill, perhaps the greatest of dreams ever? What is this dream? Can any tell me? Do any outside this chamber yet recall?”

No one answered him. There was silence.

The Unfiltered Logician panel 3
The Unfiltered Logician panel 4
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13K views • 580 likes
3 comments

The Golden Age

Created by
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Independent creator
The Golden Oecumene is a utopian society of an immortal posthumanity that has transcended the limits of Earth. But even in utopia, there are rebels. A grand space opera by SF grandmaster John C. Wright.
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385 views • 0 likes • 0 comments
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