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A tiny thumbnail of the cover art for the comics series Right Ho Jeeves
Right Ho Jeeves
64 episodes
by The Legend Chuck Dixon
RIGHT HO, JEEVES tells of the travails of the inimitable Bertie Wooster, who is summoned from the comforts of #3A Berkley Mansions, London to Brinkley Manor by his imperious Aunt Dahlia. Love is in the air and Wodehousian shenanigans are afoot, as Wooster is not the sole guest at the manor, which is also playing host to the fairy-gazing Madeline Basset as well as the famous newt-fancier Augustus Fink-Nottle. Adapted from the classic Wodehouse novel by comics legend Chuck Dixon and drawn by SAVAGE SWORD OF CONAN illustrator Gary Kwapisz.
66417 views11360 likes
A tiny thumbnail of the cover art for the comics series 三更战
三更战
57 episodes
by 卫护港.漫画
新日历八四六六年。在一场全球金融灾难之后,吸血鬼族在二千六百多年来首次走出阴影,向一个毫无戒心的人类揭示存在。吸血鬼有效控制了媒体、各国政府、全球金融体系和主要国际机构。人类无力抵抗他们的权力。 但从中世纪的十字军命令中汲取灵感,十二个人联合起来,组成了一个新的军事命令,即迈克尔骑士团和罗马地下墓穴骑士团。迈克尔骑士团除了他们的毅力和对敌人有害的鲜血外,几乎没有别的武器,他们与午夜世界的吸血鬼领主展开了一场苛刻的战争。
14741 views77 likes
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
78 episodes
by Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
15337 views479 likes
A tiny thumbnail of the cover art for the comics series The Stranded
The Stranded
47 episodes
by The Legend Chuck Dixon
Presented in color for the first time and with its original title. Re-titled to the clunky TIME-JUMP WAR by the publisher, this sci-fi mini series has not been seen since the 1980's. The epic, eons-spanning story features terrific art by my Argentinos amigo Enrique Villagran.
101482 views10244 likes
A tiny thumbnail of the cover art for the comics series WokelyCorrect
WokelyCorrect
49 episodes
by WokelyCorrect
I like making people laugh & I dislike Woke politics. So I made these comics for us to laugh at Woke politics together and push back against its stupidities. I will stop mocking when it leaves us alone.
45733 views
A tiny thumbnail of the cover art for the comics series Stonetoss
Stonetoss
519 episodes
by Stonetoss
Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.
2228579 views59082 likes
A tiny thumbnail of the cover art for the comics series Hypergamouse
Hypergamouse
118 episodes
by Lacey Fairchild
The first and only comic series about Game and the Socio-Sexual Hierarchy! Because if you can't figure out why you don't have a date and no one is interested in you, you're definitely not alone....
1378386 views51267 likes
A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
Arts of Dark and Light
58 episodes
by Vox Day
In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
228017 views22043 likes
A tiny thumbnail of the cover art for the comics series Right Ho Jeeves
Right Ho Jeeves
64 episodes
by The Legend Chuck Dixon
RIGHT HO, JEEVES tells of the travails of the inimitable Bertie Wooster, who is summoned from the comforts of #3A Berkley Mansions, London to Brinkley Manor by his imperious Aunt Dahlia. Love is in the air and Wodehousian shenanigans are afoot, as Wooster is not the sole guest at the manor, which is also playing host to the fairy-gazing Madeline Basset as well as the famous newt-fancier Augustus Fink-Nottle. Adapted from the classic Wodehouse novel by comics legend Chuck Dixon and drawn by SAVAGE SWORD OF CONAN illustrator Gary Kwapisz.
66417 views11360 likes
A tiny thumbnail of the cover art for the comics series 三更战
三更战
57 episodes
by 卫护港.漫画
新日历八四六六年。在一场全球金融灾难之后,吸血鬼族在二千六百多年来首次走出阴影,向一个毫无戒心的人类揭示存在。吸血鬼有效控制了媒体、各国政府、全球金融体系和主要国际机构。人类无力抵抗他们的权力。 但从中世纪的十字军命令中汲取灵感,十二个人联合起来,组成了一个新的军事命令,即迈克尔骑士团和罗马地下墓穴骑士团。迈克尔骑士团除了他们的毅力和对敌人有害的鲜血外,几乎没有别的武器,他们与午夜世界的吸血鬼领主展开了一场苛刻的战争。
14741 views77 likes
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
78 episodes
by Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
15337 views479 likes
A tiny thumbnail of the cover art for the comics series The Stranded
The Stranded
47 episodes
by The Legend Chuck Dixon
Presented in color for the first time and with its original title. Re-titled to the clunky TIME-JUMP WAR by the publisher, this sci-fi mini series has not been seen since the 1980's. The epic, eons-spanning story features terrific art by my Argentinos amigo Enrique Villagran.
101482 views10244 likes
A tiny thumbnail of the cover art for the comics series WokelyCorrect
WokelyCorrect
49 episodes
by WokelyCorrect
I like making people laugh & I dislike Woke politics. So I made these comics for us to laugh at Woke politics together and push back against its stupidities. I will stop mocking when it leaves us alone.
45733 views
A tiny thumbnail of the cover art for the comics series Stonetoss
Stonetoss
519 episodes
by Stonetoss
Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.
2228579 views59082 likes
A tiny thumbnail of the cover art for the comics series Hypergamouse
Hypergamouse
118 episodes
by Lacey Fairchild
The first and only comic series about Game and the Socio-Sexual Hierarchy! Because if you can't figure out why you don't have a date and no one is interested in you, you're definitely not alone....
1378386 views51267 likes
A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
Arts of Dark and Light
58 episodes
by Vox Day
In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
228017 views22043 likes
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During her stay, Eibhlin ate food unlike anything she had ever known. The prism fruit dripping crystal juice, small berries that looked like pebbles or wren eggs, stalks of golden grass that tasted like sugar sticks and lemon drops and candied strawberries and several other delicacies the girl had only ever seen in caravan carts. The water was sweet, though a different kind of sweet than the grass. It was like spring and flowers and fresh air following a rainstorm.


She watched as birds flitted about and splashed around in the stream, shaking their feathers as if casting off drops of sunlight. She saw the Sun make way for the Moon with strong reds and pinks, like a young lover’s blush at an innocent kiss. She saw the stars of the Fae appear. One. Then two. Then all at once, twinkling, communicating across the deep canopy. The very air felt as though it tingled with unheard speech and song. And she felt a slight pull as she watched the Moon, violet with anger, as she tried to blot out the stars and turn the heavens into empty space, but here in Mealla’s realm, Eibhlin could see, even if only for a moment, beyond the veil. She wondered if any Fae outside Mealla’s realm could see this. Or did they simply have to hope, never sure if they will even catch a glimpse such as this into the hidden war.


She slept that night beneath stars fighting in their rebellion against rebellion, and she slept as she had not for a very long time.


Mel woke Eibhlin at sunrise, and as the first rays shot across the expanse, she almost tried to dip her hand in them. The stars ran home to bed, and the Moon retreated until their next battle.


Mealla soon appeared and examined Eibhlin’s ankle, wrapped it in a poultice, and declared it safe so long as Eibhlin didn’t push it too hard in the next few days. They ate again, and then the fairy walked Eibhlin to the door.


On the way, Eibhlin asked a question that had lingered in her mind from the day before. “Lady Mealla… what would have happened if I had given back the hammer?”


“The contract would have been completed.”


“Yes, but what then?”


The fairy turned to the girl, and sorrow deep as the sky above flashed through the fairy’s eyes, but then it was gone, like a shooting star. She said, “Do not lose yourself to departed ‘what ifs’, human child. The past is gone for those of us within the Realms. And as for the possible futures, they are not for mortal eyes to see or ears to hear, not by my lips or my craft. For I am the Lady of Crossroads and Gateways, and whatever road you travel must be your choice, not mine.”


Eibhlin didn’t know how to respond to the fairy’s words, or even if she should. Instead, she walked a bit in silence before reaching up to the chain hanging around her neck. Feeling the items hanging on the golden braid, she asked, “What do I do with these keys now?”


“Keep them,” answered Mealla. “Or, if you tire of them, throw them away. They shall return to me, and I shall find them guardians once more, as I have before. For the time being, though, you paid the price for them and are now their proper owner. None can steal them, nor can they be misplaced, for unless given up freely, they always find their way back to their master.”


“But doesn’t that mean I can come back here whenever I want?” asked Eibhlin.


“You have paid for that privilege,” said the Lady, “but I would advise against frequent visits. Humans tend to lose themselves in the Fae when in contact too much or for too long.”

They came to the door. The Fairy Lady motioned as if to open it, but before she did, Eibhlin spoke again. “Lady Mealla,” she said, “I-I wonder if I might make a request!”


The fairy faced the girl. “It depends upon its nature. You may at least speak it. Whether or not I accept is entirely different.”


Eibhlin nodded, dug into her satchel, and pulled out the enchanted purse. Holding it up, she said, “Lady Mealla, I wanted to return this.”


“I already said I would not trade back the hammer,” said the fairy.


“That’s not it,” said Eibhlin. “I don’t want to trade back. I don’t even want anything for it. But I can’t keep it. I can’t keep something I gained by betraying my father. It wouldn’t be right, and… and I don’t think I could ever truly believe I was wrong if I kept it. And so, I want you to take it back.”


“But then… what will you have gained from our exchange?” asked the fairy. “I cannot take back what I sold without compensation.”


“It’s mine to do with as I wish, isn’t it? Then take it, or, if it makes you feel better, then consider it a thank you gift for all your help. I… I don’t want it anymore,” said Eibhlin.


The fairy frowned. Eibhlin gripped Mel’s strap to stop her trembling. She wondered if the fairy had seen through her lie just now. In the end, however, the Lady took the purse, and while part of Eibhlin’s mind wanted to reach out and take it back, like she had with the hammer, another, stronger part of her felt a great pressure lift. Eibhlin sighed, clasped her hands around the keys hanging over her chest, and took a long, deep breath. After exhaling, she looked up at the fairy and said, “Okay, I’m ready.”


Mealla pushed open the door, and Eibhlin stepped through. She passed through the chamber of doors, through the gate of light, and there was the forest, bright and hot with high summer. Water babbled. Birds chirped. Insects buzzed. The sun felt thin compared to the Fae’s, but the air and light had a different kind of beauty, a tamer beauty than the wild, overwhelming beauty of the Fae. The humble beauty of home.


Taking another breath, Eibhlin set off through the woods, just as she had two days prior. This time, however, the ground was firm, and sunlight turned the forest into a swaying canvas of light and shadow tinged with green and gold. She walked slowly, mindful of her healing foot. And of the new weight settling in her chest. Or old weight, for it was an old, familiar fear, a fear so unlike fearing dark elves or darkness or sorcerous swamps or fairy witches. In comparison, it was a quiet fear, but it was no less powerful. Slowly, step-by-step, it grew and pressed upon her heart.


When she reached the edge of the wood, she stopped, stopped on the threshold to green hills and what lay along them.


“Mel,” she whispered.


“Yes, Milady,” said Melaioni.


“I’m afraid. What if he rejects me? What if he sends me away? I’d rather face the Witch again than that! It’s too terrifying!”


“And yet, you must move. There is no staying here, Milady. Either go forward or backward, but there is no staying. What shall it be, Milady?”


Eibhlin breathed deeply. “Forward. I must go forward, but, Mel, I’m so afraid! Please, help me.”


“But of course, Eibhlin. First, take one step. Good. And now another.”


And so, she made her way across the grass, a lone figure covered in mud and scratches, her gray hair tangled and messy and ragged around her chin. Step by step along the base of the hills until she saw the house. Her heart jumped when she saw it, for sitting at the front door was the unmistakable figure of her father. Her fear rekindled, stronger than ever, yet still she went toward him.


But while she was still a long way out, her father saw her and ran to meet her.


The End

Returning Home+Afterword panel 3
Returning Home+Afterword panel 4
Fairy Door series cover
Returning Home+Afterword episode cover
18K views • 978 likes
8 comments

Fairy Door

Created by
author avatar placeholder
V. A. Boston
After years of neglect from her father, Eibhlin has had enough. But when a purse of infinite gold, a fairy, and a trade shatter what little relationship she has with her father, she resolves to set things right. Aided by a magic compass and a talking instrument, she now seeks three magic keys and their magic doors to find the fairy once again and recover what was lost. She broke their relationship. Now, she’ll brave the Fae to fix it. If she can get there. From the fantasy tradition of The Chronicles of Prydain and The Hobbit comes a tale of love and redemption perfect for fans of all ages.
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Returning Home+Afterword cover art
Returning Home+Afterword
330 views • 0 likes • 2 comments
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