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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Mystery
Chuck Dixon Presents: Mystery
50 episodes
by The Legend Chuck Dixon
Mysterious monsters, time travellers, magical idols, invaders from the 4th dimension, sentient plants, and so much more await in Chuck Dixon Presents: Mystery. This is a series of strange, spooky, and science fiction stories hand selected by that master of mysterious comics, the legend Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
72 episodes
by Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
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A tiny thumbnail of the cover art for the comics series The Awakener
The Awakener
52 episodes
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A federal agent of the Brazilian Special Armed Division, Miguel is a highly trained weapons expert. But after experiencing a traumatic personal loss, he assumes the identity of a masked vigilante and begins a single-minded pursuit of vengeance. The Awakener deals out justice with his own hands, exterminating the politicians and corrupt businessmen who are preying upon his suffering people. NOTE: This series is rated R.
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A tiny thumbnail of the cover art for the comics series Quantum Mortis
Quantum Mortis
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by Vox Day
The independent planet of Rhysalan provides Sanctuary to 1,462 governments-in-exile. It is the responsibility of the Xenocriminology and Alien Relations department of the Military Crimes Investigation Division to keep a firm leash on the hundreds of thousands of xenos residing on-planet. Assassinations, revolutions, civil wars, and attempted planetary genocides are all in a day's work for Chief Warrant Officer Graven Tower, MCID-XAR. In addition to a missile-armed aerovar, his trusty Sphinx CPB-18, and MCID's extremely liberal policies concerning collateral damage and civilian casualties, Chief Tower is assisted by his extreme xenophobia as well as a military-grade augmented machine intelligence that believes it has found God. QUANTUM MORTIS is an action-packed Mil-SF mystery series.
114826 views11845 likes
A tiny thumbnail of the cover art for the comics series Something Big
Something Big
80 episodes
by The Legend Chuck Dixon
Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.
146347 views18391 likes
A tiny thumbnail of the cover art for the comics series Flying Sparks
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Chloe Anderson is a physics student by day, a hard working, smart girl who's close with her mad scientist professor, working with him as a teacher's assistant. She also moonlights as the superhero, Meta-Girl. Johnny Benvinutti comes from a well-established Italian crime family, and recently found he has the ability to shoot lightning from his hands. He runs his operation out of a coffee shop front business. When the two of them meet, sparks fly on multiple levels. But will they be able to maintain their relationship while keeping secret lives from each other?
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A tiny thumbnail of the cover art for the comics series Seasons
Seasons
40 episodes
by Nandor Fox Shaffer
SEASONS is an intertwining, deeply symbolic, allegorical drama and character-study that explores complex themes of identity, existence, purpose, responsibility, the world within and the world around us. With each passing season, Fletcher Hart Iiams gains a new set of incredible powers to overcome the challenges and enemies in his personal path to self-discovery and meaning. Written by Nandor Fox Shaffer. Art by Anthony Gonzales-Clark
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A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
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Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Mystery
Chuck Dixon Presents: Mystery
50 episodes
by The Legend Chuck Dixon
Mysterious monsters, time travellers, magical idols, invaders from the 4th dimension, sentient plants, and so much more await in Chuck Dixon Presents: Mystery. This is a series of strange, spooky, and science fiction stories hand selected by that master of mysterious comics, the legend Chuck Dixon.
36765 views5347 likes
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
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AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
15337 views479 likes
A tiny thumbnail of the cover art for the comics series The Awakener
The Awakener
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A tiny thumbnail of the cover art for the comics series Quantum Mortis
Quantum Mortis
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The independent planet of Rhysalan provides Sanctuary to 1,462 governments-in-exile. It is the responsibility of the Xenocriminology and Alien Relations department of the Military Crimes Investigation Division to keep a firm leash on the hundreds of thousands of xenos residing on-planet. Assassinations, revolutions, civil wars, and attempted planetary genocides are all in a day's work for Chief Warrant Officer Graven Tower, MCID-XAR. In addition to a missile-armed aerovar, his trusty Sphinx CPB-18, and MCID's extremely liberal policies concerning collateral damage and civilian casualties, Chief Tower is assisted by his extreme xenophobia as well as a military-grade augmented machine intelligence that believes it has found God. QUANTUM MORTIS is an action-packed Mil-SF mystery series.
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A tiny thumbnail of the cover art for the comics series Something Big
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A tiny thumbnail of the cover art for the comics series Flying Sparks
Flying Sparks
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A tiny thumbnail of the cover art for the comics series Seasons
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A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
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Digital Aftermath panel 1

The Waiting Room


Ming Yao Foster checked in at the OBGYN reception desk, her hand resting instinctively on her slightly rounded belly. At twenty weeks, the pregnancy was finally beginning to show.


"Dr. Lewis is running about fifteen minutes behind," the receptionist informed her with an apologetic smile. "Make yourself comfortable."


Ming nodded and settled into a chair in the corner of the waiting room. She pulled out her phone to notify Elijah about the delay. Her husband had wanted to accompany her to this appointment—they might learn the baby's gender today—but a client emergency had him traveling. Third child or not, Elijah still treated each ultrasound like a momentous occasion.


The waiting room television was tuned to CNN, the volume kept low as a courtesy to patients. Ming was only half paying attention until the chyron at the bottom of the screen caught her eye: "BREAKING: VIOLENT INCIDENT AT DALLAS PROTEST."


She looked up from her phone, maternal instinct triggering an immediate concern for Elijah and his family, all Dallas residents. The screen showed aerial footage of Dealey Plaza, police cars with flashing lights surrounding the iconic location.


The female anchor's voice provided narration: "We're just getting reports of what appears to be a violent incident during a protest in downtown Dallas. We want to warn viewers that some of the images you're about to see are disturbing."


The helicopter footage cut to shaky cell phone video. Ming watched as a crowd in black surrounded a blue car. The video jumped to another angle, showing a man being pulled from the vehicle, then the formation of a circle around him, obscuring whatever happened next.


A third clip began, this one clearer and shot from a higher vantage point—perhaps a nearby building. It showed a man suspended from what appeared to be a streetlight, a rope around his neck. The image was partially pixelated, but Ming could make out dress shoes and khaki pants, a blue shirt stained dark in places.


"Oh my God," Ming whispered, her hand covering her mouth.


The anchor continued: "While the victim's identity has not been released, sources indicate the man may have been attempting to drive through the protest area and allegedly brandished a weapon before the confrontation escalated."


The television cut to a panel discussion, a political commentator already framing the narrative: "This is what happens when people are pushed to the breaking point. When you have an administration that encourages division and emboldens white supremacists, we shouldn't be surprised when protesters react strongly to provocations."


Ming stared at the screen, a chill creeping through her body despite the warm waiting room. Something about the car, about the man's clothing... it couldn't be. She grabbed her phone and called Elijah.


No answer.


She tried again, her hands trembling slightly.


Voicemail again.


Ming stood abruptly, gathering her purse and jacket. "I need to reschedule," she told the startled receptionist. "It's a family emergency."


As she hurried to her car, Ming tried to dismiss the growing fear. Dallas was a city of millions. The chances of the victim being someone she knew were infinitesimal. But as she pulled out of the parking lot, she couldn't shake the image of those khaki pants and blue shirt—so similar to what her father-in-law wore almost every day of his life.

The Oval Office


President Trump was reviewing infrastructure proposals when the knock came at the door. His chief of staff entered without waiting for a response, accompanied by the White House communications director and the national security advisor.


"Mr. President, we have a situation in Dallas," the chief of staff said, his expression grim.


Trump looked up, instantly alert. "What kind of situation?"


"A man has been killed during an anti-administration protest at Dealey Plaza." The communications director stepped forward, tablet in hand. "It's already trending on all social media platforms. The footage is... disturbing."


"Show me," Trump said, gesturing for the tablet.


The video played silently—the crowd surrounding the blue car, the man being dragged out, and then the horrific image of him hanging from the streetlight as protesters dispersed.


Trump's face darkened as he watched, his jaw set in a hard line. When the video ended, he slammed his palm against the desk.


"Who was he?" he demanded.


"We don't have confirmed identification yet, sir. Dallas PD is still processing the scene. Preliminary reports suggest he's a local business owner, but they're waiting to notify next of kin."


"And the perpetrators?"


The national security advisor cleared his throat. "Dallas PD has made no arrests directly related to the hanging. They detained several people for other protest-related offenses, but claim they were 'outnumbered' during the incident."


"Outnumbered?" Trump repeated incredulously. "I watched that video. That's not a protest, that's a lynching in broad daylight."


He stood, pacing behind his desk as he often did when agitated. "And what's the media saying? Let me guess—they're calling it 'protest violence' or some other sanitized term."


The communications director nodded reluctantly. "Several outlets are already suggesting the victim may have provoked the attack by attempting to drive through protesters or brandishing a weapon."


"Based on what evidence?" Trump demanded.


"There's a report that a gunshot was heard, sir. And a handgun was reportedly found at the scene."


Trump stopped pacing, his expression thunderous. "So an American citizen, a business owner, defends himself when attacked by a mob, and they murder him for it. And the media's first reaction is to justify the lynching."


He turned to his chief of staff. "I want the Attorney General and the FBI Director in this office within the hour. This will be investigated as a hate crime and domestic terrorism. I want federal charges for everyone involved, from the ones who put the rope around his neck to the ones who stood by and did nothing."


The president returned to his desk, his mind already formulating the public statement he would make. "Get me verified information as soon as it's available. Family contacts, business details, background. And find out if any of the officers who stood by while an American citizen was murdered on American soil have received federal funding or training."


As his staff hurried to comply, Trump looked once more at the frozen image on the tablet—a man hanging from a streetlight in the same plaza where a president had been assassinated nearly sixty years before.


"This is not who we are," he said quietly, more to himself than to the others in the room. "And I will not let them make it who we become."

The Analysis


The YouTube video began with a bearded young man in a black cassock sitting before a bookshelf lined with Orthodox theological texts. An icon of Christ Pantocrator hung visible on the wall behind him.


"Peace be with you, brothers and sisters. This is OrthoBro1054, coming to you with an emergency analysis of the horrific events in Dallas today."


He made the sign of the cross before continuing.


"By now, most of you have seen the footage of a man being dragged from his vehicle and hanged by protesters in Dealey Plaza. The mainstream media is already spinning this as the justified killing of a 'white supremacist' who 'drove into protesters' and 'threatened them with a gun.'"


OrthoBro1054 adjusted his glasses, his expression solemn.


"I've spent the last four hours analyzing all available footage of this incident, frame by frame. What I've found contradicts the emerging narrative in significant ways. Let me show you."


The screen split to show several video clips side by side.


"First, the victim did not 'drive into protesters.' His BMW was already stopped when it was surrounded. You can clearly see here—" he highlighted a section of footage "—that he's blocked from behind by another vehicle. He had nowhere to go."


The video advanced frame by frame.


"Second, regarding the weapon. Yes, the man appears to have drawn a handgun after his car was attacked and his window smashed. Texas is a stand-your-ground state, and he had a legal right to defend himself against what any reasonable person would perceive as a lethal threat."


OrthoBro1054 paused, taking a deep breath before continuing.


"But what's truly disturbing is what none of the news outlets are showing. Watch closely."


He played enhanced footage of the victim as he was being hanged. The quality was grainy, but as the man's struggles weakened, a small, cross-shaped light appeared to flicker above his head.


"Do you see it?" OrthoBro1054 asked, freezing the frame and highlighting the anomaly. "This appears in multiple videos from different angles. I've consulted with video experts who confirm this is not a digital artifact or lens flare."


He let the implication hang in the air for a moment before continuing.


"There's more. One video caught a protester approaching the BMW after the man was dragged out but before the hanging. Watch what they're doing."


The clip showed a black-clad figure bending down near the rear bumper of the blue BMW, applying something to the car. OrthoBro1054 advanced to a still photograph taken after the incident, showing police examining the vehicle. Clearly visible was a bumper sticker reading "It's OK to be white."


"This sticker was not on the car earlier in the day. I found footage from traffic cameras showing the vehicle thirty minutes before the incident with no such sticker. This was planted to create a false narrative—to justify the murder by portraying the victim as a white supremacist."


OrthoBro1054 faced the camera directly.


"While we don't yet know the identity of this man, what we do know is that evidence was planted at the scene to create a specific narrative. The killing appears premeditated, not a spontaneous reaction."


He made the sign of the cross again.


"I don't know what the cross of light above the victim means. I am not claiming to understand God's ways. But I believe we witnessed a martyrdom today—not just for political views, which we don't even know for certain, but for refusing to submit to the mob."


OrthoBro1054's expression grew more intense.


"We are witnessing spiritual warfare manifesting in our physical reality. Stay vigilant, brothers and sisters. Pray for the victim's family, whoever they may be. And remember that in the end, truth will prevail."


The video ended with a quotation from Scripture appearing on screen: "Blessed are those who are persecuted because of righteousness, for theirs is the kingdom of heaven."


Within twelve hours, the video would accumulate over seven million views, be flagged for "misinformation" review, removed, re-uploaded to alternative platforms, and become the focal point of furious debate across the political spectrum—all while the family of the victim began the unimaginable process of planning a funeral for a man whose death had become a national flashpoint before they had even been officially notified of his murder.

Prophet to the Remnant series cover
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Prophet to the Remnant

Created by
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Nibmeister
Jesus Christ sends a resurrected Prophet to Christendom and gives him a year and a day to deliver a message and a warning to the remnants of the faithful.
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