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A tiny thumbnail of the cover art for the comics series Something Big
Something Big
80 episodes
by The Legend Chuck Dixon
Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.
146347 views18391 likes
A tiny thumbnail of the cover art for the comics series The Stranded
The Stranded
47 episodes
by The Legend Chuck Dixon
Presented in color for the first time and with its original title. Re-titled to the clunky TIME-JUMP WAR by the publisher, this sci-fi mini series has not been seen since the 1980's. The epic, eons-spanning story features terrific art by my Argentinos amigo Enrique Villagran.
101482 views10244 likes
A tiny thumbnail of the cover art for the comics series Shotgun Samurai
Shotgun Samurai
28 episodes
by The Quaff
In feudal japan,there are rumors of a man who harnessed the power of a dragon, some call him "the man with the dragon sword" but we know him as the Shotgun Samurai!
31058 views1990 likes
A tiny thumbnail of the cover art for the comics series The Chronicles of the Adventure, Hunting, and Liquidation Committee
The Chronicles of the Adventure, Hunting, and Liquidation Committee
26 episodes
by RPGrizzly
Bohdan Blood was a busy young man. Being the President of the AH&L Committee in the middle of World War Three did that, but now rumors of witchcraft and Cartel incursions around his Ozark home were making things downright unhealthy. Together with his wily friends Bohdan and company will dodge drafts, hunt cryptids, and burn witches in style to keep their neck of the woods from looking like a New York hellscape. Just another day for the Adventure, Hunting, and Liquidation Committee.
9858 views463 likes
A tiny thumbnail of the cover art for the comics series The Life of Ike
The Life of Ike
27 episodes
by Bluestem
A collection of autobiographical poems in the style of Edmund C. Bentley’s “clerihews”, written by a highly intelligent, erudite pitbull-lab-corgi-collie mix.
7047 views
A tiny thumbnail of the cover art for the comics series Midnight's War
Midnight's War
77 episodes
by Vox Day
In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.
353594 views29757 likes
A tiny thumbnail of the cover art for the comics series Invasion '55
Invasion '55
106 episodes
by The Legend Chuck Dixon
Chuck Dixon's unapologetic homage to the 50's movies he watched on the Early Show as a kid. He describes it as 'A real labor of love and a ball to write. Bad guys from outer space versus the US Air Force.' What's not to love? It also "inspired" the "surprise" ending of M. Night Shaymalan's movie Signs. Chuck is still waiting on his check. Lito Fernandez brings a real period feel to this limited series with his Frank Robbins/ Milton Caniff inspired artwork. We discovered multiple missing pages from the original Invasion '55 story, restored and reintegrated them into their rightful place, and are re-releasing the story in its restored glory.
78636 views4194 likes
A tiny thumbnail of the cover art for the comics series Flying Sparks
Flying Sparks
94 episodes
by Jon Del Arroz
Chloe Anderson is a physics student by day, a hard working, smart girl who's close with her mad scientist professor, working with him as a teacher's assistant. She also moonlights as the superhero, Meta-Girl. Johnny Benvinutti comes from a well-established Italian crime family, and recently found he has the ability to shoot lightning from his hands. He runs his operation out of a coffee shop front business. When the two of them meet, sparks fly on multiple levels. But will they be able to maintain their relationship while keeping secret lives from each other?
136244 views16304 likes
A tiny thumbnail of the cover art for the comics series Something Big
Something Big
80 episodes
by The Legend Chuck Dixon
Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.
146347 views18391 likes
A tiny thumbnail of the cover art for the comics series The Stranded
The Stranded
47 episodes
by The Legend Chuck Dixon
Presented in color for the first time and with its original title. Re-titled to the clunky TIME-JUMP WAR by the publisher, this sci-fi mini series has not been seen since the 1980's. The epic, eons-spanning story features terrific art by my Argentinos amigo Enrique Villagran.
101482 views10244 likes
A tiny thumbnail of the cover art for the comics series Shotgun Samurai
Shotgun Samurai
28 episodes
by The Quaff
In feudal japan,there are rumors of a man who harnessed the power of a dragon, some call him "the man with the dragon sword" but we know him as the Shotgun Samurai!
31058 views1990 likes
A tiny thumbnail of the cover art for the comics series The Chronicles of the Adventure, Hunting, and Liquidation Committee
The Chronicles of the Adventure, Hunting, and Liquidation Committee
26 episodes
by RPGrizzly
Bohdan Blood was a busy young man. Being the President of the AH&L Committee in the middle of World War Three did that, but now rumors of witchcraft and Cartel incursions around his Ozark home were making things downright unhealthy. Together with his wily friends Bohdan and company will dodge drafts, hunt cryptids, and burn witches in style to keep their neck of the woods from looking like a New York hellscape. Just another day for the Adventure, Hunting, and Liquidation Committee.
9858 views463 likes
A tiny thumbnail of the cover art for the comics series The Life of Ike
The Life of Ike
27 episodes
by Bluestem
A collection of autobiographical poems in the style of Edmund C. Bentley’s “clerihews”, written by a highly intelligent, erudite pitbull-lab-corgi-collie mix.
7047 views
A tiny thumbnail of the cover art for the comics series Midnight's War
Midnight's War
77 episodes
by Vox Day
In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.
353594 views29757 likes
A tiny thumbnail of the cover art for the comics series Invasion '55
Invasion '55
106 episodes
by The Legend Chuck Dixon
Chuck Dixon's unapologetic homage to the 50's movies he watched on the Early Show as a kid. He describes it as 'A real labor of love and a ball to write. Bad guys from outer space versus the US Air Force.' What's not to love? It also "inspired" the "surprise" ending of M. Night Shaymalan's movie Signs. Chuck is still waiting on his check. Lito Fernandez brings a real period feel to this limited series with his Frank Robbins/ Milton Caniff inspired artwork. We discovered multiple missing pages from the original Invasion '55 story, restored and reintegrated them into their rightful place, and are re-releasing the story in its restored glory.
78636 views4194 likes
A tiny thumbnail of the cover art for the comics series Flying Sparks
Flying Sparks
94 episodes
by Jon Del Arroz
Chloe Anderson is a physics student by day, a hard working, smart girl who's close with her mad scientist professor, working with him as a teacher's assistant. She also moonlights as the superhero, Meta-Girl. Johnny Benvinutti comes from a well-established Italian crime family, and recently found he has the ability to shoot lightning from his hands. He runs his operation out of a coffee shop front business. When the two of them meet, sparks fly on multiple levels. But will they be able to maintain their relationship while keeping secret lives from each other?
136244 views16304 likes
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Confirmation panel 1

Danny Foster followed his mother through the morgue's sterile corridor, his hand on her back feeling each tremor that ran through her body. At eighteen, he was the youngest of John Foster's three sons, having joined his father's business right after high school rather than pursuing college. The manufacturing floor of Foster Precision Components had become his classroom, learning the family trade from the ground up.


He'd been checking tolerances on a production run when the call came in. "You need to come home now," Anthony had said, his older brother's voice unnaturally controlled. "It's about Dad."


Danny studied his oldest brother's profile as Anthony guided their mother forward, his usually animated face now locked in a rigid mask of control. At thirty-three, Anthony had built a successful career as an attorney, handling Foster Precision's legal matters while maintaining his own practice. Since yesterday afternoon, when the detectives had delivered the devastating news to their mother, Anthony had been holding the family together.


Behind them walked Chris Stannish, his father's oldest friend, moving with a pronounced limp that seemed worse than usual. His face bore the evidence of his ordeal—a bruised cheekbone, split lip, and the haunted eyes of a man who had witnessed something unspeakable.


Anthony had secured Chris's release on bail just that morning. The friend who'd been there in Dad's final moments had spent the night in a cell while Dad's killers remained free.


"You okay?" Danny whispered to him.


Chris nodded once, tight-lipped. He hadn't spoken much since Anthony had brought him to the house. Just sat at their kitchen table, hands wrapped around a mug of untouched coffee, occasionally answering questions in hollow monosyllables.


The morgue attendant stopped at a set of double doors. "The medical examiner is waiting inside," she said softly. "Take as much time as you need."


Anthony tightened his arm around their mother's shoulders. "We can do this for you, Mom."


Marissa Foster straightened, wiping tears with a crumpled tissue. At fifty-one, she still possessed the quiet beauty that had drawn their father to her three decades earlier. "No," she said, her voice surprisingly steady. "I need to see him."


Danny felt a surge of pride through his grief. His mother had already shown remarkable strength yesterday, when Detectives Gonzalez and Short had arrived at their door. Ming had been there too, sitting with his mother in the living room while her children napped upstairs. Neither woman had expected what was coming. Danny had heard how Ming had gripped his mother's hand as the detectives delivered their terrible news, how she'd stayed by Marissa's side through that first shocking hour of grief.


The room beyond the doors was clinically bright, dominated by a metal table where a sheet-covered form lay. A woman in a white lab coat stood nearby, clipboard in hand.


"Mrs. Foster," she said, stepping forward. "I'm Dr. Nguyen, the medical examiner. I'm very sorry for your loss."


Marissa nodded, unable to speak now that the moment had arrived.


"Before we proceed," Dr. Nguyen continued, "I want to prepare you. Your husband's appearance may be distressing due to the nature of his death."


"We understand," Anthony answered for all of them.


Dr. Nguyen moved to the table. "Whenever you're ready."


Danny instinctively stepped closer to his mother, taking her hand. It felt small and cold in his grasp, nothing like the warm hands that had taught him to read or how to draw and paint.


"Go ahead," Marissa whispered.


The sheet was drawn back, revealing John Foster's face and upper body.


Danny heard his mother's sharp intake of breath but didn't—couldn't—look at her. His eyes were fixed on the man on the table, a stranger wearing his father's features. The discoloration around the neck and face, the slightly protruding tongue, the absolute stillness where there had always been contained energy—it was his father, but wholly, terribly wrong.


"That's him," Anthony said, his voice cracking slightly. "That's my father John Foster."


Danny finally tore his gaze away to check on his mother. She stood rigid, tears streaming silently down her face, but her eyes never left her husband's body.


"John," she whispered, reaching out a trembling hand to touch his cheek.


Dr. Nguyen waited respectfully before speaking again. "Mrs. Foster, we need to perform an autopsy to officially determine the cause and manner of death. It's standard procedure in cases like this."


Marissa's head snapped up, sudden fire in her eyes. "Cases like what? My husband was hanged in public. The cause of death is obvious."


"Yes, but for legal proceedings, we need to—"


"No cutting," Marissa interrupted, her voice suddenly steel. "You will not cut him open."


Dr. Nguyen started to explain protocol, but Danny recognized his mother's expression. It was the same look she'd had when arguing with doctors about treatment options during his father's brief cancer scare five years ago—the immovable resolve of a woman who had made her decision.


"Mom," Anthony began gently, "for the prosecution—"


"They have videos," Marissa cut him off. "The entire world watched him die. I will not have him mutilated."


Chris Stannish spoke for the first time since entering the room. "She's right. I saw what they did to him. There's no question how he died."


Dr. Nguyen looked uncomfortable. "Mrs. Foster, I understand your reluctance, but the autopsy helps establish important details—whether there were other injuries, if he was drugged, exact mechanism of asphyxiation—"


"MRI," Danny said suddenly, remembering something from the medical crime shows he watched with his father on their rare evenings off. "You can do scans without cutting, right?"


Dr. Nguyen considered this. "Virtual autopsy techniques exist, yes. We can do MRI, CT scans. They're less comprehensive than traditional autopsy but would show major trauma and some toxicology markers."


"That's acceptable," Marissa said immediately. "Scans, blood tests, whatever you need—but no cutting."

Anthony looked torn between supporting their mother and following protocol that might strengthen the legal case against their father's killers. "Dr. Nguyen, would these alternative methods satisfy legal requirements for homicide prosecution?"


The medical examiner hesitated. "They're increasingly accepted, especially when traditional autopsy is contraindicated or refused by family. Given the circumstances and extensive video evidence, it should be sufficient."


"Then that's our decision," Marissa said with finality. She turned back to her husband's body, gently laying her hand on his chest. "No one will hurt you anymore," she whispered.


Danny felt his throat constrict, unable to look away as his mother said goodbye. Just two mornings ago, his father had been showing him how to calibrate the new CNC machine, his calloused hands moving with ease over the controls. Now Danny was standing in a morgue, watching his mother make decisions about a body that had so recently been the vital, steady presence at the center of their family.


"I need a moment alone with him," Marissa said softly.


Anthony nodded, guiding Danny and Chris toward the door. "We'll be right outside, Mom."


In the hallway, the three men stood in awkward silence, each lost in his own thoughts until Chris spoke, his voice rough with emotion and exhaustion.


"I tried to reach him," he said, staring at nothing. "I saw what was happening and I tried to get to him, but the police..." He trailed off, shaking his head.


"It's not your fault," Anthony said firmly. "You did everything you could."


"I didn't do enough," Chris replied, the words hanging heavy in the sterile corridor.


Danny leaned against the wall, suddenly overwhelmed. "Have they arrested anyone?" he asked.


Anthony's expression darkened. "Not yet. The detectives are coming back to the house this afternoon. They seemed determined when they broke the news yesterday, but so far, nothing."


"The whole thing's on video," Danny said, anger rising through his grief. "How hard can it be to identify people?"


"Most were masked," Chris said quietly. "But not all. There were faces I saw clearly. I told the detectives everything I could remember during the interview last night."


The door opened, and their mother emerged, her face tear-streaked but composed. "I'm ready to go home now."


As they walked toward the exit, Dr. Nguyen caught up with them. "Mrs. Foster, I'll need your signature on these forms for the alternative examination procedures. And the detectives asked me to inform you that they'll need to speak with you again today."


Marissa signed where indicated, her hand remarkably steady. "Tell them to come to the house as planned. I won't be leaving."


Outside, the November sun seemed offensively bright. Danny helped his mother into Anthony's Range Rover, then turned to Chris. "Are you coming back to the house?"


Chris nodded. "For a while. I need to check in with my lawyer later, but I'll be there."


As they drove away from the county building, Danny watched the Dallas skyline through the window, the city suddenly alien and hostile. Earlier, his biggest concern had been mastering the calibration process on the new machinery. Now he was part of a family irrevocably altered, their private grief already becoming a public spectacle.


His phone buzzed with yet another notification. He'd muted most social media after seeing his father's death trending, but messages from friends kept coming—expressions of shock, requests for information, offers of support. He silenced the phone completely and slipped it into his pocket.


In the front seat, Anthony was speaking quietly to their mother about funeral arrangements. Private service. Security concerns. Media management. His brother had transformed overnight into the family protector, handling practicalities their father would have managed.


Danny closed his eyes, thinking of the empty office at the factory. His father's tools would still be laid out in their precise arrangement, the half-completed project waiting for hands that would never return. The thought that he would have to clear those things away someday made his chest ache.


"Has Elijah called this morning?" Marissa asked, referring to her middle son.


"His flight's on schedule," Anthony replied. "He'll land at four."


Danny thought of his middle brother, who had only learned of their father's death late last night after a full day of client meetings in New York with his phone turned off. By then, the news was everywhere. Danny couldn't imagine learning something so devastating the way Elijah had—alone in a hotel room, surrounded by strangers, watching the footage everyone was sharing.


"Ming said she'd bring the girls over this evening," Anthony added, referring to Elijah's wife and their two young daughters. "She thought you might need them around you."


Danny remembered how Ming had stayed with his mother yesterday after the detectives left, quietly moving through the house, making calls, ensuring the children remained upstairs, unaware of what had happened. She'd been the one to reach Elijah finally, the one who'd gently broken the news to her nephews that their grandfather wouldn't be coming for Sunday dinner as planned.


As they turned onto their street, Danny was shocked to see news vans parked at the entrance to their neighborhood. Anthony swore under his breath, accelerating past them toward their driveway.


"They found the house already?" Danny asked.


"They were here when I left for the police station this morning," Anthony replied grimly. "The detectives arranged for patrol cars, but they can't stop them from parking on public streets."

Their family home came into view—the sprawling colonial-style house where Danny had grown up, now surrounded by police tape at the property line. Two Dallas PD cruisers were parked in the circular driveway.


"I can't do this," Marissa whispered suddenly, her composure cracking. "How do I walk into that house knowing he'll never come home again?"


Anthony reached over, taking her hand. "Together, Mom. We do it together."


Danny leaned forward, placing his hand over theirs. "We're here. All of us."


As they pulled into the driveway, Danny noticed something on their front lawn—a growing collection of flowers, candles, and handwritten notes. A makeshift memorial from neighbors and friends who couldn't reach them directly.


The sight broke something inside him, making the reality impossible to deny any longer. His father was gone, murdered by strangers for reasons Danny couldn't comprehend. The security and certainty of his world had vanished in an instant of senseless violence.


And as he helped his mother from the car, shielding her from the distant cameras with his body, Danny Foster made a silent promise to the father who had been teaching him to become a man: The truth would come out. Justice would be served. No matter what it took or how long it required, the people responsible for John Foster's death would answer for what they had done.


It was the only thing he had left to give his father.

Prophet to the Remnant series cover
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Prophet to the Remnant

Created by
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Nibmeister
Jesus Christ sends a resurrected Prophet to Christendom and gives him a year and a day to deliver a message and a warning to the remnants of the faithful.
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Confirmation
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