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A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
70 episodes
by WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
A tiny thumbnail of the cover art for the comics series Threat Quotient
Threat Quotient
45 episodes
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The Destroyer, the Builder, and the Fighting Prophet Ramjet is a turbo-powered flying knight determined to do what’s right in a world where evil is called good, and good is called evil. The Juggernaut is an unstoppable wrecking machine who wanted to just mind his own business, but now is ready to raze everything to the ground. Phantom Raider reveals truth in an empire of lies, risking his life repeatedly with every wicked secret he exposes. These three, and others, are charging toward the vortex of a superpowered showdown, with the fate of civilization hanging in the balance.
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A tiny thumbnail of the cover art for the comics series The Stranded
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A tiny thumbnail of the cover art for the comics series Shotgun Samurai
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A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
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30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
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A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
Arts of Dark and Light
58 episodes
by Vox Day
In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
228017 views22043 likes
A tiny thumbnail of the cover art for the comics series Chuck Dixon’s Avalon
Chuck Dixon’s Avalon
106 episodes
by The Legend Chuck Dixon
From the mean streets of Moseley to the oceanfront villas of Diamond Beach, crime affects everyone in Avalon. And the presence of the superhumans known around the city as "specials" hasn't necessarily made life for the average citizen any better, since the local vigilantes are as apt to demand payment for their protection as they are to provide their services for free. The crime-fighting duo of King Ace and Fazer are true heroes, not vigilantes, as Fazer explains the difference to a reporter interviewing him for the Avalon Sentinel. A hero doesn't expect thanks or payment, he helps people because it is the right thing to do. And a hero doesn't kill anyone, ever. All Fazer and the big guy are trying to do is make everyday life better for everyone who lives in their city. But even heroes face temptation.
215284 views27882 likes
A tiny thumbnail of the cover art for the comics series BOB
BOB
156 episodes
by WisePathBooks
Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
599883 views28001 likes
A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
70 episodes
by WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
A tiny thumbnail of the cover art for the comics series Threat Quotient
Threat Quotient
45 episodes
by Henry Brown
The Destroyer, the Builder, and the Fighting Prophet Ramjet is a turbo-powered flying knight determined to do what’s right in a world where evil is called good, and good is called evil. The Juggernaut is an unstoppable wrecking machine who wanted to just mind his own business, but now is ready to raze everything to the ground. Phantom Raider reveals truth in an empire of lies, risking his life repeatedly with every wicked secret he exposes. These three, and others, are charging toward the vortex of a superpowered showdown, with the fate of civilization hanging in the balance.
9027 views
A tiny thumbnail of the cover art for the comics series The Stranded
The Stranded
47 episodes
by The Legend Chuck Dixon
Presented in color for the first time and with its original title. Re-titled to the clunky TIME-JUMP WAR by the publisher, this sci-fi mini series has not been seen since the 1980's. The epic, eons-spanning story features terrific art by my Argentinos amigo Enrique Villagran.
101482 views10244 likes
A tiny thumbnail of the cover art for the comics series Shotgun Samurai
Shotgun Samurai
28 episodes
by The Quaff
In feudal japan,there are rumors of a man who harnessed the power of a dragon, some call him "the man with the dragon sword" but we know him as the Shotgun Samurai!
31058 views1990 likes
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16904 views844 likes
A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
Arts of Dark and Light
58 episodes
by Vox Day
In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
228017 views22043 likes
A tiny thumbnail of the cover art for the comics series Chuck Dixon’s Avalon
Chuck Dixon’s Avalon
106 episodes
by The Legend Chuck Dixon
From the mean streets of Moseley to the oceanfront villas of Diamond Beach, crime affects everyone in Avalon. And the presence of the superhumans known around the city as "specials" hasn't necessarily made life for the average citizen any better, since the local vigilantes are as apt to demand payment for their protection as they are to provide their services for free. The crime-fighting duo of King Ace and Fazer are true heroes, not vigilantes, as Fazer explains the difference to a reporter interviewing him for the Avalon Sentinel. A hero doesn't expect thanks or payment, he helps people because it is the right thing to do. And a hero doesn't kill anyone, ever. All Fazer and the big guy are trying to do is make everyday life better for everyone who lives in their city. But even heroes face temptation.
215284 views27882 likes
A tiny thumbnail of the cover art for the comics series BOB
BOB
156 episodes
by WisePathBooks
Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
599883 views28001 likes
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Cemetery Hill panel 1

Episode 33

Cemetery Hill

The next morning we were on the outskirts of Corwis, the capital of the whole royal shebang. This was going to be the Melliol operation all over again, I figured. We’d go in, drone the artillery, shell the palace, then get the King. Though he might not want to surrender after what happened to his boy. Ah well—not my problem.

The Ulimbese had a camp set up already and we took the better part of a day claiming a farm for our own camp site. It was a good-sized commercial place with greenhouses and outbuildings, multiple sets of lodging for the employees, plus a great big plantation house the brass took for themselves as a command center. As for us grunts, we mostly set up in tents.

I slept like a rock until a mortar hit the pumphouse.

The shockwave woke me up as much as the sound did. You feel an explosion like that. You can tell the difference between a truck backfiring and a bomb exploding by waiting a second for the vibration of the air to sweep past you. That’s what woke me up—THUMP—and then the compression rolling through me. I jumped up, catching my head on the bar of the tent over my head, grabbed my kit, and was out the door. The adrenaline coursing through my veins was like a shot of espresso injected into my neck. The other seven guys in the tent were up too and heading cautiously into the yard. Shouts and the chatter of gunfire came from outside. I reached the flap and saw multiple men racing over the hedge at one end of the yard towards a smoking farm truck. I spun around and saw a stream of water shooting into the air from the ruined remains of the farm’s well. There went our fresh water.

“It’s over,” said Jones, slapping me on the shoulder. I jumped when he did. I was half asleep and pumped up on adrenaline at the same time.

“They took a potshot at us.”

Jones had been on watch, I remembered.

“Two soldiers a few farms over” he continued. “They already got ’em. Should never have gotten this close.”

“I’d say not,” I said. No matter how low the tech level, you can get killed just as easily with a brick as with a disrupter.

Other than the crazy wake-up call, the rest of the day was a waiting game while Colonel Emerson worked out his plan on taking Corwis. I took full advantage of my leisure time, walking around the farm, shooting the breeze with the other guys, getting some reading in. I even took a nap in the afternoon. Some local plumbers were pressed into service to fix the well, so we had running water again by the afternoon, and a re-built pumphouse. No lie. You can get stuff done quick when you have enough guys and powerful friends. Try getting that sort of thing done at home and it would take you a week or two, at the fastest. The farmer would be happy if he ever got his place back. The new one looked better than the old one.

In the late afternoon the colonel called our squad to the house. Guys had been going in and out for meetings the entire day. Now it was our turn.

The house was a nice place with two floors and sweeping staircases leading to a second story. All wood inside, with floors that looked like they’d seen a century of use; rich, brown and smooth with age. We were called into a greatroom to the back which looked like it probably hosted country dances in happier times. Tall windows were covered with thick drapes and old rifles and landscape paintings hung on the walls. In one corner was a pile of large striped winter squash with a red ribbon on one of them. They were obviously proud of their produce.

The brass had taken a couple of tables and turned them into a staging area for the taking of Corwistal. A large map was on the table and various positions were marked with plastic figurines denoting various forces. It was a far cry from the 3-D holographic projections we usually used. I kind of liked it though. It was wholesome, you know?

The colonel was flanked by the lieutenant colonel and a couple of lieutenants, plus our coffee-stealing major.

“Good afternoon, men,” he said as Jones, Park, Ward, Jock and I stood at attention. “At ease.”

We relaxed and he beckoned us over to the map.

“Good job securing that supply drop. It was ugly, but you held the location against the odds and made it back.”

“Thank you, sir,” we responded.

“We’ve got another job for you now, which hopefully will run much smoother than the previous mission. Lieutenant Evans?”

The lieutenant nodded and stepped forward to the map.

“Sir! As you can see here,” he gestured at the map, “we are currently located closest to the southern end of the capital. The capital itself is located next to the Ildris River, which enters the city bounds from the northeast and takes a snake-like series of up and down loops towards the south through the valley before exiting the municipality again towards the northwest. The Royal Palace is located on a hill of about 25 meters elevation over the river, on the north side of the river, in a relatively open area with only two guarded highway access points.

“In between us and the palace from our current location is a series of suburbs and an industrial district right along the river, containing warehouses, manufacturing and shipping facilities. To the northeast is the business district, with a large area of skyscrapers and–”

“Lieutenant, TMI,” the colonel said, clearing his throat. “Objective, please.”

“Sorry sir.”

The lieutenant pointed to a hill a solid 15 kilometers outside of the city.

“As you can see, this hill is bordered by a road to the east—which is the main artery into the capital from the south—and Lake Ildris to the west—a major water supply for Corwis—but the hill itself is mostly open. The little grey and white squares you see here and there across the top are grave markers.

“We have designated this Hill 621, though locals call it Cemetery Hill. Used to be a burial site hundreds of years ago for a nearby mining town, which has now fallen into decay. Now it’s occupied by the Corwistalian Royal Regulars. We attempted a drone flyover but the drone was destroyed. We’re not sure how many men are up there, but Ulimbese scouts have said there is a gun battery located there, overlooking the road.

“The reason this hill is tactically important is because it’s one of the highest locations in the area and a perfect location for us to place our own guns, putting us well within howitzer range of the city itself and giving us an excellent angle for shelling anything from the port district to the royal palace.”

Cemetery Hill panel 3
Cemetery Hill panel 4
Wardogs Inc. series cover
Cemetery Hill episode cover
33K views • 1.9K likes
3 comments

Wardogs Inc.

Created by
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Independent creator
All war is murder for profit. Some people are just more open about it. WARDOGS INCORPORATED is one of the largest and most professional mercenary corporations operating in the Kantillon subsector. If you need a bodyguard, an assassination team, or an armored cavalry regiment complete with air support, Wardogs Inc. can provide it for you... for a very steep price.
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