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A tiny thumbnail of the cover art for the comics series Rebel Dead Revenge
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152 episodes
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A tiny thumbnail of the cover art for the comics series Right Ho Jeeves
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A tiny thumbnail of the cover art for the comics series Classic Bible Tales
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A tiny thumbnail of the cover art for the comics series BOB
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A tiny thumbnail of the cover art for the comics series Chateau Grief
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A tiny thumbnail of the cover art for the comics series Glimmer Vale
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A tiny thumbnail of the cover art for the comics series The Chronicles of the Adventure, Hunting, and Liquidation Committee
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A tiny thumbnail of the cover art for the comics series Aesops Fables
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A tiny thumbnail of the cover art for the comics series Rebel Dead Revenge
Rebel Dead Revenge
152 episodes
by Gary Kwapisz
The Devil's plan to destroy America with an army of fallen rebels lacks only one thing to succeed... a general of genius to lead them. Then Stonewall Jackson dies. The real story of the Battle of Gettysburg can finally be told, and this time it has zombies!
140378 views10686 likes
A tiny thumbnail of the cover art for the comics series Right Ho Jeeves
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66417 views11360 likes
A tiny thumbnail of the cover art for the comics series Classic Bible Tales
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A tiny thumbnail of the cover art for the comics series BOB
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Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
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A tiny thumbnail of the cover art for the comics series Chateau Grief
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Technically it's only kidnapping if she tries to leave.
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A tiny thumbnail of the cover art for the comics series Glimmer Vale
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On the run from their past, swordsmen Raedrick Baletier and Julian Hinderbrook search for a place of refuge where they can start over. That search sends them through a remote mountain valley called Glimmer Vale, where unbeknownst to them, dark forces threaten the population’s lives and fortunes. With their hopes of quiet passage through the Vale dashed, and facing a deadly conflict against overwhelming odds, Raedrick and Julian will need all of their wit, courage, and skill just to survive, let alone prevail. Fans of sword and sorcery will enjoy this fast-paced tale of redemption set in a world of valor and magic. Glimmer Vale is the first book in the ongoing Glimmer Vale Chronicles heroic fantasy series. Fans can purchase the book directly from the author or through any of the online retailers: https://ssnstorytelling.com/product/glimmer-vale/ https://books2read.com/glimmervale
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A tiny thumbnail of the cover art for the comics series The Chronicles of the Adventure, Hunting, and Liquidation Committee
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Bohdan Blood was a busy young man. Being the President of the AH&L Committee in the middle of World War Three did that, but now rumors of witchcraft and Cartel incursions around his Ozark home were making things downright unhealthy. Together with his wily friends Bohdan and company will dodge drafts, hunt cryptids, and burn witches in style to keep their neck of the woods from looking like a New York hellscape. Just another day for the Adventure, Hunting, and Liquidation Committee.
9858 views463 likes
A tiny thumbnail of the cover art for the comics series Aesops Fables
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A Crazy Morning panel 1

The Viral Truth


Danny Foster lay in the comfortable bed of his luxury RV, parked within the still-burning perimeter of divine fire that surrounded Robber Baron Stadium. The digital clock on the nightstand read 6:23 AM, but sleep had eluded him for the past two hours as his mind replayed the extraordinary events of the previous evening. The supernatural power he had witnessed flowing through his father still seemed to electrify the very air around him.


Unable to rest, Danny had pulled out his phone and uploaded several photos from his premium seat during the event, along with a full video of the band's performance of "God's Gonna Cut You Down." As the youngest Foster son, he was accustomed to his social media posts receiving modest attention from his small circle of friends—typically five or six likes and maybe one comment, usually from his girlfriend or a close buddy from high school.


What he found on his phone screen defied all his previous experience with social media engagement. The video had accumulated over 3,000 likes overnight, with dozens of comments streaming in from people he barely knew. His typical audience of twenty or thirty friends had somehow exploded into hundreds of viewers, all responding with a mixture of awe, confusion, and religious fervor.


Scrolling through the comments, Danny began to notice a disturbing pattern. His friends weren't just saying they had enjoyed the event—they were insisting they had been forced to watch it.


"Dude, every channel on my TV was showing your dad's thing," wrote his friend Marcus from high school. "Couldn't change it no matter what I did."


"Same here," commented his girlfriend Jessica. "My Netflix, Hulu, everything was just your dad preaching. Couldn't even turn it off. Watched the whole thing."


"Bro, my PlayStation, my computer, my phone—ALL showing the same stream," added another friend. "It was like every screen in the house was hijacked."


Danny found these claims hard to believe. His father had mentioned that God would ensure everyone could hear his message, but the idea that divine power had somehow overridden every electronic device in the country seemed impossible, even after everything he had witnessed.


The sound of footsteps in the narrow RV hallway caught his attention. Through the thin partition, he could see his father moving toward the small bathroom at the rear of the vehicle. John Foster looked tired but peaceful, carrying himself with the same quiet dignity that had marked his appearance on stage just hours earlier.


"Dad," Danny called out softly, not wanting to wake the other family members sleeping in nearby RVs.


John paused and stepped into Danny's small sleeping area. "Couldn't sleep either?"


"Dad, my friends are all saying crazy things about last night. They're claiming every TV channel, every streaming service, every device was showing your sermon whether they wanted to watch it or not. Is that possible?"


John sat on the edge of his son's bed, his expression thoughtful but unsurprised by the question. "Danny, the angel told me that God would ensure everyone had the opportunity to hear His message. I didn't concern myself with the methods He would use to accomplish that promise."


"But Dad, they're saying it was on every screen in America. Every phone, every computer, every television. That's..."


"That's God's will," John replied simply. "The Almighty has ways of accomplishing His purposes that exceed human understanding. If He chose to use every electronic device in the nation to carry His word, then that's what happened."


Danny stared at his father, still struggling to process the implications. "So you're saying God really did take over every screen in the country?"


"I'm saying that when God makes a promise, He keeps it. The angel said everyone would have the opportunity to hear, and apparently everyone did." John stood and placed his hand on his son's shoulder. “Try to get some rest, Danny. We have five more days here, and then we begin traveling to reach the rest of the world."

Crisis Management


Sarah Montgomery, the President's Chief of Staff, strode into the Roosevelt Room at 7:00 AM carrying three cups of coffee and a stack of overnight intelligence briefings that painted a picture of unprecedented domestic chaos. Her phone had been ringing constantly since 5:30 AM with reports from government officials, media executives, and technology companies all describing the same impossible phenomenon.


The senior staff was already assembled around the polished conference table—National Security Advisor, Communications Director, and Deputy Chief of Staff, all looking like they had been awakened by emergency calls in the early morning hours.


"Before anyone says anything," Sarah began, setting down the coffee and opening her briefing folder, "I want everyone to understand that what happened last night appears to have affected every electronic device capable of displaying video content throughout the United States and Canada, and possibly the entire English-speaking Western Hemisphere."


The Communications Director looked up from his phone. "Sarah, we're getting calls from every major network, cable company, and streaming service. They're all reporting the same thing—complete override of their programming by some religious broadcast from Dallas."


"It wasn't just television," the Deputy Chief of Staff added. "Gaming consoles, smartphones, tablets, computer monitors, digital billboards, even electronic displays in airports and shopping malls. Everything showed the same John Foster Ministries stream simultaneously."


The National Security Advisor consulted his notes with obvious concern. "The technical implications are staggering. No known cyber-warfare capability could accomplish something like this. We're talking about simultaneous penetration of thousands of different networks, platforms, and devices with completely different operating systems and security protocols."


Sarah nodded grimly. "YouTube is reporting that the John Foster event registered as the most-viewed live stream in the platform's history, but that's meaningless because viewing wasn't voluntary. People literally couldn't access any other content while the broadcast was active."


The room fell silent as the implications sank in. The United States government, with all its technological capabilities and security infrastructure, had been helpless to prevent or interrupt what amounted to a complete takeover of the nation's electronic communications systems.


The Communications Director broke the silence. "How do we explain this to the press? How do we maintain credibility when we obviously had no control over what happened?"


Before anyone could respond, the door to the Roosevelt Room burst open and the President of the United States entered, his hair disheveled and his expression thunderous.


"Good morning, Mr. President," Sarah began, but he cut her off immediately.


"What the fuck happened last night?" the President demanded, his voice carrying the barely controlled fury that his staff had learned to recognize as a sign of serious trouble. "I couldn't watch Fox News because some preacher had taken over every goddamn channel in the country!"

The Blackout


Tom Bradley, program director for CBS Networks, stood at the head of the conference table in the network's Manhattan headquarters, staring at a room full of frustrated journalists and producers who had been summoned for an emergency 8:00 AM meeting. The overnight assignment desk had been flooded with reports about the previous evening's unprecedented media takeover, and every reporter in the building was demanding to cover what appeared to be the biggest story of the decade.


"Listen up, people," Bradley announced, his voice carrying the authority of someone who had survived twenty-five years in network television. "I know you're all chomping at the bit to report on what happened last night with the Dallas preacher thing, but we have explicit orders from upstairs—and I mean way upstairs—that we are not to cover this story."


Senior correspondent Janet Walsh raised her hand. "Tom, this is potentially the biggest story since 9/11. Every electronic device in the country was hijacked by some religious broadcast. How can we not report on it?"


"Because," Bradley replied through gritted teeth, "we've been told by powers that be that any coverage of the John Foster event will result in consequences that nobody wants to face. And before anyone asks, yes, that includes our online platforms, our morning shows, and our evening news broadcasts."


Investigative reporter Mike Chen leaned forward. "Tom, you're talking about censorship of the highest order. Who has the authority to gag every major news organization simultaneously?"


Bradley's expression darkened further. "I don't know, and I don't want to know. What I do know is that this order comes from people who can make our broadcast licenses disappear overnight and our parent company's stock price crater by market close."


The room erupted in frustrated murmurs as journalists struggled with the unprecedented situation of being forbidden from covering what was clearly a massive story with national security implications.


"There's something else," Bradley continued, his voice dropping to a near whisper. "We're getting reports that a Channel 8 news crew tried to force their way into the Dallas event last night."


"What happened to them?" asked weekend anchor Susan Park.


"According to eyewitness accounts, they were consumed by the fire barrier surrounding the stadium. Completely incinerated. Not even ash remained."


The room fell silent as the implications registered. Two journalists had apparently died trying to cover the story that everyone in the room was now forbidden from reporting.


Bradley glared at the assembled staff, his frustration evident in every line of his face. "And we're definitely NOT reporting on that! Not one FUCKING WORD! Anyone who so much as tweets about Dallas, John Foster, mysterious fires, or missing reporters will be terminated immediately and blacklisted from every major news organization in the country."


As the meeting broke up with journalists filing out in shocked silence, Bradley remained at the conference table, staring at his notes and wondering how a free press in America had suddenly become subject to censorship orders that apparently originated from sources powerful enough to intimidate every major media corporation simultaneously.


The story of John Foster's ministry was spreading through social media and word of mouth, but the traditional media had been effectively silenced by forces that operated beyond the normal channels of government or corporate authority.


The information war had begun, and the first casualty was the truth itself.

Prophet to the Remnant series cover
A Crazy Morning episode cover
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Prophet to the Remnant

Created by
author avatar
Nibmeister
Jesus Christ sends a resurrected Prophet to Christendom and gives him a year and a day to deliver a message and a warning to the remnants of the faithful.
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