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A tiny thumbnail of the cover art for the comics series Coneman Comics
Coneman Comics
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A tiny thumbnail of the cover art for the comics series Chuck Dixon’s Avalon
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215284 views27882 likes
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Adventure
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Chuck Dixon Presents: Adventure is a historical series of restored adventure comics from the Golden Age that have been personally selected by the legendary Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series The Stranded
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A tiny thumbnail of the cover art for the comics series Neural Network Novellas
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AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
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A tiny thumbnail of the cover art for the comics series Threat Quotient
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
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A tiny thumbnail of the cover art for the comics series Full of Eyes
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The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
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A tiny thumbnail of the cover art for the comics series Coneman Comics
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In sweet snowy Elcon thrive wee conemen.
A tiny thumbnail of the cover art for the comics series Chuck Dixon’s Avalon
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From the mean streets of Moseley to the oceanfront villas of Diamond Beach, crime affects everyone in Avalon. And the presence of the superhumans known around the city as "specials" hasn't necessarily made life for the average citizen any better, since the local vigilantes are as apt to demand payment for their protection as they are to provide their services for free. The crime-fighting duo of King Ace and Fazer are true heroes, not vigilantes, as Fazer explains the difference to a reporter interviewing him for the Avalon Sentinel. A hero doesn't expect thanks or payment, he helps people because it is the right thing to do. And a hero doesn't kill anyone, ever. All Fazer and the big guy are trying to do is make everyday life better for everyone who lives in their city. But even heroes face temptation.
215284 views27882 likes
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Adventure
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A tiny thumbnail of the cover art for the comics series The Stranded
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A tiny thumbnail of the cover art for the comics series Neural Network Novellas
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A tiny thumbnail of the cover art for the comics series Threat Quotient
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
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A tiny thumbnail of the cover art for the comics series Full of Eyes
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The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
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Witness To Murder panel 1

Chris Stannish leaned against the stone balustrade at the entrance to Dealey Plaza, his weight shifting subtly to favor his left leg—a habit formed after three surgeries and countless hours of physical therapy. The November air felt good against his face, a relief from the stuffy air of the museum where he’d spent much of the morning.


He checked his watch: 11:52. John was typically punctual to a fault—an engineer's precision applied to all aspects of life. Eight minutes was hardly cause for concern.


What did concern Chris was the growing crowd filling the plaza. What had begun as a small, orderly protest against Trump's latest tariffs and immigration policies had swelled over the past hour, both in numbers and intensity. The chants had grown louder, the signs more aggressive in their messaging.


"This wasn't on the news this morning," Chris muttered to himself, scanning the perimeter for a possible exit strategy. A lifelong friend of John Foster, their lunch meetings had become a ritual when Chris was in Dallas for work. The Sixth Floor Museum and the nearby restaurant had been Chris's suggestion, a bit of historical tourism before their meal.


A commotion near the center of the plaza drew his attention. Several protesters in black, faces covered with bandanas or balaclavas, were hoisting something into a lamppost—a crude effigy wearing an orange wig and an oversized suit. As Chris watched, they looped a rope around its neck and let it swing, to cheers from some in the crowd.


"That's not going to end well," Chris said to no one in particular, pulling out his phone. He snapped a photo of the scene, then scrolled to John's number. As he raised the phone to his ear, he saw the first line of protesters spill from the sidewalk into the street, blocking traffic.


The phone rang in his ear just as drivers began honking in frustration. The scene was deteriorating rapidly.


"I'm almost there," John's voice came through, the sound of his BMW's engine audible in the background.


"Don't come this way," Chris said urgently, watching as more protesters joined those in the street, surrounding a delivery truck that had tried to inch through the crowd. "There's some kind of anti-Trump protest blocking the plaza. It's getting ugly."


"I'm almost there," John replied, his voice calm as always. "How bad could it—"


"John, turn around," Chris interrupted, his racing instincts sensing danger before his conscious mind could process it. The crowd was transforming into something wilder, more dangerous. He'd seen it before at races in certain countries—the sudden shift when a crowd became a mob.


"I've got to get out of here," John's voice had changed, tension evident. "I see them now."


The connection remained open as Chris limped quickly toward the corner where Elm Street met the plaza. Something was happening out of sight—the sound of metal crunching came through the phone, followed by John's exclamation.


"What was that? John?" Chris called, picking up his pace despite the familiar pain shooting through his hip and knee.


Before John could answer, Chris heard sounds that turned his blood cold: breaking glass, the distinctive alarm of a BMW, shouts, and then something that might have been a gunshot.


"John!" he shouted into the phone, but the connection had dropped.


Chris rounded the corner just in time to see John's Tanzanite Blue M3 surrounded by black-clad figures. The windshield was spiderwebbed with cracks, the driver's window shattered. As he watched in horror, several protesters reached through the broken window, struggling with someone inside.


Without thinking, Chris broke into a run, the old racing instinct to move toward danger rather than away from it kicking in. His damaged leg protested with each stride, but adrenaline dulled the pain to a distant throb. Years of post-injury strength training had left him with powerful upper body and core strength to compensate for his compromised leg. At forty-two, Chris Stannish was still a formidable physical presence—six-foot and two hundred pounds of functional muscle honed by a disciplined training regimen.


"Get away from the car!" he shouted, though his voice was lost in the cacophony of the riot. He was still thirty yards away when he saw them drag John through the window, his friend's normally composed face contorted in pain and fear.


Twenty yards. Chris could see blood on John's face as the mob closed around him. Someone kicked something across the asphalt—a gun? Had John been carrying?


Ten yards. The crowd had fully encircled John now, a wall of black-clad bodies obscuring whatever was happening within. Chris lowered his shoulder, prepared to barrel through.


Five yards. A hand grabbed his arm with surprising strength, yanking him backward.


"Police! Stay where you are!" a voice commanded, and Chris found himself staring into the face of a Dallas PD officer in riot gear, visor down, expression unreadable.


Chris's response was instinctive. He tore his arm free with a twist he'd learned in a security training course, pivoting to face the officer. "My friend's in there!" he shouted, already moving again toward the crowd surrounding John.


"Stop right there!" the officer shouted, lunging for Chris's arm again.


Chris dodged the grab, his racing reflexes still sharp despite the years away from competition. "They're attacking him!" he shouted back, continuing his advance.

A second officer appeared, moving to intercept. Chris feinted left, then charged right, using his size and momentum to shoulder past. The officer staggered sideways but managed to snag Chris's jacket. The material ripped as Chris tore away, now within feet of the outer ring of protesters.


He could see glimpses of John on the ground now, blood streaming from his face as multiple attackers surrounded him. "JOHN!" Chris roared, preparing to launch himself into the fray.


The first officer tackled him from behind, wrapping powerful arms around Chris's midsection. Even as they both went down, Chris fought to break free, leveraging his upper body strength to roll and dislodge his attacker. He scrambled to his knees, only to meet the second officer head-on.


"Stand down!" the officer ordered, dropping into a fighting stance.


Chris didn't hesitate. He drove forward, ducking under the officer's outstretched arms and pushing through. For a moment, he was free again, just steps away from the inner circle where John was being held.


Three officers converged on him now. The first grabbed his damaged leg, sending white-hot pain shooting up his side. Chris pivoted, using his good leg to maintain balance while delivering a short, sharp elbow strike that connected with an officer's helmet.


"He needs help!" Chris screamed, desperation fueling his resistance. "Look what they're doing to him!"


It took all three officers to finally bring him down. One swept his good leg while another drove a shoulder into his chest. The third twisted his arm behind his back as they crashed to the pavement. Even then, Chris continued to buck and struggle, his gaze fixed on the horrific scene unfolding just yards away.


Through a gap in the crowd, he could see John on his knees, blood streaming from his nose and a cut above his eye. Two protesters held his arms while a third approached with something in hand—the rope that had been used for the effigy.


"He needs help!" Chris screamed at the officers pinning him down. "Look what they're doing to him!"


The lead officer pressed a knee into Chris's back, applying additional pressure when he continued to struggle. "Backup is on the way. Stay down and shut up."


It took both other officers to control Chris's arms, his strength surprising them as he continued to fight against their restraint. "THEY'RE GOING TO KILL HIM!" he roared, managing to lift his chest partially off the pavement despite the weight on his back.


Chris watched in helpless horror as the protester looped the rope around John's neck. John was fighting back now, desperation giving him strength as he tried to break free from those holding him. For a moment, it seemed he might succeed—one arm tore loose, grabbing at the rope.


Then more hands were on him, forcing him down. The free end of the rope was thrown over a streetlight arm, and multiple protesters pulled.


John's feet left the ground.


With a surge of desperate strength, Chris almost broke free, throwing one officer off balance and twisting violently against the others. "STOP THEM!" he roared, tears of rage and fear streaming down his face. "THEY'RE HANGING HIM! DO YOUR JOB!"


The second officer finally turned to look, his posture stiffening at what he saw. "Central, we need immediate assistance at Elm and Houston," he spoke into his radio. "Possible 10-10 in progress."


It took all three officers' combined strength to keep Chris pinned as he watched John kick and struggle, hands clawing at the rope around his neck. His friend's face was turning purple, eyes bulging in a way that would haunt Chris's dreams for years to come.


"Please," Chris roared, still straining against the officers' grip. "Please help him."


The officers maintained their hold, one applying handcuffs to Chris's wrists while the others kept him pressed to the ground. "Backup is two minutes out. We're outnumbered twenty to one."


Chris couldn't tear his eyes away from John's struggling form. The kicks were becoming weaker, less coordinated. Then, with a final spasm, John's body went completely limp, swinging gently in the November breeze.


Something broke inside Chris Stannish. A wail of pure anguish tore from his throat—a sound he didn't know he was capable of making. It was the sound of watching someone you care for die while being powerless to help.


"You let them kill him," he raged as the officers hauled him to his feet, still requiring all three to control his powerful frame despite the handcuffs. "You just watched them murder my friend."


"You're under arrest for interference with police duties, resisting arrest, and assaulting an officer," one recited mechanically, the words meaningless against the reality of what had just happened.


As they led Chris toward a waiting police van, he caught one last glimpse of John Foster's body, still suspended from the streetlight. The mob was already dispersing, sensing perhaps that they had crossed a line from which there was no return. In the distance, sirens wailed—too late to do anything but document the aftermath.


The officers pushed Chris into the van, taking no chances with his strength as they secured him to the bench inside. Chris turned to the officer who had restrained him. "His name was John Foster," he said, his voice hollow. "He made motorcycle wheels. He has three sons. He was my friend."


The officer's face remained impassive behind his visor as he slammed the van door shut, leaving Chris alone with the image of John's final moments burned indelibly into his memory.

Prophet to the Remnant series cover
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Prophet to the Remnant

Created by
author avatar
Nibmeister
Jesus Christ sends a resurrected Prophet to Christendom and gives him a year and a day to deliver a message and a warning to the remnants of the faithful.
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