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A tiny thumbnail of the cover art for the comics series Alt★Hero: Q
Alt★Hero: Q
84 episodes
by The Legend Chuck Dixon
When federal agent Roland Dane is sent to Peru to escort a U.S. Cabinet member, he has no reason to believe his assignment is connected in any way to his Treasury team's recent bust of a ring of amateur counterfeiters. But when the Secretary of State and his entourage is unexpectedly attacked and the subsequent news reports of the attack bear no resemblance to the events he witnessed, Dane is forced to confront the shocking discovery that nothing in his world is quite what it appears to be. Alt★Hero: Q is an incendiary comic series that explores the mysterious phenomenon of QAnon. Set in the Alt★Hero universe, the story is written by The Legend Chuck Dixon, the co-creator of Bane and the most prolific author in the history of comic books.
302295 views26248 likes
A tiny thumbnail of the cover art for the comics series Threat Quotient
Threat Quotient
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The Destroyer, the Builder, and the Fighting Prophet Ramjet is a turbo-powered flying knight determined to do what’s right in a world where evil is called good, and good is called evil. The Juggernaut is an unstoppable wrecking machine who wanted to just mind his own business, but now is ready to raze everything to the ground. Phantom Raider reveals truth in an empire of lies, risking his life repeatedly with every wicked secret he exposes. These three, and others, are charging toward the vortex of a superpowered showdown, with the fate of civilization hanging in the balance.
9027 views
A tiny thumbnail of the cover art for the comics series Based Comic
Based Comic
30 episodes
by Taylor West
Taylor and her best school friend Caleb live in comfortable and a little rural Frosty, Florida. Taylor is the editor of the Boca Del Rio Assisted Living Facility community newsletter. They’re buddies with local personalities Chance the Alligator and Dillon, an armadillo who loves beer.
5569 views
A tiny thumbnail of the cover art for the comics series Ember War
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Mystery
Chuck Dixon Presents: Mystery
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Mysterious monsters, time travellers, magical idols, invaders from the 4th dimension, sentient plants, and so much more await in Chuck Dixon Presents: Mystery. This is a series of strange, spooky, and science fiction stories hand selected by that master of mysterious comics, the legend Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series Ben Garrison Classics
Ben Garrison Classics
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Ben Garrison was sick of banker bailouts, political corruption and vanishing freedom. He decided to do something. He published his political cartoons on the Internet where they were seen by millions. Then came a legion of trolls on a twisted mission to destroy his reputation and silence him. These are the comics they tried to disappear....
154162 views10472 likes
A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
70 episodes
by WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
Arts of Dark and Light
58 episodes
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In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
228017 views22043 likes
A tiny thumbnail of the cover art for the comics series Alt★Hero: Q
Alt★Hero: Q
84 episodes
by The Legend Chuck Dixon
When federal agent Roland Dane is sent to Peru to escort a U.S. Cabinet member, he has no reason to believe his assignment is connected in any way to his Treasury team's recent bust of a ring of amateur counterfeiters. But when the Secretary of State and his entourage is unexpectedly attacked and the subsequent news reports of the attack bear no resemblance to the events he witnessed, Dane is forced to confront the shocking discovery that nothing in his world is quite what it appears to be. Alt★Hero: Q is an incendiary comic series that explores the mysterious phenomenon of QAnon. Set in the Alt★Hero universe, the story is written by The Legend Chuck Dixon, the co-creator of Bane and the most prolific author in the history of comic books.
302295 views26248 likes
A tiny thumbnail of the cover art for the comics series Threat Quotient
Threat Quotient
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9027 views
A tiny thumbnail of the cover art for the comics series Based Comic
Based Comic
30 episodes
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Taylor and her best school friend Caleb live in comfortable and a little rural Frosty, Florida. Taylor is the editor of the Boca Del Rio Assisted Living Facility community newsletter. They’re buddies with local personalities Chance the Alligator and Dillon, an armadillo who loves beer.
5569 views
A tiny thumbnail of the cover art for the comics series Ember War
Ember War
30 episodes
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The countdown to the invasion of Earth has begun. A merciless alien race bent on human extermination has pointed its armada towards Earth. The countdown to their arrival begins. A mysterious intelligence warns only a young scientist, Marc Ibarra, of our impending doom. Together, the two create a plan for humanity to survive the invasion. Even with the aid of advanced new technology, Marc is faced with a major problem. The plan—if it works—can only save a fraction of us. Who survives? Who dies? How can humanity win the battle against almost certain annihilation? With what will only be an ember of humanity left, will it be enough to rekindle our chance for survival and strike back at the Xaros? The Ember War is the first novel in an epic military sci-fi series by Richard Fox. Adapted for comics by Jon Del Arroz.
55984 views7035 likes
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Mystery
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50 episodes
by The Legend Chuck Dixon
Mysterious monsters, time travellers, magical idols, invaders from the 4th dimension, sentient plants, and so much more await in Chuck Dixon Presents: Mystery. This is a series of strange, spooky, and science fiction stories hand selected by that master of mysterious comics, the legend Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series Ben Garrison Classics
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85 episodes
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Ben Garrison was sick of banker bailouts, political corruption and vanishing freedom. He decided to do something. He published his political cartoons on the Internet where they were seen by millions. Then came a legion of trolls on a twisted mission to destroy his reputation and silence him. These are the comics they tried to disappear....
154162 views10472 likes
A tiny thumbnail of the cover art for the comics series Full of Eyes
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70 episodes
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The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
Arts of Dark and Light
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In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
228017 views22043 likes
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Digital Battlegrounds panel 1

The Reddit Storm


Minnie Rearden stared at her moderator control panel, watching the post count climb past 50,000 as r/ProphetJohnFoster exploded into digital chaos. What had started as a small community of curious observers now hosted nearly 800,000 subscribers engaged in theological warfare that made her computer science degree feel utterly inadequate for the task at hand.


The three main factions had crystallized into distinct camps with their own tactics and rhetoric. The atheists, led by power users like u/ScienceOverSuperstition and u/RationalSkeptic2025, dismissed Foster as an elaborate hoax using Hollywood special effects and mass hypnosis. They flooded threads with links to debunking videos and demanded scientific peer review of every claimed miracle.


The true believers, organized around users like u/WitnessForChrist and u/ProphecyFulfilled, countered with scripture citations, testimonial accounts from attendees, and detailed theological analyses of Foster's biblical accuracy. They created massive threads documenting every fulfilled prophecy and supernatural event, treating doubt as spiritual blindness.


Most volatile were the skeptics attempting to apply scientific methodology to supernatural claims. Led by u/EvidenceBasedFaith and u/QuantumTheology, they demanded rigorous testing protocols while acknowledging the limitations of materialist frameworks when examining divine intervention.


"Another post removed for doxxing," Minnie muttered, clicking the ban hammer on a user trying to publish home addresses of Foster ministry staff. The volunteer moderator team had expanded to twelve people working around the clock, but they were barely containing the explosion of activity.


The fourth day's sermon had triggered unprecedented fury from two new demographics. Aging Boomers, many posting for the first time, flooded the subreddit with defensive screeds about their generation's achievements while younger users responded with devastating statistical analyses of generational wealth transfer and cultural decay.


Neoconservative users, previously absent from religious discussions, suddenly appeared in force defending American foreign policy and Israeli support. Their arguments clashed violently with isolationist Christians who embraced Foster's anti-war message, creating bitter threads about patriotism versus nationalism.


"Minnie, we're getting brigaded again," her co-moderator u/DigitalDeacon messaged privately. "The Ukraine War subreddit is organizing a mass downvote campaign."


She glanced at her screen showing 3,847 active users, 127 new posts in the last hour, and her modqueue backing up with reports faster than she could process them. The platform's algorithms couldn't handle organic growth this explosive, creating technical glitches that made moderation even more challenging.


"Just keep removing the threats and personal attacks," she replied. "Let them debate theology and politics, but no doxxing or violence."


The digital battle for John Foster's legitimacy was consuming Reddit's servers and challenging every assumption about online religious discourse in the social media age.

YouTube Chaos


The YouTube ecosystem had fractured into countless channels scrambling to capitalize on Prophet John Foster's viral phenomenon, creating a digital gold rush that overwhelmed both content creators and platform moderators attempting to maintain order.


Pro-Prophet channels dominated the trending algorithms, with "Foster Prophecy Analysis" garnering 3.2 million subscribers overnight as theologian Dr. Michael Harrison provided verse-by-verse biblical commentary on each sermon. "Miracle Monday" hosted by former megachurch pastor David Cheong broke down each supernatural event with eyewitness interviews and medical documentation, reaching 2.8 million followers.


Anti-Prophet channels weren't far behind in subscriber growth. "Debunking Foster" led by skeptical magician James Rogers earned 2.1 million subscribers by attempting to replicate Foster's alleged miracles using stage magic and special effects. "False Prophet Exposed" produced by atheist YouTuber Sarah Matthews accumulated 1.9 million followers through psychological analyses dismissing Foster as a cult leader exploiting religious desperation.


Hundreds of smaller channels emerged across every conceivable angle: "Foster Fashion Analysis" examined the prophet's clothing choices for hidden messages, "Stadium Acoustics Breakdown" analyzed audio quality for evidence of manipulation, "Biblical Greek with Foster" provided linguistic analysis of his scriptural interpretations, and "Meme Prophet" generated endless satirical content from both supporters and detractors.


The platform's Content ID system was buckling under the pressure of copyright claims, fair use disputes, and automated takedowns. Every Foster sermon clip triggered dozens of response videos, reaction channels, and commentary streams that blurred the lines between original content and derivative works.


Most problematic were the AI-generated deepfakes flooding the platform faster than human moderators could remove them. Sophisticated algorithms created convincing videos of John Foster endorsing political candidates, making contradictory theological statements, or appearing in inappropriate contexts designed to discredit his ministry.


"We're seeing over 10,000 Foster-related uploads per hour," YouTube's Trust and Safety team lead Michelle Parker announced during their emergency meeting. "Our AI detection systems can't distinguish between legitimate commentary and malicious deepfakes at this volume."


The technical challenge was unprecedented: how do you moderate religious content that generates passionate responses across theological, political, and cultural fault lines while maintaining platform neutrality and free speech principles?


"Focus on the deepfakes and direct threats," Parker instructed her team. "Let the theological debates continue, but remove anything that could incite real-world violence."


The digital battlefield for John Foster's prophetic legitimacy was reshaping online discourse about religion, politics, and truth itself in the social media age.

The Occult Conspiracy


Priestess Morgana adjusted her webcam in her candlelit ritual chamber, surrounded by thirteen covens participating in the emergency Zoom call that would determine their response to John Foster's devastating supernatural authority. The usual participants appeared in their darkened squares—High Priestess Luna from Austin, Warlock Shadowmoon from Houston, and various practitioners from across the Southwest—but tonight they were joined by an unexpected guest.


"Brothers and sisters of the craft," announced a distinguished man in an expensive suit whose background revealed nothing of his location. "I represent certain Masonic lodges that share your concern about the Foster situation. Our mutual interests require coordinated action."


Morgana recognized the type immediately—wealthy, powerful, connected to networks that operated behind mainstream politics and finance. The kind of men who used occult practices not from spiritual belief but for temporal control over lesser mortals.


"Our previous attempts to disrupt Foster's ministry through conventional means have failed," he continued with corporate efficiency. "Federal raids, media suppression, financial pressure—all ineffective against whatever protects this prophet. Therefore, we're implementing a spiritual solution that requires your participation."


The sorcerer outlined plans for what he called "the largest coordinated working in modern times"—a massive ritual designed to generate and direct a catastrophic storm system directly at Robber Baron Stadium during Sunday's final service. Multiple lodges across the region would participate using methods he couldn't discuss on an open connection.


Morgana shuddered, understanding the implications. The most powerful spells required blood sacrifice, usually children whose life force could fuel supernatural workings beyond normal human capability. The Masonic lodges possessed resources and connections that made such sacrifices possible while maintaining plausible deniability.


"Your covens will provide supporting energy beginning at 11 PM Central Time Saturday night," he explained. "Detailed instructions will be distributed through your WitchWorker mailing list. Every practitioner must participate—this is all hands on deck."


The promise of rewards for success went unspoken but understood. Those who helped destroy God's prophet would receive advancement in the hidden hierarchies that controlled finance, media, politics, and culture. Failure, however, would bring consequences that made earthly persecution seem trivial.


"What guarantee do we have that this will succeed where everything else has failed?" asked High Priestess Luna, her skepticism evident despite the digital distortion.


The sorcerer's smile was cold and confident. "Foster's protection works against human enemies, but we're invoking powers that predate Christianity by millennia. The storm we're summoning will appear entirely natural to any investigation, while accomplishing what conventional forces cannot."


As the call ended with assignments distributed, Morgana felt both excitement and terror at participating in such a massive working. If successful, they would eliminate the greatest threat to their spiritual authority in generations. If it failed, the consequences from the forces they were challenging might be more terrible than anyone could imagine.

Media Desperation


White House Press Secretary Jennifer Ogden stared at her laptop screen showing sixteen media executives, news directors, and political consultants in what had become a daily crisis management call that felt more like a funeral wake for their collective influence.


"Our anti-Semitism narrative has completely collapsed," complained CNN's executive vice president David Chambers, his exhaustion evident through the video compression. "Every time we run segments about Foster's dangerous rhetoric, social media explodes with support. Generation Z users are literally saying 'You say anti-Semitic, we say anti-Satanic' and getting millions of likes."


MSNBC's senior producer Sarah Williams nodded grimly from her square. "The racism angle is equally dead. When we call Foster supporters racist, young people respond with 'Thanks for noticing' and start posting crime statistics we can't debunk. Our usual tactics are backfiring spectacularly."


The generational divide had blindsided established media operations built on shame-based narrative control. Younger audiences, raised on internet culture that celebrated transgressive humor and rejected institutional authority, found mainstream media's moral hectoring more amusing than persuasive.


"What about the Ukraine angle?" asked the Washington Post's political editor Michael Rodriguez. "Foster's anti-war message is undermining bipartisan support for defense spending."


New York Times senior correspondent Patricia Davis shook her head. "That's making it worse. Every time we defend the war, his supporters flood the comments with casualty numbers and budget figures. They're more informed about the conflict than our own reporters."


The Israeli situation posed even greater challenges. Foster's condemnation of American support for Gaza operations had energized anti-war sentiment across religious and political lines, making traditional pro-Israel talking points seem callous rather than principled.


"Nobody wants to say it, but we're losing the narrative war," admitted NBC's Washington bureau chief Robert Park. "Foster's sermons are reaching far more people than our prime time shows, and his message is sticking because it explains things people can see with their own eyes."


Press Secretary Ogden felt the weight of an administration whose entire media strategy was crumbling in real time. "What do you recommend? We can't just ignore him—the livestreams are breaking viewership records."


The uncomfortable silence stretched as media professionals who had shaped public opinion for decades confronted their impotence against a prophet whose authority came from sources beyond their influence or understanding.


"Maybe we should consider a different approach," suggested Fox News political director Angela Thompson hesitantly. "If we can't discredit his message, perhaps we could co-opt elements of it, redirect the energy toward safer targets."


The desperate suggestion revealed how completely Foster had disrupted their information ecosystem. The call ended without consensus, leaving each participant to grapple with the terrifying possibility that their era of narrative control was ending not through political defeat but through divine intervention that rendered their techniques obsolete.

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Prophet to the Remnant

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Nibmeister
Jesus Christ sends a resurrected Prophet to Christendom and gives him a year and a day to deliver a message and a warning to the remnants of the faithful.
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